黃飛鴻之鐵雞斗蜈蚣

简介：武林在经历连番血战平静了三十年后，七十二路烽烟再起，掀起了又一轮征伐。其时有书生方红叶（刘兆铭 饰）撰写系列武林秘记《红叶手札》，专事披露武林秘史。某日，一家书店受托印制红叶手札，不想店长等人却招来杀身之祸，七十二路烽烟之十色旗主田风（黄树棠 饰）部下将杀害店长之凶手截杀。几日后，沈家堡堡主沈青（张国柱 饰）向田风求援，女侠青影子（米雪 饰）随田风等人赶至沈家堡，与先行受邀抵达的方红叶一同会见沈青。昔日兴旺的沈家堡已人去堡空，原来沈青幼年时，沈家受了杀人蝴蝶的诅咒，如今诅咒兑现，杀人蝴蝶潜入沈家堡各处行凶。田风等人出于江湖道义留下探究蝴蝶杀人之根由，却不知陷入了沈家堡与天雷堡的一场隐秘仇怨……©豆瓣

简介：一羣年輕人駕車去墨西哥聽演唱會。途徑德州特拉維斯鎮，他們的車子險些撞到一個女孩傑蔓。看到她遍體鱗傷的樣子，大夥動了惻隱之心，準備送她回家。不想，她在車上突然飲彈自盡。爲了妥善處理屍體，他們到就近的酒店詢問警察局的地址。但是，他們到達後卻發現此處已成廢墟，陰暗潮溼、骯髒不堪。於是，情侶坎普（艾裏克•巴弗爾 Eric Balfour 飾）與艾琳（傑西卡•貝爾 Jessica Biel 飾）決定去附近的住家尋求幫助，留下其他人守着屍體。他們來到了一處陰森恐怖的古宅，坎普神祕失蹤。艾琳覺得蹊蹺，慌忙跑回磨房搬來安迪當救兵，沒想到兩人落入了電鋸殺人狂的魔爪。僥倖逃脫的艾琳跑回來報警，結果卻迎來了目露兇光的探長霍伊特（R•李•艾爾米 R. Lee Ermey 飾），讓他們更加恐懼……

简介：

A widow who has given up on life becomes convinced that a stray dog is the reincarnation of her Hurling-loving husband.

简介：1934年，英格蘭南部，28歲的花店老闆米蘭達和其他五個人一樣，莫名其妙地被邀請到億萬富翁劉易斯·芬德利的豪宅共度週末。。。

简介：老家要拆遷了，張居然來拿走最後的一點東西，卻發現一塊父親曾經戴過的手錶。意外失蹤的父親張姚沒有給兒子張居然留下什麼。傷心的張居然戴上這塊手錶卻被突然出現的日本人綁架。一同被綁架的還有好友吉吉和陸一一。日本人逼問張居然“時間監獄”在哪裏，張居然爲了脫身，用表頭無意間開啓手錶的特殊功能。來到了神祕的空間“時間監獄”，觸碰裏面的寶石便能穿越。就這樣張居然回到了1988年，搖身一變成爲了自己的父親—張姚。並看到了自己素未謀面的親生母親—馬丹。於是在一次次的穿越輪迴中，張居然知道了一段塵封在歷史的神奇故事，和上一輩之間的愛恨情仇。在穿越中，神祕空間“時間監獄”一次次的崩塌，對張居然的威脅越來越大。終於到了，張居然要在現實和過去中做出選擇的時候了。

简介：米婭（蒂芬妮·哈迪什 Tiffany Haddish 飾）和梅爾（蘿絲·拜恩 Rose Byrne 飾）認識的時間或許已經有一輩子那麼長了，她們都將彼此視爲自己終生的摯友，並且合資開了一間化妝品公司，希望能夠彼此幫助，雙雙走向人生的巔峯。然而，商場可不是那麼好混的，在經歷了幾次滑鐵盧後，兩個女孩不僅要揹負沉重的債務，還要面臨公司隨時都有可能倒閉的危險狀況。　　克萊爾（薩爾瑪·海耶克 Salma Hayek 飾）是化妝品行業裏臭名昭著的吸血蟲，她向兩人提出收購她們的公司。雖然收購行爲切切實實的緩解了米婭和梅爾的經濟危機，卻也給兩人之間的友誼帶來了前所未有的考驗。

简介：本片男主角張霄是一名劣跡斑斑的叛逆少年，曾以一打十輕鬆穩贏，人送外號“囂張”。這樣一個霸氣外漏的男孩從來只有別人怕他躲他討好他，不曾想卻栽在了優等生曉彤的身上。爲博紅顏一笑開始投其所好瘋狂訓練跨欄。

简介：

一个帮派头目试图遵守对他垂死的朋友所做的承诺，并与其他犯罪团伙展开较量。

简介：

简介：2010年某夜，北京惊堂博物馆。犯罪集团“兰花盗”的两名盗贼潜入其中，偷走了价值连城的名画《聂隐娘》。谁知二贼过于鲁莽，在与保安周旋的过程中，竟用香烟将画烧出一个洞。为了尽快修复古画，“兰花盗”决定找到早已从江湖隐遁多年的修画名家神手。他们认定中年男子李贞木（任达华 饰）——一个功成名就、身边美女如云的香水专家，就是他们苦苦寻找的神手，于是想尽办法逼其就范。一计不成，再施一计，性感妖娆的女贼闵悦（伊能静 饰）被派往李贞木的身边，接连使出美人计。与此同时，李的前妻去世，女儿苗心回到他的身边生活。却由此衍生出新的混乱。　　猎人与猎物，彼此搞不清自己的身份……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：美麗的少女安東尼娜某次在一場聚會上，被彼得柴可夫斯基指尖的美妙琴音吸引，並對他一見鍾情。從此以後，“當柴可夫斯基的妻子”成爲她人生最大的渴望，她不斷寫信、大膽表達愛意的行徑終於得到柴可夫斯基的注意。飽受同志傳言所苦，正面臨財務危機的柴可夫斯基，在多方考察下，終於選擇向這個瘋狂迷戀自己、可提供龐大金援的女性求婚。然而，完婚後面對着對自己無愛、無慾的丈夫，安東尼娜傾盡所有仍徒勞無功。人們都說她有個了不起的丈夫，他是衆人眼中的天才音樂家、萬人景仰的一代大師，始終像熾熱的太陽般高高在上。平凡如她不自量力地靠近，只能被烈焰灼傷，最終在這段悲劇性的婚姻中拋下自尊、陷入瘋狂、化成灰燼……