简介：Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder.　　Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty.　　All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…

简介：Duccio Tessari's rare Giallo starring Helmut Berger, Giancarlo Sbragia, Evelyn Stewart, Silvano Tranquilli Carole Andre. A young student is murdered in a park by an unseen assailant during a heavy thunderstorm. The murderer makes his escape, but is identified by a number of people at the park exit. A sports presenter from a local TV channel, Alessandro Marchi, is quickly arrested, and despite protestations of innocence, is charged with the murder.　　Marchi calls his lawyer, who promises to have him released very soon, but when it comes to the trial the lawyers case is a weak one, full of holes, and Marchi is duly found guilty.　　All is not what it seems and it soon becomes apparent that the lawyer is having an affair with Marchi's wife and obviously does not have Marchi's best interests at heart…

简介：Ethan is a young, shy and rather reserved designer who has suffered from insomnia for many years due to his terrible nightmares. Believing he has a personality disorder he decides to see a therapist to solve his problem, but it will be thanks to the help of his best friend and a medium that he will face a long journey, a journey that will lead him to discover that his nightmares hide a shocking truth, something darker and more sinister than he ever imagined.

简介：Ethan is a young, shy and rather reserved designer who has suffered from insomnia for many years due to his terrible nightmares. Believing he has a personality disorder he decides to see a therapist to solve his problem, but it will be thanks to the help of his best friend and a medium that he will face a long journey, a journey that will lead him to discover that his nightmares hide a shocking truth, something darker and more sinister than he ever imagined.

简介：胡麗葉塔（阿德麗安娜·尤加特 Adriana Ugarte 飾）和蘇安（丹尼爾·格勞 Dani Grao 飾）相識於一列疾行的火車之上，之後兩人相愛，結婚，生下了可愛的女兒安蒂亞（布蘭卡·帕雷斯 Blanca Parés 飾），一家三口生活在幸福美滿之中。某日，胡麗葉塔和蘇安發生了爭執，蘇安一怒之下揚帆出海，卻遭遇了風暴喪生海底，絕望的胡麗葉塔患上了抑鬱症。　　安蒂亞和好友碧亞（米歇爾·珍娜 Michelle Jenner 飾）共同照顧着魂不守舍的胡麗葉塔，一晃眼就是很多年過去，雖然胡麗葉塔的病情漸漸好轉，但她對女兒的依戀和依賴卻越來越深。在十八歲生日那天，安蒂亞不告而別，從此下落不明，胡麗葉塔在憤怒、委屈和驚恐之中瘋狂的尋找着有關女兒的蛛絲馬跡，但始終都是徒勞。

简介：胡麗葉塔（阿德麗安娜·尤加特 Adriana Ugarte 飾）和蘇安（丹尼爾·格勞 Dani Grao 飾）相識於一列疾行的火車之上，之後兩人相愛，結婚，生下了可愛的女兒安蒂亞（布蘭卡·帕雷斯 Blanca Parés 飾），一家三口生活在幸福美滿之中。某日，胡麗葉塔和蘇安發生了爭執，蘇安一怒之下揚帆出海，卻遭遇了風暴喪生海底，絕望的胡麗葉塔患上了抑鬱症。　　安蒂亞和好友碧亞（米歇爾·珍娜 Michelle Jenner 飾）共同照顧着魂不守舍的胡麗葉塔，一晃眼就是很多年過去，雖然胡麗葉塔的病情漸漸好轉，但她對女兒的依戀和依賴卻越來越深。在十八歲生日那天，安蒂亞不告而別，從此下落不明，胡麗葉塔在憤怒、委屈和驚恐之中瘋狂的尋找着有關女兒的蛛絲馬跡，但始終都是徒勞。

简介：18世紀初，在喀爾巴阡山脈東邊的原始叢林腹地，古老而閉塞的村莊，妙齡少女在夜晚慘遭殺害。惡魔的氣息瀰漫森林四處，被詛咒的土地上，邪靈降臨，爲當地人帶來最爲恐怖的噩夢。與此同時，年輕孟浪的英國科學家和製圖家喬納森·格林（傑森·弗萊明 Jason Flemyng 飾）和富家小姐的戀情被對方父親發覺，遭到怒罵和驅逐的喬納森帶着對女孩的眷戀踏上東去的旅途，期間他迷失了道路，稀裏糊塗來到了那座被詛咒的村莊。他從當地人那裏聽說了關於撒旦、女巫的傳說，但是這位牛頓的學生對超自然現象抱有深深的懷疑。　　令人不敢相信的奇異旅程，改變命運的重要時刻……

