青年理工工作者生活研究所

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《神探夏洛克》是一部由BBC出品的英国迷你电视剧，该剧将原著的故事背景从19世纪大英帝国国势鼎盛的时期搬到了21世纪繁华热闹的大都市中。                                                                      　　试播集为原型短剧，从未在电视上播出过，2010年8月28日作为DVD花絮放出。                                                                      　　这一次夏洛克·福尔摩斯(本尼迪克特·康伯巴奇 Benedict Cumberbatch 饰)不仅是著名大侦探更是一名时尚潮人。这一集的故事从他与日后的好友兼得力助手约翰·华生（马丁·弗瑞曼 Martin Freeman 饰）如何相识说起。起初两人合租贝克街221B公寓时候，华生并不能忍受这个奇怪的室友。但在共同经历了离奇市民自杀案件后两人的关系明显改善。而华生原本左肩在战斗时中弹，留下了心理障碍导致的跛足，也在跟随夏洛克追踪凶手，穿越伦敦市区的过程中克服了心理上的伤残障碍而痊愈。                                                                      　　之后还有多少精彩绝伦的故事，只有让BBC的正式剧集来告诉大家了。

简介：崔亨旭（劉海鎮 飾）是一名經驗豐富的殺手，凡是交給他的任務，他總是能夠完美的將它們完成。某日，在幹了一票大買賣之後，崔亨旭來到大衆浴室洗澡，哪知道竟然因爲踩到了肥皂摔倒，陷入了昏迷之中。此時，一直在邊上暗中觀察他的無名演員尹在成（李準 飾）偷走了崔亨旭的手牌，將他櫃子裏的財務據爲己有。　　在醫院醒來的崔亨旭失去了記憶，憑藉着被交換過的手牌，他以爲自己是尹在成，兩人就這樣在陰差陽錯之下交換了身份。爲了生存，崔亨旭開始打零工，因爲在片場展現出了出色的身體素質和格鬥技巧，而受到了導演的賞識。那邊廂，尹在成發現了崔亨旭的殺手身份，並且對他的下一個目標宋恩珠（林智妍 飾）產生了感情。

简介：東京の大學に行っている戀人の正夫と一緒に東京へ行く約束で赤城村の駅まで來た鳩子は、正夫にスッポカされ、一人で上京した。新宿駅に着いて雑踏にとまどっている鳩子に、ゴマメが目をつけ、彼のアパートへ連れていき、彼女に挑みかかった。ゴマメを信じきっている鳩子は、ゴマメの仲間、ベッドとプロが抱きついてきても、何の抵抗もしなかった。翌日、鳩子の金をバッグから抜き取ったゴマメは、彼女に靴を買ってやったが、自分の...

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圣诞夜，退役自行车选手Gin，性倒错者花，离家出走的少女美由纪三人在东京的雪夜中无所事事。这时，他们发现垃圾堆中有一位哭泣的弃婴。孩子的襁褓中仅有一个酒吧的名片与照片。婴儿的父母身份成了谜团。 花想收留孩子，并将孩子取名清子。但另外2人表示反对。于是三人开始了寻找清子父母的旅程。圣诞夜幸福的气氛，伴随的却是怀中清子的哭泣。无家可归的三个人，开始为同样无家可归的清子找寻属于她的家。这一队流浪者，在一夜经历了诸多奇妙的事件。他们能找到清子的父母吗？

简介：《智齒》改編自雷米小說。講述從學堂畢業的任凱，因一宗連環兇殺案，與剛復職的展哥開始搭檔。案子破不了反倒引發連串事故，展哥重遇殺妻兒的街童王桃，被激發的恨意一發不可收拾；任凱大意失槍，誤被兇手所獲。兇手潛伏在城市之中，危機逐步逼近。

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镇国公造反，民不聊生，女将军古采兰舍命保护年幼的太子，杀出重围，并化身为老师，隐姓埋名藏身在了南方柳江镇的旋风书院里，以图东山再起。柳江镇的首富柳员外的独子柳淳风，外形俊美，一身好功夫，还擅长音律，可惜性格放浪，整日无所事事。柳淳风早听说旋风书院江河日下，校纪松散，为了轻松悠闲，坚持选择旋风书院就读。同时，赵德先、上官语、沈飘飘、林英雄等几个镇上年轻人，也是抱着各自不同的目的，选择了旋风书院。旋风书院连续输掉多年比赛，书院牌子就快不保。师生们奋力备赛，誓要赢得今年的比赛，却...

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简介：影片改編自屢獲殊榮的編劇兼導演理查德·柯蒂斯創作的迷人兒童讀物三部曲，講述了一系列關於愛與孤獨、家人與朋友以及聖誕老人犯下大錯的故事，火雞更是要多少有多少。

简介：高中生乖乖美女Emma、孤僻帥帥男Dean及其同學到島上度，兩人由於偶然意外被困於孤島，Emma心有所愛，Dean則偷偷暗戀，兩個人在孤島上的近百天內越靠越近…… 　　電視電影，跟舊的那個《青春珊瑚島》沒有任何聯繫，也沒有任何可比性，女角自然不可能像波姬小絲那樣嬌美，電影尺度也遠遠不如《青》，只能算是把小青年的純愛青春片從學校搬到了小島上而已，整個電影沒有重點，不知所謂。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：The In-Laws is a hilarious action comedy starring 5-time Emmy Award winner Peter Falk (Columbo, The Brink’s Job, The Princess Bride) as CIA agent Vincent Ricardo and Golden Globe winner Alan Arkin (Catch-22, Grosse Pointe Blank) as dentist Sheldon Kornpett. Sheldon is a dentist from New Jersey, Vincent travels a lot on business. Sheldon’s got a successful practice and Vincent’s got a dubious past. In 48 hours Vincent’s son is marrying Sheldon’s daughter and what happens in between will bring them together for better or worse. Arthur Hiller (Love Story) directs the car chases, gunfights and witty one-liners, extracting perfect chemistry between the two leads as they adventure across South America together.