简介：家事律師markus發現假期豔遇的對象lena懷孕，他以爲終於能如願擁有自己的家室。他決定花多點時間來瞭解lena,畢竟兩人相識的時間不長，然而lena的父親hartmut對女兒的新男友似乎沒什麼好感。markus來到魯爾區營地參加hartmut的50歲生日派對.hartmut竟動員營地所有人來整markus,他與未來的岳父即將展開一場爆笑的大戰。

简介：家事律師markus發現假期豔遇的對象lena懷孕，他以爲終於能如願擁有自己的家室。他決定花多點時間來瞭解lena,畢竟兩人相識的時間不長，然而lena的父親hartmut對女兒的新男友似乎沒什麼好感。markus來到魯爾區營地參加hartmut的50歲生日派對.hartmut竟動員營地所有人來整markus,他與未來的岳父即將展開一場爆笑的大戰。

简介：三位理科宅男，大學時期就是換帖好友，畢業後卻面臨金融風暴而失業，只好隨便找份工作餬口。某天，成為化學系教授的貝德羅（大衛貝爾塔格飾演），打造出一款增強注意力的維生素，卻因為研究經費不足慘遭校方解僱。走投無路之下，貝德羅竟揪兩位好友一起吞了這款維生素，更意外發現這款藥丸不但沒有副作用，還會讓人情緒高亢！於是，他們決定不當乖乖牌，開始走歪路開啟製毒事業，想靠賣藥日進鬥金，天天開趴嗨到翻。不過他們萬萬沒想到，原本平凡的生活，就這樣陷入充滿危險的夜世界…。

简介：三位理科宅男，大學時期就是換帖好友，畢業後卻面臨金融風暴而失業，只好隨便找份工作餬口。某天，成為化學系教授的貝德羅（大衛貝爾塔格飾演），打造出一款增強注意力的維生素，卻因為研究經費不足慘遭校方解僱。走投無路之下，貝德羅竟揪兩位好友一起吞了這款維生素，更意外發現這款藥丸不但沒有副作用，還會讓人情緒高亢！於是，他們決定不當乖乖牌，開始走歪路開啟製毒事業，想靠賣藥日進鬥金，天天開趴嗨到翻。不過他們萬萬沒想到，原本平凡的生活，就這樣陷入充滿危險的夜世界…。

简介：漢娜（卡羅利妮·舒赫 Karoline Schuch 飾）是一名正在攻讀企業管理專業的大學生，在畢業之前，她決定千里迢迢前往以色列實習，她堅信這樣一段並不輕鬆的實習經歷將會給她的個人簡歷添上濃墨重彩的一筆。在以色列當地的一所專門照顧殘障人士的機構裏，漢娜邂逅了名爲伊泰（Doron Amit 飾）的以色列男子，巧合的是，伊泰一直希望有朝一日能夠前往柏林生活，隨着時間的推移，一拍即合的兩人之間漸漸碰撞出了激情的火花。　　一次偶然中，漢娜發現，自己的母親竟然於二十年前也來到過以色列，不僅如此，年輕的母親還在這裏經歷了一段奇遇。這個祕密的發現成爲了漢娜和母親之間糟糕的關係的潤滑劑。

简介：漢娜（卡羅利妮·舒赫 Karoline Schuch 飾）是一名正在攻讀企業管理專業的大學生，在畢業之前，她決定千里迢迢前往以色列實習，她堅信這樣一段並不輕鬆的實習經歷將會給她的個人簡歷添上濃墨重彩的一筆。在以色列當地的一所專門照顧殘障人士的機構裏，漢娜邂逅了名爲伊泰（Doron Amit 飾）的以色列男子，巧合的是，伊泰一直希望有朝一日能夠前往柏林生活，隨着時間的推移，一拍即合的兩人之間漸漸碰撞出了激情的火花。　　一次偶然中，漢娜發現，自己的母親竟然於二十年前也來到過以色列，不僅如此，年輕的母親還在這裏經歷了一段奇遇。這個祕密的發現成爲了漢娜和母親之間糟糕的關係的潤滑劑。

简介：布蘭大媽（布蘭·巴里奧斯飾）的丈夫突然去世，家裏原本就是揭不開鍋的狀態，這下陷入更深的悲痛。可是考慮到政府的福利政策，大媽決定把丈夫的屍體隱藏兩天再去申報死亡。女兒瑪利亞（瑪利亞·萊昂飾）配合大媽的主意對外隱瞞，鬧出不少笑淚橫飛的的軼事。

简介：布蘭大媽（布蘭·巴里奧斯飾）的丈夫突然去世，家裏原本就是揭不開鍋的狀態，這下陷入更深的悲痛。可是考慮到政府的福利政策，大媽決定把丈夫的屍體隱藏兩天再去申報死亡。女兒瑪利亞（瑪利亞·萊昂飾）配合大媽的主意對外隱瞞，鬧出不少笑淚橫飛的的軼事。

简介：泰國電影《攣鳳和鳴》由一個婚禮開始。五位職業女性大膽談情說性，對性這個話題毫不避諱，極度渴望，就像美國電視劇《色慾都市》，大聲高呼“新時代，新女性”，爲泰國電影中少見。導演翁乙喜歡以同性戀爲題材，其中最爲人熟悉的可算是《人妖打排球》。翁乙對同性戀一直抱開放的態度，認爲別 人的看法並不重要，最重要是瞭解自己，知道自己想要甚幺。他善於以風趣幽默的手法，利用同性戀炮製抵死笑話，但信息都是正面的。《攣鳳和鳴》就是關於幾個好姊妹測試男主角是否孿男的故事，弄出不少笑料。　　子光細心又體貼，衣着有品味，靚仔又有風度，這樣的好男人簡直是世間少有，難怪夏萍只是跟他拍拖三個月就決定要結婚。“真的有這種絕種好男人？”夏萍的四位好友慧蘭、阿蓮、阿璧、樓亦菲深信天下烏鴉一樣黑，細心整齊絕非男人所爲，所以懷疑子光是攣的，結婚只爲隱瞞性取向﹗爲怕好友嫁錯郎，四人組成祕密調查小組四出查探，潛入疑犯屋企蒐集證據、到疑犯曾就讀的學校偵查……

