招魂3
2
6.0
已完结
招魂3
6.0
更新時間:2025年06月02日
主演:帕特里克·威爾森,維拉·法米加,盧瑞·奧康納,莎拉·凱瑟琳·霍克,朱利安·希威德,約翰·諾貝爾,歐根妮·邦杜蘭特,山農·庫克,羅尼·吉恩·貝爾維斯,基思·阿瑟·鮑頓,斯蒂芬·考特爾,英格麗•溫,安德里婭·安德拉德,艾希禮·勒孔特·坎貝爾,斯特林·傑里斯,保羅·伯頓·威爾遜,夏洛林·阿莫亞,戴維斯·奧斯本,尼古拉斯·馬蘇,斯特拉·多伊爾,梅根·阿什利·布朗,米切爾·霍格,吉米·岡薩雷斯,弗蘭科·卡斯坦,馬克·羅韋,克里斯·格林,林賽·艾利夫,澤勒·阿芙拉多普洛絲,賈辛特·布蘭肯希普,羅伯特·沃克·布蘭喬德,
简介:故事取材自1981年轟動全美的真實謀殺案,兇手亞恩·夏安·約翰遜殺死房東後聲稱自己是被邪靈附體纔會行兇,是美國歷史上首個被告以「鬼上身」作抗辯理由的案例,因此稱爲「惡魔謀殺案」。  11歲男孩大衛被邪靈附體,陷入混沌狀態,經常看見怪獸惡魔坐在他喜歡的搖椅上,而他身上更出現 離奇傷痕…受驚且束手無策的家人請來沃倫夫婦介入調查,他們發現大衛被43只惡魔纏身,使乖巧的他行爲變得異常,例如像野獸般在地上爬行、胡言亂語甚至背誦他沒有讀過的聖經及《失樂園》章節…沃倫夫婦遂安排神父爲大衛驅魔,可惜未見起色,而更詭異的事情接踵而來,大衛姐姐的未婚夫亞恩也開始行爲異常,數月後,亞恩更以利刀刺死了房東。華倫夫婦認爲亞恩行兇時被惡靈附身,原來大衛進行驅魔時,亞恩也在現場……
5736
2021
招魂3
主演:帕特里克·威爾森,維拉·法米加,盧瑞·奧康納,莎拉·凱瑟琳·霍克,朱利安·希威德,約翰·諾貝爾,歐根妮·邦杜蘭特,山農·庫克,羅尼·吉恩·貝爾維斯,基思·阿瑟·鮑頓,斯蒂芬·考特爾,英格麗•溫,安德里婭·安德拉德,艾希禮·勒孔特·坎貝爾,斯特林·傑里斯,保羅·伯頓·威爾遜,夏洛林·阿莫亞,戴維斯·奧斯本,尼古拉斯·馬蘇,斯特拉·多伊爾,梅根·阿什利·布朗,米切爾·霍格,吉米·岡薩雷斯,弗蘭科·卡斯坦,馬克·羅韋,克里斯·格林,林賽·艾利夫,澤勒·阿芙拉多普洛絲,賈辛特·布蘭肯希普,羅伯特·沃克·布蘭喬德,
不安
1
6.0
已完结
不安
6.0
更新時間:2025年06月02日
主演:英格麗·褒曼,馬蒂亞斯·維曼,雷娜特·曼哈特
简介:Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto there's no place like home is ironically updated to the adult circumstantial adage there's no sex like marital sex. Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the fairy godmother who speaks the last words in the movie.
360
1954
不安
主演:英格麗·褒曼,馬蒂亞斯·維曼,雷娜特·曼哈特
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