简介：18世紀初，在喀爾巴阡山脈東邊的原始叢林腹地，古老而閉塞的村莊，妙齡少女在夜晚慘遭殺害。惡魔的氣息瀰漫森林四處，被詛咒的土地上，邪靈降臨，爲當地人帶來最爲恐怖的噩夢。與此同時，年輕孟浪的英國科學家和製圖家喬納森·格林（傑森·弗萊明 Jason Flemyng 飾）和富家小姐的戀情被對方父親發覺，遭到怒罵和驅逐的喬納森帶着對女孩的眷戀踏上東去的旅途，期間他迷失了道路，稀裏糊塗來到了那座被詛咒的村莊。他從當地人那裏聽說了關於撒旦、女巫的傳說，但是這位牛頓的學生對超自然現象抱有深深的懷疑。　　令人不敢相信的奇異旅程，改變命運的重要時刻……

简介：在位於郊外的華麗別墅內，人過中年的整形醫生羅伯特·雷德加（安東尼奧·班德拉斯 Antonio Banderas 飾）和忠心老僕人瑪麗莉婭（Marisa Paredes 飾）居住於此。在過去的十二年裏，他先後失去了妻子蓋兒和女兒諾瑪（Ana Mena 飾），一樁樁人間慘劇徹底顛覆了羅伯特看似完美的生活，同時也將他的事業與研究推向了完全未知的領域。在別墅的某個神祕房間內，居住着一個美麗且與世隔絕的女子，她叫薇拉（埃琳娜·安納亞 Elena Anaya 飾），既是羅伯特的病人，又是他的實驗對象，二人有着紛繁錯亂的淵源。她經羅伯特之手精心塑造出來的容顏，將彼此緊緊纏繞在了一起……　　本片榮獲2011年華盛頓影評人協會最佳外語片獎。

简介：在位於郊外的華麗別墅內，人過中年的整形醫生羅伯特·雷德加（安東尼奧·班德拉斯 Antonio Banderas 飾）和忠心老僕人瑪麗莉婭（Marisa Paredes 飾）居住於此。在過去的十二年裏，他先後失去了妻子蓋兒和女兒諾瑪（Ana Mena 飾），一樁樁人間慘劇徹底顛覆了羅伯特看似完美的生活，同時也將他的事業與研究推向了完全未知的領域。在別墅的某個神祕房間內，居住着一個美麗且與世隔絕的女子，她叫薇拉（埃琳娜·安納亞 Elena Anaya 飾），既是羅伯特的病人，又是他的實驗對象，二人有着紛繁錯亂的淵源。她經羅伯特之手精心塑造出來的容顏，將彼此緊緊纏繞在了一起……　　本片榮獲2011年華盛頓影評人協會最佳外語片獎。

简介：上世紀80年代初的西班牙正處於大變革之中，瓜達爾基維爾流域的沼澤地上有一座偏遠小鎮，一件極其殘忍的少女兇殺案就發生於此。來自馬德里的警探帕德羅（勞爾·阿雷瓦羅 Raúl Arévalo 飾）和搭檔胡安（哈維爾·古鐵雷斯 Javier Gutiérrez 飾）奉命來調查此事。然而兇殺案並不像封建保守的當地居民想的那樣簡單，兩人逐漸發現這是一宗連環少女失蹤案，他們面對的很可能不只是一個殘忍的兇手，而是一個組織。隨着受害者母親（內瑞雅·巴德洛斯 Nerea Barros 飾）提供的關鍵線索，案件更加地撲朔迷離，而在調查過程中帕德羅也發現了胡安不爲人知的過去，更讓人不安的是社會的腐敗，以及小鎮人民的貧窮與冷漠，兩人都面對着極大的挑戰。

简介：上世紀80年代初的西班牙正處於大變革之中，瓜達爾基維爾流域的沼澤地上有一座偏遠小鎮，一件極其殘忍的少女兇殺案就發生於此。來自馬德里的警探帕德羅（勞爾·阿雷瓦羅 Raúl Arévalo 飾）和搭檔胡安（哈維爾·古鐵雷斯 Javier Gutiérrez 飾）奉命來調查此事。然而兇殺案並不像封建保守的當地居民想的那樣簡單，兩人逐漸發現這是一宗連環少女失蹤案，他們面對的很可能不只是一個殘忍的兇手，而是一個組織。隨着受害者母親（內瑞雅·巴德洛斯 Nerea Barros 飾）提供的關鍵線索，案件更加地撲朔迷離，而在調查過程中帕德羅也發現了胡安不爲人知的過去，更讓人不安的是社會的腐敗，以及小鎮人民的貧窮與冷漠，兩人都面對着極大的挑戰。

简介：西班牙懸疑片，以個女孩被招募進入一個在加那利羣島邪教。幾個月後，他的哥哥接到一個電話告訴他，有一個羣邪教的成員參與自殺活動，哥哥和女友一起去營救她的故事..

