简介：德國著名導演維姆·文德斯（Wim Wenders）在第一次觀看皮娜·鮑什（Pina Bausch）出演《穆勒咖啡館》時，便深深爲這位“德國現代舞第一夫人”所吸引。他與皮娜迅速成爲至交，並誕生了合作電影的想法。幾經考慮，文德斯決定採用3D電影技術來展現皮娜充滿激情與創意的 現代舞藝術，試圖爲觀衆開啓一種全新而獨特的視覺發現之旅。但是，2009年電影拍攝計劃宣佈後不久，皮娜·鮑什就因肺癌辭世，整個拍攝計劃就此擱置。直到在與皮娜生前執掌的烏帕塔舞蹈劇場商談後，文德斯才決定重新啓動電影拍攝計劃。本片將皮娜的幾部舞蹈作品《穆勒咖啡館》、《春之祭》、和《月圓》貫穿在學生和好友對她的追憶中，同時將鏡頭投射到充滿工業景觀的城市烏帕塔，立體化地詮釋了皮娜獨特奇妙的舞蹈美學，留下了對皮娜最美的讚歌。

简介：德國著名導演維姆·文德斯（Wim Wenders）在第一次觀看皮娜·鮑什（Pina Bausch）出演《穆勒咖啡館》時，便深深爲這位“德國現代舞第一夫人”所吸引。他與皮娜迅速成爲至交，並誕生了合作電影的想法。幾經考慮，文德斯決定採用3D電影技術來展現皮娜充滿激情與創意的 現代舞藝術，試圖爲觀衆開啓一種全新而獨特的視覺發現之旅。但是，2009年電影拍攝計劃宣佈後不久，皮娜·鮑什就因肺癌辭世，整個拍攝計劃就此擱置。直到在與皮娜生前執掌的烏帕塔舞蹈劇場商談後，文德斯才決定重新啓動電影拍攝計劃。本片將皮娜的幾部舞蹈作品《穆勒咖啡館》、《春之祭》、和《月圓》貫穿在學生和好友對她的追憶中，同時將鏡頭投射到充滿工業景觀的城市烏帕塔，立體化地詮釋了皮娜獨特奇妙的舞蹈美學，留下了對皮娜最美的讚歌。

简介：2016年聖丹斯電影節備受讚譽的波蘭紀錄片。最終斬獲世界電影單元紀錄片最佳導演獎，鏡頭追隨華沙年輕人五彩斑斕的生活，Kris和Michal在華沙街頭不安地尋找推動他們生活和愛情上的斷裂點，青春的萌動與生命的律動用音樂與鏡頭描摹。所有的不眠之夜，海邊、電音、跳舞，一羣人，狂歡

简介：2016年聖丹斯電影節備受讚譽的波蘭紀錄片。最終斬獲世界電影單元紀錄片最佳導演獎，鏡頭追隨華沙年輕人五彩斑斕的生活，Kris和Michal在華沙街頭不安地尋找推動他們生活和愛情上的斷裂點，青春的萌動與生命的律動用音樂與鏡頭描摹。所有的不眠之夜，海邊、電音、跳舞，一羣人，狂歡

简介：由西班牙導演伊格尼斯(Álex de la Iglesia)所執導的《球神梅西》自傳電影，完整描述阿根廷足球天王巨星梅西(Lionel Messi)童年時期到成名，是一部半紀錄半劇情片，片中訪問了包含梅西的朋友、隊友、教練、足球界明星球員等，並在羅薩裏奧、布宜諾斯艾利斯、巴塞隆納等三地取景。　　「我們知道他在場上宛如天才，我們也想知道他在場下是什麼樣的人。」　　梅西的童年採用劇情片模式「重現」，劇本由前阿根廷國家隊球員瓦達納（Jorge Valdano）撰寫，爲求真實性，海選找來長相神似梅西的9歲伊拿斯奧( Juan Ignacio Martinez)擔綱，演出梅西在童年患下荷爾蒙缺乏症，身高無法長高，還一度威脅到性命的過程。全片帶着觀衆抽絲剝繭，探尋引領阿根廷隊在2014年爭奪世界盃足球冠軍的他，是天生球星還是後天成材？這一路又是如何在最終締造出球壇傳奇。

简介：由西班牙導演伊格尼斯(Álex de la Iglesia)所執導的《球神梅西》自傳電影，完整描述阿根廷足球天王巨星梅西(Lionel Messi)童年時期到成名，是一部半紀錄半劇情片，片中訪問了包含梅西的朋友、隊友、教練、足球界明星球員等，並在羅薩裏奧、布宜諾斯艾利斯、巴塞隆納等三地取景。　　「我們知道他在場上宛如天才，我們也想知道他在場下是什麼樣的人。」　　梅西的童年採用劇情片模式「重現」，劇本由前阿根廷國家隊球員瓦達納（Jorge Valdano）撰寫，爲求真實性，海選找來長相神似梅西的9歲伊拿斯奧( Juan Ignacio Martinez)擔綱，演出梅西在童年患下荷爾蒙缺乏症，身高無法長高，還一度威脅到性命的過程。全片帶着觀衆抽絲剝繭，探尋引領阿根廷隊在2014年爭奪世界盃足球冠軍的他，是天生球星還是後天成材？這一路又是如何在最終締造出球壇傳奇。

