简介：'In Vitro' is an otherworldly rumination on memory, history, place and identity. Set in Bethlehem decades after an ecological-disaster, the dying founder of a subterranean orchard is engaged in a dialogue with her young successor, who was born underground and has never seen the town she's destined to replant and repopulate. Inherited trauma, exile and collective memory are central themes.

简介：所謂的無船員的船攜帶咖啡駛入紐約,但是當警察和一些科學家在船上發現了船員可怕的屍體和大量的盒子裝滿綠色蟲蛋。爆炸的時候蛋溫度升高和任何人誰接觸的物質都會爆炸。現在政府介入和倖存的軍官,一名上校和一名宇航員發現這些蛋可能與災難性的火星任務有關。

简介：一名老人從他遺世獨立的農場出發，走在塵土飛揚的道路上，前往鄰近的鄉村。陪伴他的是一位沈默的鬼魂，老人在五十年前曾目睹他的死亡。數十年來，老人都對因結核病過世的母親感到遺憾，心理疾病的折磨讓他產生了病態的需求，為了讓自己好過，他開始祕密協助生病的婦女進行安樂死。當他發現身邊的鬼魂伴侶能夠協助他穿越時空，老人立刻計畫回到過去，意圖說服年輕的自己去避免讓母親受到絕症的折磨。然而，他並未意識到自己的行為將對未來產生什麼樣恐怖的影響⋯⋯

简介：Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich).　　83min

简介：'In Vitro' is an otherworldly rumination on memory, history, place and identity. Set in Bethlehem decades after an ecological-disaster, the dying founder of a subterranean orchard is engaged in a dialogue with her young successor, who was born underground and has never seen the town she's destined to replant and repopulate. Inherited trauma, exile and collective memory are central themes.

简介：所謂的無船員的船攜帶咖啡駛入紐約,但是當警察和一些科學家在船上發現了船員可怕的屍體和大量的盒子裝滿綠色蟲蛋。爆炸的時候蛋溫度升高和任何人誰接觸的物質都會爆炸。現在政府介入和倖存的軍官,一名上校和一名宇航員發現這些蛋可能與災難性的火星任務有關。

简介：一名老人從他遺世獨立的農場出發，走在塵土飛揚的道路上，前往鄰近的鄉村。陪伴他的是一位沈默的鬼魂，老人在五十年前曾目睹他的死亡。數十年來，老人都對因結核病過世的母親感到遺憾，心理疾病的折磨讓他產生了病態的需求，為了讓自己好過，他開始祕密協助生病的婦女進行安樂死。當他發現身邊的鬼魂伴侶能夠協助他穿越時空，老人立刻計畫回到過去，意圖說服年輕的自己去避免讓母親受到絕症的折磨。然而，他並未意識到自己的行為將對未來產生什麼樣恐怖的影響⋯⋯

简介：Upon arrival to Venus, cosmonauts find furious volcanoes and sundry prehistoric beasts in Klushantev's film, based on a novel by the Soviet sci-fi writer Aleksandr Kazantsev. Footage has been recycled in three Corman productions Voyage to the Prehistoric Planet, Queen of Blood, and Voyage to the Planet of Prehistoric Women (the directorial debut of Peter Bogdanovich).　　83min

简介：

简介：

简介：薩列瓦託爾（弗拉基米爾·科列涅夫 Vladimir Korenev 飾）是一位醫術非常了得的醫生，他進行了一項非常大膽的實驗，將鯊魚的腮移植到了一位印第安男孩的身上，就這樣，男孩獲得了能夠在水下自由呼吸的特異功能。邪惡貪婪的船主佐利達（米哈伊爾·科扎科夫 Mikhail Kozakov 飾）抓住了男孩，令他成爲了自己的奴隸，逼迫他爲自己前往海底開採珍珠。久而久之，受不了剝削的男孩逃跑了，躲到了薩列瓦託爾家中。　　同樣身爲佐利達顧工的巴里塔扎爾（安娜絲塔西婭·維汀斯卡婭 Anastasiya Vertinskaya 飾）震驚的發現男孩竟然就是自己失散多年的孩子，於是她一紙訴狀告到了法院，希望男孩能夠重新回到自己的身邊。