简介：泰國電影《攣鳳和鳴》由一個婚禮開始。五位職業女性大膽談情說性，對性這個話題毫不避諱，極度渴望，就像美國電視劇《色慾都市》，大聲高呼“新時代，新女性”，爲泰國電影中少見。導演翁乙喜歡以同性戀爲題材，其中最爲人熟悉的可算是《人妖打排球》。翁乙對同性戀一直抱開放的態度，認爲別 人的看法並不重要，最重要是瞭解自己，知道自己想要甚幺。他善於以風趣幽默的手法，利用同性戀炮製抵死笑話，但信息都是正面的。《攣鳳和鳴》就是關於幾個好姊妹測試男主角是否孿男的故事，弄出不少笑料。　　子光細心又體貼，衣着有品味，靚仔又有風度，這樣的好男人簡直是世間少有，難怪夏萍只是跟他拍拖三個月就決定要結婚。“真的有這種絕種好男人？”夏萍的四位好友慧蘭、阿蓮、阿璧、樓亦菲深信天下烏鴉一樣黑，細心整齊絕非男人所爲，所以懷疑子光是攣的，結婚只爲隱瞞性取向﹗爲怕好友嫁錯郎，四人組成祕密調查小組四出查探，潛入疑犯屋企蒐集證據、到疑犯曾就讀的學校偵查……

简介：一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。　　　　康城影展青年評審團獎，美國全國影評人協會特別獎　　　　這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。　　　　- Dave Kehr, Chicago Reader　　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　　　Special Award, National Society of Film Critics Awards　　　　Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　　　- Elliott Stein, Village Voice　　　　Source HKIFF Czech New Wave 2006

简介：Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.

简介：Wanda's world has been turned upside down when her teenage daughter Nina suddenly turns up in a hijab. Secretly, Nina has converted to Islam; she exclusively eats halal, strictly observes the prayer times and wishes to be called Fatima. Mother of a liberal Viennese patchwork family, Wanda is appalled; she has always strongly stood against religious fanaticism. However, all attempts to make Nina see reason fail. To make matters worse, Wanda's ex-husband has just fathered a child with his latest wife, and Wanda begins to yearn for a time when her only problems were her daughter's truancy and pot smoking. When she meets Hanife, the mother of Nina's Muslim girlfriend, she finds an ally. Hanife, who immigrated to Austria as a child, is determined to save her daughter from the extremely old-fashioned image of women, which Nina is enthusiastically preaching.

简介：一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。　　　　康城影展青年評審團獎，美國全國影評人協會特別獎　　　　這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。　　　　- Dave Kehr, Chicago Reader　　　　Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight.　　　　Special Award, National Society of Film Critics Awards　　　　Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair.　　　　- Elliott Stein, Village Voice　　　　Source HKIFF Czech New Wave 2006

简介：Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

简介：Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

简介：剛嶄露頭角的政壇新星想盡千方百計要爬上高位，意想不到的另一個角色卻在此時出現，不斷干涉他的不當手段。

简介：剛嶄露頭角的政壇新星想盡千方百計要爬上高位，意想不到的另一個角色卻在此時出現，不斷干涉他的不當手段。

简介：雷蒙黛（佩內洛普•克魯茲 Penélope Cruz飾）和他的酒鬼丈夫、年輕女兒共住，生活卻不像別人平靜。 雷蒙黛有個姐姐索爾（勞拉•杜納絲 Lola Dueñas飾），小時候兩人和父母生活貧寒。父母在一場火災後遇難後，兩姊妹就搬到了馬德里生活，爲着各自生活已經漸漸疏遠。然而，一場意外和一個鬼魂，打破了兩姐妹平靜的生活。

简介：雷蒙黛（佩內洛普•克魯茲 Penélope Cruz飾）和他的酒鬼丈夫、年輕女兒共住，生活卻不像別人平靜。 雷蒙黛有個姐姐索爾（勞拉•杜納絲 Lola Dueñas飾），小時候兩人和父母生活貧寒。父母在一場火災後遇難後，兩姊妹就搬到了馬德里生活，爲着各自生活已經漸漸疏遠。然而，一場意外和一個鬼魂，打破了兩姐妹平靜的生活。

简介：人氣小丑、經銷商和小販，蒂爾·尤倫斯皮格爾，巧妙地揭露了呂貝克竊賊大師克拉斯·伍倫沃（KlaasWüllenwever）的貪婪，他發誓要報仇，以恢復市議會的權威……

简介：人氣小丑、經銷商和小販，蒂爾·尤倫斯皮格爾，巧妙地揭露了呂貝克竊賊大師克拉斯·伍倫沃（KlaasWüllenwever）的貪婪，他發誓要報仇，以恢復市議會的權威……

简介：一個11歲的小男孩，馬蒂，來到了一個新的中學。在他們班裏，馬蒂的父母是唯一一對在一起的家長，其他同學的父母都已離異。馬蒂想跟其他同學一樣，於是他想方設法的搞怪，破壞他父母的感情，讓他們分開。

简介：一個11歲的小男孩，馬蒂，來到了一個新的中學。在他們班裏，馬蒂的父母是唯一一對在一起的家長，其他同學的父母都已離異。馬蒂想跟其他同學一樣，於是他想方設法的搞怪，破壞他父母的感情，讓他們分開。