简介：西班牙懸疑片，以個女孩被招募進入一個在加那利羣島邪教。幾個月後，他的哥哥接到一個電話告訴他，有一個羣邪教的成員參與自殺活動，哥哥和女友一起去營救她的故事..

简介：影片由印度的謀殺懸案及調查改編。14歲的花季少女Aarushi，是Talvar夫婦的掌上明珠。Aarushi在深夜被謀殺於自家臥室，慘案發生當晚，夫婦正在隔壁臥室酣睡。除少女Aarushi被謀殺外，45歲的僕人Hemraj Banjade的屍體在很晚時候也被粗心的警察發現。

简介：影片由印度的謀殺懸案及調查改編。14歲的花季少女Aarushi，是Talvar夫婦的掌上明珠。Aarushi在深夜被謀殺於自家臥室，慘案發生當晚，夫婦正在隔壁臥室酣睡。除少女Aarushi被謀殺外，45歲的僕人Hemraj Banjade的屍體在很晚時候也被粗心的警察發現。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：一對年青情侶遇上倆位神祕陌生人，浪漫的約會之夜氛圍霎時急轉直下，成了恐怖與猜忌的夜晚。翻拍自2019年馬拉雅拉姆語電影《Ishq》.

简介：一對年青情侶遇上倆位神祕陌生人，浪漫的約會之夜氛圍霎時急轉直下，成了恐怖與猜忌的夜晚。翻拍自2019年馬拉雅拉姆語電影《Ishq》.

简介：故事取材自1981年轟動全美的真實謀殺案，兇手亞恩·夏安·約翰遜殺死房東後聲稱自己是被邪靈附體纔會行兇，是美國歷史上首個被告以「鬼上身」作抗辯理由的案例，因此稱爲「惡魔謀殺案」。　　11歲男孩大衛被邪靈附體，陷入混沌狀態，經常看見怪獸惡魔坐在他喜歡的搖椅上，而他身上更出現 離奇傷痕…受驚且束手無策的家人請來沃倫夫婦介入調查，他們發現大衛被43只惡魔纏身，使乖巧的他行爲變得異常，例如像野獸般在地上爬行、胡言亂語甚至背誦他沒有讀過的聖經及《失樂園》章節…沃倫夫婦遂安排神父爲大衛驅魔，可惜未見起色，而更詭異的事情接踵而來，大衛姐姐的未婚夫亞恩也開始行爲異常，數月後，亞恩更以利刀刺死了房東。華倫夫婦認爲亞恩行兇時被惡靈附身，原來大衛進行驅魔時，亞恩也在現場……

简介：故事取材自1981年轟動全美的真實謀殺案，兇手亞恩·夏安·約翰遜殺死房東後聲稱自己是被邪靈附體纔會行兇，是美國歷史上首個被告以「鬼上身」作抗辯理由的案例，因此稱爲「惡魔謀殺案」。　　11歲男孩大衛被邪靈附體，陷入混沌狀態，經常看見怪獸惡魔坐在他喜歡的搖椅上，而他身上更出現 離奇傷痕…受驚且束手無策的家人請來沃倫夫婦介入調查，他們發現大衛被43只惡魔纏身，使乖巧的他行爲變得異常，例如像野獸般在地上爬行、胡言亂語甚至背誦他沒有讀過的聖經及《失樂園》章節…沃倫夫婦遂安排神父爲大衛驅魔，可惜未見起色，而更詭異的事情接踵而來，大衛姐姐的未婚夫亞恩也開始行爲異常，數月後，亞恩更以利刀刺死了房東。華倫夫婦認爲亞恩行兇時被惡靈附身，原來大衛進行驅魔時，亞恩也在現場……

简介：葡萄牙電影，入圍2017悉尼電影節。幽深的失魂森林，是葡萄牙的自殺勝地。某天，一個想要自殺的老人，遇見了同樣求死的女孩。老人和女孩，各自敞開心扉，在赴死的邊緣猶豫。接着，畫風驟轉，女孩把老人切腹，大開殺戒。貫穿全片的一句話是梵高的“悲傷永駐”。

简介：葡萄牙電影，入圍2017悉尼電影節。幽深的失魂森林，是葡萄牙的自殺勝地。某天，一個想要自殺的老人，遇見了同樣求死的女孩。老人和女孩，各自敞開心扉，在赴死的邊緣猶豫。接着，畫風驟轉，女孩把老人切腹，大開殺戒。貫穿全片的一句話是梵高的“悲傷永駐”。