陰聲

简介：個性莽撞的玫瑰仙子（孫儷 飾）渴望能夠像紫霞仙子一樣找到一世珍愛，於是從日月神燈前盜取那把曾見證曠古愛戀的紫青寶劍來到凡間，希望找到能拔劍出鞘的真命天子。山賊清一色（鄭中基 飾）只想本本份份做個山賊，不料卻拔出玫瑰仙子的紫青寶劍，之後倆人又意外通過越光寶盒穿越時空，親歷赤壁之戰。在穿越的日子裏，玫瑰仙子對於拔劍出鞘的清一色百般示愛，而一心想重新踏上穿越時空之路的清一色卻對玫瑰仙子只是假意奉承，在利用玫瑰仙子從曹操（郭德綱 飾）手裏奪回越光寶盒之後，他毅然棄玫瑰仙子於不顧，獨自回到曾經。然而再次偶到玫瑰仙子之時，清一色卻發現有一份愛早已在自己的心頭生根發芽……　　本片借經典影片《月光寶盒》之東風，58位明星傾情加盟，並重新演繹近年來多部影片中的精彩片段，“笑果”非比尋常。

简介：In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.

简介：影片片名爲《驗傷》，爲2002年曾獲得奧斯卡最佳外語片的《無主之地》的翻拍影片。《綜藝》雜誌報道，最近主演喜劇影片《殺手沒有假期》和動作影片《邁阿密風雲》的法瑞爾這次將飾演從危險任務中歸來的攝影記者，他的同事兼最好朋友在任務中去世。

简介：安靜走進大學後與轉學來的插班生餘洛同班。餘洛的學習成績和帥氣的文藝氣質深深吸引着安靜，安靜選擇一種靜守的方式喜歡着餘洛。夢的美好總是沒有那麼完整。陸茗雪的突然出現，悄然中讓安靜的內心蕩起了波瀾，餘洛對陸茗雪的注視也隨之打破了原有的寧靜，慶幸的是安靜身邊還有方木和盛楠的陪伴。時光易逝，歲月飛濺，大學生活裏的歡喜悲憂他們用青春的代價爲自己年輕懵懂買單，儘管都遍體鱗傷也堅守住心裏的那一份最純真的美。老天總是喜歡開玩笑，大學畢業後餘洛向陸茗雪表白後，第二天陸茗雪信息回應，但陸茗雪因父母生意原因必須即刻離開，慌忙中陸茗雪手機掉在車輪下壓壞，餘洛從此失去了陸茗雪的消息…

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简介：本片講述了香港新界圍村陸氏家族在房產開發交易黑幕後的故事。故事開始於村民羅永就（古天樂 飾）醉酒撞死了異姓兄弟陸永遠（錢嘉樂 飾），陸永遠之妻月華（周迅 飾）從此與他勢不兩立。羅永就5年後出獄，發現陸氏家族大家長陸瀚濤（曾江 飾）和其女陸永瑜（葉璇 飾），以及女婿（黃磊 飾）已經坐擁新界最大房產公司，而陸家兄弟陸金強（劉青雲 飾）、陸永富（方中信 飾）等人則瘋狂擴張勢力。不久香港房產巨鱷邀請羅永就“共商大事”。同時，神祕人阿祖（吳彥祖 飾）透露給月華一個通過竊聽得到的祕密消息，他告訴月華要想在這場欺天陰謀中復仇，就必須按照他的指示去做…… 於是幾方勢力都開始暗自行動。　　本片是《竊聽風雲》系列的第三部，但是除了“竊聽”這一核心創意外，故事內容與前兩部無關。

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堪称动画史上的最强对决到来！传奇大盗鲁邦三世（栗田贯一 配音）和他的战友次元大介（小林清志 配音）、石川五卫门（浪川大辅 配音）来到东京，以怪盗基德之名挑战日本警察和柯南（高山南 配音）。在此之后，鲁邦高调寄出预告书，扬言要盗取某银行内的稀世珍宝樱桃蓝宝石，为此国际刑警组织（ICPO）的鲁邦三世专门搜查官钱形幸一警部（山寺宏一 配音）与目暮警官（茶风林 配音）为代表的日本警视厅通力配合，决心给大盗迎头痛击。另一方面，意大利偶像歌手艾米里翁·瓦力迪（入野自由 配音）赴日卡演唱会，但威胁杀害偶像的恐吓信也随之而来。                                                                      　　人声鼎沸的演唱会会场，史无前例的对决拉开序幕……

简介：男孩查理是足球場上一顆冉冉升起的新星，當他踢球時，一切彷彿都在他的掌控之中。目前有一家頂尖的俱樂部非常想和他簽約，對他來說未來似乎是那麼美好，而成功也彷彿就在眼前。 然而鮮爲人知的是，查理一直覺得自己的內心住着一個女孩的靈魂。他既想要達成父親的夙願，又想要直面自我，成爲一個只是叫查理的人。眼見祕密無法再隱瞞下去，查理的決定或許會讓他的家庭關係被撕裂，也可能將他完美的世界拖入懷疑、偏見和混亂中去……

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简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.