簡單愛

简介：图里奥公爵（吉安卡罗·吉安尼尼 Giancarlo Giannini 饰）迎娶了美丽的妻子秋丽安娜（劳拉·安托妮莉 Laura Antonelli 饰），虽然家有娇妻，但是天性好色的图里奥公爵还是整日在外面沾花惹草，这让年轻的秋丽安娜感到非常的寂寞。 随着时间的推移，秋丽安娜渐渐无法忍受这样压抑的生活，一次偶然中，她邂逅了一位名叫达博里奥（马克·波雷尔 Marc Porel饰）的男子。达博里奥是一位贫穷的作家，虽然身无分文，但是他的才华深深的吸引了秋丽安娜，两人渐渐走到了一起。最终，这段背德的感情被图里奥公爵所知晓，然而最让他感到愤怒的并非妻子对自己的不忠，而是达博里奥低贱的身份。

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故事发生在第二次世界大战时期，纳粹德国的空袭使美军第八空袭部队损失惨重。漫长的持久战，让美军的士气和斗志都消失殆尽，濒临绝境。然而吃紧的战况却不容得他们半点松懈和喘息。在此危机而关键的时刻，总部派来了新指挥官弗兰克·萨维奇（格利高里·派克 Gregory Peck 饰）接管这批队伍。面对德军的猛烈攻击和部队的严重损失，弗兰克意志坚定临危不惧，以铁一般的纪律和身先士卒的态度，带领部队一路拼杀，与德军殊死搏斗。弗兰克超绝非凡的气度和顽强到底的抵抗精神，深深地感染了部队里的每一位成员，队伍得以重振旗鼓，取得了重大胜利。                                                                      　　本片荣获1950年第22届奥斯卡金像奖最佳男配角和最佳音响效果两项大奖，并获得最佳影片、最佳男主角两项提名。

简介：清末民初，战乱不断，邪人王丽娘正害人性命，疯癫江湖术士毛不破与徒弟白祈、白源追捕邪祟来到鹤灵城，白祈将王丽娘及双头蛇击败，王丽娘濒死遗言及标识让毛不破心生疑惑，想起多年灭门惨案。不久，大帅府怪象频生，师徒三人被大帅府邀请前去府邸查探，旧相识黄老九和黄灵儿也随师徒三人一同前去。白祈破解怪事乃邪魔笑傀作祟，于是决定进入诛魔镜找寻真相。生死轮回，亲情爱情何去何从，不死之身左千秋阴谋能否得逞，一切尽在诛魔镜中世界···

简介：11岁的乔纳森（马库斯·瑞格德 饰）经常和自己的爷爷一起在一片巨大的树林边上度假，关于这个树林有一个传说：里面居住着巨大的神奇动物。这一年，乔纳森的平静的度假生活被自己的小妹妹索菲打破了，她加入到了乔纳森和爷爷之间，也在这里度假。乔纳森一点都不喜欢这个小妹妹，所以竭尽全力的躲避她。乔纳森“成功”了，一头1000岁的巨熊绑架了索菲。可是这个突如其来的事情完全出乎乔纳森的意料。现在，他只有克服自己的恐惧，步入森林深处，面对着居住在那里的怪物，救出自己的妹妹。

简介：本片包含的四個故事是道德力量與死刑這兩個關鍵主題的變奏曲。這就提出了一個問題：在專制政權及其看似不可避免的威脅下，個人自由能在多大程度上得到表達？

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Liberal politician Gerben Kooistra becomes deputy Mayor of a small village. He is assigned to stay low profile while solving a ‘private problem’. Soon he discovers that the seemingly boring border-village is a hub for drug smugglers, led by hardened criminal Toontje van Wanrooy.

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現在是2011年，距離傳說中的2012時日無多，雖然大部分人的生活並未發生變化，但是總有人因不同的原因從瑪雅人的預言中預感到了什麼……單身女青年慧子（田中千繪 飾）是個在日本長大的中國人，她最近的設計工作頗不如意，又受周圍朋友影響，漸漸愈發確認2012蘊含非凡的意義。因手頭拮据，慧子只得和朋友介紹來的男租客關鍵（黃又南 飾）共處一戶，關鍵雖對慧子青睞有加，但後者拒人千里之外的態度令關鍵唯有默默承受。這天，慧子突然一反常態邀請關鍵喫飯，原來真實意圖是要後者幫助自己完成一系列“末日願望計劃”，正當關鍵與慧子的關係取得突破，一個男人突然出現……©豆瓣

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简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：20世紀60年代，在自由開放的大環境下，古老的愛爾蘭仍保持着古板和保守的風氣。在這裏，所有被認爲墮落的女孩都要被送入瑪德蓮女子學院接受感化，而等待他們的不是和風細雨，而是無盡的黑暗與絕望。　　瑪格麗特（Anne-Marie Duff 飾）在家族婚禮上被堂兄姦污，這件事在婚禮現場口耳相傳，她的委屈並未得到伸張，反而被作爲“不潔的女孩”送走；活潑漂亮的伯納黛特（Nora-Jane Noone 飾）是男孩們追逐的對象，她爲了自己的“輕佻”付出了代價；羅絲（Dorothy Duffy 飾）未婚先孕，爲了所謂的前途被迫放棄了自己的孩子。　　三個女孩來到了瑪德蓮女子學院，她們還不知道，這是一個有來無回的絕望之地……

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A teenager with the ability to enter other people's dreams. When he witnesses a dark spirit taking people's lives in their dreams, he quickly realizes that it's related to the mysterious deaths that are happening in the real world.

简介：本片根據真實人物改編。第一次來到西藏工作的老孔（宋洋 飾），急需一個翻譯，機緣巧合下，找到了在內地讀過書的久美（金巴 飾）。兩個人從互相矛盾到彼此理解，最終成爲了一生的朋友……