简介：薩列瓦託爾（弗拉基米爾·科列涅夫 Vladimir Korenev 飾）是一位醫術非常了得的醫生，他進行了一項非常大膽的實驗，將鯊魚的腮移植到了一位印第安男孩的身上，就這樣，男孩獲得了能夠在水下自由呼吸的特異功能。邪惡貪婪的船主佐利達（米哈伊爾·科扎科夫 Mikhail Kozakov 飾）抓住了男孩，令他成爲了自己的奴隸，逼迫他爲自己前往海底開採珍珠。久而久之，受不了剝削的男孩逃跑了，躲到了薩列瓦託爾家中。　　同樣身爲佐利達顧工的巴里塔扎爾（安娜絲塔西婭·維汀斯卡婭 Anastasiya Vertinskaya 飾）震驚的發現男孩竟然就是自己失散多年的孩子，於是她一紙訴狀告到了法院，希望男孩能夠重新回到自己的身邊。

简介：兄弟二人生活過的緊巴巴，弟弟生性懦弱，哥哥強勢霸道，這天，哥哥搶劫別人得來了錢，兄弟二人正高興之際，一名偵探找上門來，雙方發生爭執，追逐之中，三個人發現自己被困於無窮無盡的樓梯上，無論如何都走不到盡頭 ……　　另一邊，一家人被困於無邊無境的馬路上，相同的加油站，相同的便利店，四周一望無際的荒野，卻如何都逃不出這可怕的地獄……　　兩個沒有界限的空間，他們要如何應對內心逐漸升起的絕望？

简介：在未來的反烏託邦國度中，囚犯們被關押在垂直堆疊的牢房裏，飢腸轆轆地看着食物從上層落下，靠近頂層的人喫得飽飽的，而位於底層的人則因飢餓而變得激進。　　由加爾德·加斯特盧-烏魯希亞執導的《飢餓站臺》是一部扭曲的社會寓言，講述了人類最黑暗和最飢渴的一面。

简介：在未來的反烏託邦國度中，囚犯們被關押在垂直堆疊的牢房裏，飢腸轆轆地看着食物從上層落下，靠近頂層的人喫得飽飽的，而位於底層的人則因飢餓而變得激進。　　由加爾德·加斯特盧-烏魯希亞執導的《飢餓站臺》是一部扭曲的社會寓言，講述了人類最黑暗和最飢渴的一面。

简介：兄弟二人生活過的緊巴巴，弟弟生性懦弱，哥哥強勢霸道，這天，哥哥搶劫別人得來了錢，兄弟二人正高興之際，一名偵探找上門來，雙方發生爭執，追逐之中，三個人發現自己被困於無窮無盡的樓梯上，無論如何都走不到盡頭 ……　　另一邊，一家人被困於無邊無境的馬路上，相同的加油站，相同的便利店，四周一望無際的荒野，卻如何都逃不出這可怕的地獄……　　兩個沒有界限的空間，他們要如何應對內心逐漸升起的絕望？

简介：毒販和他的女同夥在他們的最後一次任務上反水了他們的老闆，最後被困在時間循環中。

简介：毒販和他的女同夥在他們的最後一次任務上反水了他們的老闆，最後被困在時間循環中。

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：2071。銀河戰爭摧毀了月球，改變了地球的氣候。莫斯科是熱帶森林，紐約是一片冰。在莫斯科上空升起一艘巨大的外星飛船-這是一個體育場，在那裏進行了星際太空遊戲的表演，聯合體育和角鬥士的戰鬥。整個銀河系都在看比賽。只有運動員才能玩太空。這就是人們所說的那些具有非凡能力並能夠管理這些能力的人。宇宙崇拜的一切，除了安東，最普通的人，誰只是夢想找到一份工作來幫助家庭。但有一天，他發現自己的超能力，並接受加入國家隊。現在他是一個宇宙飛船的球員。安東還不知道這場比賽的命運決定了他的角色，最後的比賽將是一場爲土地而戰。

简介：2071。銀河戰爭摧毀了月球，改變了地球的氣候。莫斯科是熱帶森林，紐約是一片冰。在莫斯科上空升起一艘巨大的外星飛船-這是一個體育場，在那裏進行了星際太空遊戲的表演，聯合體育和角鬥士的戰鬥。整個銀河系都在看比賽。只有運動員才能玩太空。這就是人們所說的那些具有非凡能力並能夠管理這些能力的人。宇宙崇拜的一切，除了安東，最普通的人，誰只是夢想找到一份工作來幫助家庭。但有一天，他發現自己的超能力，並接受加入國家隊。現在他是一個宇宙飛船的球員。安東還不知道這場比賽的命運決定了他的角色，最後的比賽將是一場爲土地而戰。

简介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

简介：Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

简介：The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.