我和父母
4.0 |2025年06月02日 |已完结
简介:
本片真實的講述了崔守傑的親身經歷,崔首潔出生在偏遠的農村,家境貧寒,祖祖代代都以務農爲生,從未看過外面的世界,一個偶然的機會結交了一個大城市的筆友陳金金,陳金金告訴他城市很美很漂亮,崔首潔不想在這大山裏過着結婚生子孩子再結婚生子的循環生活,想去外面的世界闖一闖。1998年初中畢業的崔首潔拿到了大連某藝術學校錄取通知書。頓時整個村裏是炸開了鍋,議論紛紛,有人說他不務正業,有人說他想當演員是不知天高地厚,由於學費的昂貴得到了大多數人的一致反對。經過了再三的家庭會議之後,父母還是變賣了家裏的牲畜和糧食湊夠了大半的學費,父子倆踏上了開往實現夢想城市的火車。父子倆到學校後由於學費不足,致使他不能順利入學,父親就陪他在當地打起了短工,崔首潔在飯店幹上了傳菜工,父親在建築工地幹起了力工, 一次偶然的機會父親知道替別人獻血能得到很多錢,他瞞着兒子一次次的替別人獻血,當崔首潔看到大針頭插在父親黝黑的胳膊上鮮血往外流的那一瞬間,他忍不住淚流滿面迅速拔掉了針管,告訴父親放棄上學。父親聽到後大罵了他一頓,譴責自己一輩子沒出息沒能走出大山,勸兒子不管再苦再難都要堅持下去。金金與校方講述了他們父子的情況,學校響應黨的號召爲崔首潔減免了一半學費。崔首潔順利入學。入學後的崔首潔學習刻苦,很快得到了同學和老師的一致好評,畢業前夕他和筆友陳金金等幾名同學被選送到了《康熙王朝》劇組實習。實習結束後的崔首潔由於表現良好,被一位導演推薦到了大連某藝術團任職,去藝術團前崔首潔帶着陳金金來到了自己的家鄉,母親看到兩年沒回來的兒子,彷彿忘記了病痛,爲了不影響兒子的工作母親始終隱瞞病情。幾天後崔首潔離開家鄉。天有不測風雲,母親病了。生命危在旦夕需要及時手術。村長號召村民捐錢捐物爲母親治病,村民們捐出了一塊 兩塊的血汗錢和糧食場面宏觀而壯大。回到大連的崔首潔並沒能進入藝術團工作,失落和迷茫讓自己迷失了方向。碰巧時遇到了在夜總會做舞女的同學夢夢,很快陷入了情網之中。由於金錢的睏乏,舞女夢夢的任性和鄙視使崔首潔不得不向家人撒謊要錢。母親得知兒子“事業”需要用錢掩飾着病情瞞着家人寄走了鄉親們捐來的手術費。拿到錢的崔首潔與夢夢過起了本不該屬於他們的奢侈生活。而母親此時已倒在了異鄉的土地上……母親的去世讓崔首潔如夢初醒,是母親用生命成就了自己。他跪在母親墳前以淚洗面,立誓要把父母的故事用影片記錄下來。希望別人從影片中能看到自己的遺憾,從而讓更多的人不在遺憾。世上唯有孝順不可等待 趁父母還健在……
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9.0
更新時間:2025年06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
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主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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