東北風雲

简介：当giulia遇到libero并和他在一起的时候，giulia 发现还有不一样的命运和生活在等待着她。但是一个选择直接导致了她被这个世界所背弃

简介：军阀混战时期，连年战争导致民不聊生，早已金盆洗手的卸岭一派为救百姓不得不下墓取财换粮。卸岭传人江宇跟着二叔——卸岭魁首江淮瑞，率领一众卸岭力士进入墓中。进入墓中后不久，卸岭众人便遭到墓中潜伏的巨型蜘蛛袭击，只有江宇和护卫熊奎背着受重伤的江淮瑞逃回寨中。　　三人到达摘自门口发现了一个穿着嫁衣的女子，女子自称顾凌，与江宇曾定下娃娃亲，此次来找江宇便是想要成亲换取聘礼换粮救快要饿死的弟弟。此时军阀张大帅的心腹陆小曼来到门前对江宇说张大帅有一笔生意要见江宇。　　江宇被胁迫来到张大帅的戏园见到张大帅，在张大帅用江淮瑞对江宇一再威胁之下，江宇无奈，只得答应，熊奎与顾凌不放心江宇一人也跟着一起下墓。　　江宇带着张大帅和手下来到了此前卸岭众人进入的墓中，但路过此前卸岭众人经过的地方时发现之前牺牲的卸岭力士的遗体全都不见了，此时江宇心中满是疑惑，想起二叔江淮瑞说过这儿是传说中的徐福墓而心生恐惧，想要逃走但不料被陆小曼拦下。无奈之下江宇、熊奎、顾凌和张大帅与一众手下开启了惊现、刺激的旅程.......

简介：外星人福恩特着陸地球，他本來要來征服地球的，當他在叢林的小夥伴感召下學會了愛與關懷之後，深深地愛上了這片土地，爲了這裏的生物不被自己的父親俘獲，他同小夥伴一起反抗自己的父親，並最終用愛化解了一切危機。本片由邢海順任編劇，著名配音演員李鳳良爲猴子蒙奇配音。

简介：阿斯崔德（朱麗婭·耶恩奇 Julia Jentsch 飾）是一位在事業上頗有建樹的女演員，擁有衆多的粉絲。與此同時，她和丈夫馬庫斯（比亞內·梅德爾 Bjarne Mädel 飾）之間的感情也非常要好，兩人共同養育着可愛的小女兒內爾（艾米莉亞·派斯克 Emilia Pieske 飾），並且正在滿心歡喜的迎接這個家庭裏第二個小生命的誕生。　　然而，令阿斯崔德沒有想到的是，她腹中的胎兒被醫生診斷極有可能在出生之後患有唐氏綜合症和嚴重的先天性心臟病，作爲母親，阿斯崔德將有權要求墮胎。然而，腹中的小小生命已經24周大了，這個艱難的抉擇讓一家人都陷入了痛苦的境地之中。

简介：A singer holes up at a sinister estate to write new songs for his act. The ghost of his murdered wife begins to haunt him, then the person who actually killed her shows up at the mansion.

简介：一段可怕难忘的经历，致使麦士活在阴影的恐惧下，原来，他遇上一次空难意外，虽然侥幸生还，但始终无法摆脱心魔。同时，另一生还者嘉莉也有着同一问题，他俩须经常接受心理辅导，但最后发觉只有互相扶持才能冲破生命中的障碍。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：金無法相信他心愛的孩子芭芭拉公主已經長大成人。他仍然試圖照看公主，但是16歲的芭芭拉在她的生日聚會上發脾氣。當所有人都心煩意亂的時候，王位卻被一個狡猾的郵差黃鼠狼搶走了。然而，由於不滿足於成爲王國的唯一統治者，他還打算嫁給芭芭拉。芭芭拉公主跑出宮殿，發現自己在森林深處。她碰到了歹徒布吉和他的朋友邪惡的兔子。芭芭拉的干涉嚴重破壞了這兩個朋友普通的單身生活。芭芭拉幹預每件事，安排自己的一套規則，並不斷讓他們對她關於愛德華王子的假設感到不安。她想象愛德華王子如何擊敗冒名頂替者，恢復國王的職位，並向芭芭拉求婚。就像書上說的。爲了除掉芭芭拉，布吉決定去尋找愛德華王子，阻止黃鼠狼，恢復王國秩序。

简介：根據奧斯丁同名小說《諾桑覺寺》改編而成。　　鄉村牧師之女凱瑟琳（Felicity Jones飾）是個天真爛漫的少女，受閉塞的家庭環境所限，她終日在小說天地裏徜徉探幽，以此爲平淡生活增亮添彩。　　在有錢朋友的引領下，凱瑟琳進入了上流社會的社交圈，她終於見識到現實中的花花世界，其中不乏虛僞狡猾者如索普兄妹和蒂爾尼將軍，也有值得終身結交的摯友艾麗諾。凱瑟琳和艾麗諾的哥哥：溫文爾雅、俊逸瀟灑的亨利（JJ Feild飾）一見傾心，再見鍾情，理所當然的，迎接他們的也將是奧斯丁的男女主人公勢必經歷的種種磨難和考驗。

简介：影片的故事圍繞“同福客棧”面臨被拆遷的處境展開，佟掌櫃在帶領“衆俠”與地產商進行鬥智鬥勇的同時，片中主要角色也因各自的現狀傷透腦筋。郭芙蓉與秀才成親後，爲了孩子積極籌劃買房，最後卻只買得一處牛棚。結了婚的佟掌櫃忙着給小貝找婆家，更令她煩心的是她和老白要不上孩子，佟掌櫃因此一見當了媽媽的郭芙蓉，說話就變得酸溜溜的。

简介：

退休的黑幫首領查理·阿切爾被一個兇猛的街頭幫派謀殺，目睹一切的莉齊·戴維斯報警，但證詞遭到警方質疑。於是查理的兄弟同是黑幫的裏奇·阿切爾開始進行調查，用自己的方式對這些年輕罪犯進行懲戒。

简介：八位導演選擇了差別的可怕片子，針對的是可怕片中常常出現的比方和太過利用的陳詞濫調。