简介：Acclaimed filmmaker Leanne Pooley directs this insightful documentary examining the future of artificial intelligence and the impact it will have on our world. As computers continue to evolve at an ever-greater speed, soon they will have the capacity to design and program themselves. Without the help of humans, the next generation of computers will create new and smarter A.I. at an exponential pace. What will these technological developments mean for the future of mankind Written by GFC Films

简介：Acclaimed filmmaker Leanne Pooley directs this insightful documentary examining the future of artificial intelligence and the impact it will have on our world. As computers continue to evolve at an ever-greater speed, soon they will have the capacity to design and program themselves. Without the help of humans, the next generation of computers will create new and smarter A.I. at an exponential pace. What will these technological developments mean for the future of mankind Written by GFC Films

简介：紀錄片講述了生活在蒙古西北部阿爾泰山區的13歲小女孩Aisholpan，打破沿襲了幾百年的傳男不傳女的風俗，跟隨父親學習獵鷹，併成爲地區獵鷹節大賽首位女性參賽者的經歷。　　Thirteen-year-old Aisholpan trains to become the first female in twelve generations of her Kazakh family to become an eagle huntress.

简介：紀錄片講述了生活在蒙古西北部阿爾泰山區的13歲小女孩Aisholpan，打破沿襲了幾百年的傳男不傳女的風俗，跟隨父親學習獵鷹，併成爲地區獵鷹節大賽首位女性參賽者的經歷。　　Thirteen-year-old Aisholpan trains to become the first female in twelve generations of her Kazakh family to become an eagle huntress.

简介：《四個春天》是一部以真實家庭生活爲背景的紀錄片。15歲離家，在異鄉漂泊多年的導演以自己南方小城裏的父母爲主角，在四年光陰裏，以一己之力記錄了他們的美麗日常。在如詩的樂活慢生活圖景中，影像緩緩雕刻出一個幸福家庭近二十年的溫柔變遷，以及他們如何以自己的方式面對流轉的時間、人生的得失起落。

简介：《四個春天》是一部以真實家庭生活爲背景的紀錄片。15歲離家，在異鄉漂泊多年的導演以自己南方小城裏的父母爲主角，在四年光陰裏，以一己之力記錄了他們的美麗日常。在如詩的樂活慢生活圖景中，影像緩緩雕刻出一個幸福家庭近二十年的溫柔變遷，以及他們如何以自己的方式面對流轉的時間、人生的得失起落。

简介：《最後的探戈》由傑門·克拉爾執導，講述了阿根廷最著名的探戈舞者瑪利亞（Maria Nieves Rego）和胡安（Juan Carlos Copes）的生平和愛情故事。　　他們在少年時代相遇並一起跳舞了近五十年，直到痛苦的分離將他們撕裂。他們的故事傳遞給一羣來自布宜諾斯艾利斯的年輕探戈舞者和編舞者，二人之間的激情、憎惡、背叛、隱瞞、共情，最終化爲令人難忘的探戈編舞。

简介：《最後的探戈》由傑門·克拉爾執導，講述了阿根廷最著名的探戈舞者瑪利亞（Maria Nieves Rego）和胡安（Juan Carlos Copes）的生平和愛情故事。　　他們在少年時代相遇並一起跳舞了近五十年，直到痛苦的分離將他們撕裂。他們的故事傳遞給一羣來自布宜諾斯艾利斯的年輕探戈舞者和編舞者，二人之間的激情、憎惡、背叛、隱瞞、共情，最終化爲令人難忘的探戈編舞。

简介：剛果窮小子自力更生，拿一把斧頭走入叢林，以過人意志，獨力砍大樹，土法制木炭。辛苦都不怕，他夢想活得好一點，可以親手爲妻子及女兒造個安樂窩。只有一輛單車，載滿一袋袋沉甸甸的木炭，他一個人推着上路，長途跋涉，期望送到鎮上能賣個好價錢。公路旅程卻多險阻，有人攔路「收陀地」，顧客壓價佔便宜。人情涼薄，向上天禱告可會有奇蹟出現？攝影師出身的嘉哈，以出色影像與紀實目光，近距離捕捉這段猶如薛西弗斯推石上山的賣炭人生。奪第70屆戛納電影節影評人週大獎。

简介：剛果窮小子自力更生，拿一把斧頭走入叢林，以過人意志，獨力砍大樹，土法制木炭。辛苦都不怕，他夢想活得好一點，可以親手爲妻子及女兒造個安樂窩。只有一輛單車，載滿一袋袋沉甸甸的木炭，他一個人推着上路，長途跋涉，期望送到鎮上能賣個好價錢。公路旅程卻多險阻，有人攔路「收陀地」，顧客壓價佔便宜。人情涼薄，向上天禱告可會有奇蹟出現？攝影師出身的嘉哈，以出色影像與紀實目光，近距離捕捉這段猶如薛西弗斯推石上山的賣炭人生。奪第70屆戛納電影節影評人週大獎。

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：導演Luke Holland採訪了近300位納粹大屠殺的參與者和受害者。

简介：導演Luke Holland採訪了近300位納粹大屠殺的參與者和受害者。

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简介：Unprecedented access to Muhammad Ali's personal archive of audio journals as well as interviews and testimonials from molikan.com his inner circle of family and friends are used to tell the legend's life story.

简介：Unprecedented access to Muhammad Ali's personal archive of audio journals as well as interviews and testimonials from molikan.com his inner circle of family and friends are used to tell the legend's life story.