暗影之面

简介：这是一个梦想闪耀的时代，这也是一个理想冷却的时代；这是最坏的时代，这也是最好的时代，这是我们的小时代。 这是当下时代一群时尚年轻人的青春故事，也是属于他们生活的真实写照，更是我们这个时代的一个缩影。　　故事发生在经济飞速发展时期的上海，主人公林萧（杨幂 饰）、顾里（郭采洁 饰）、南湘（郭碧婷 饰）、唐宛如（谢依霖 饰）四个女生在这座风光而时尚的城市里生活与学习、工作与成长，四个女生从小感情深厚，却各自有着不同的价值观与人生观，她们在同一个宿舍朝夕相处，转眼到了大学生涯的后期，平静的生活开始面临层出不穷的挑战，找工作实习的忙碌以及随之而来的巨大生存压力，看似平静的校园生活相继发生着种种让她们措手不及、不知如何面对、需要抉择的事情。同时，顾源（柯震东 饰）、简溪（李悦铭 饰）、宫铭（凤小岳 饰）、崇光（陈学冬 饰）、卫海（杜天皓 饰）、席城（姜潮 饰）等一群男生和这四个女生之间也正发生着千丝万缕的情感交错……　　面临巨大生存压力，面对剪不断理还乱的情感纠葛，四个女生要先后经历友情、爱情，乃至亲情的巨大转变，在巨变面前，她们是否依然坚持自己的生活态度，她们的青春故事将如何续写精彩？　　本片根据同名畅销小说《小时代》改编，郭敬明亲自操刀编剧，并首度跨界担任电影导演。

简介：第二十三季由BBC的著名节目主持人Chris Evans与Matt LeBlanc共同主持。　　第一集的嘉宾是Jesse Eisenberg和Gordon Ramsay。　　第一集的嘉宾是Jenson Button好Damian Lewis。

简介：同志題材電影，但並非站在傳統性別概念上的同志電影，只是探討愛情的故事，爲躲開紛擾的內心遠走他鄉，舉目無親，生活工作四處碰壁，孤寂踟躇，從一開始的國內明星，到異國無人注視的市井小民，然而真正在意的那份渴望得到注視的愛，卻依舊縹緲不定，也許只有看清看透愛的本質才能重新開始...

简介：莱特（杰森·斯坦森 Jason Statham 饰）是一个不守规矩、只认死理的前纽约警察。一天，他在地铁站里看到一群持械的黑帮成员在围剿一个12岁的华裔女孩梅（凯瑟琳·陈 Catherine Chan 饰）。他心里的正义感油然而生，遂出手教育了这群黑帮，并把小女孩保护了起来。紧接着，香港的三合会成员、俄罗斯混混以及政客派来的杀手和警局里的恶棍源源不断地找上门来。无奈之下，莱特只得带着梅在纽约的版图上开始了东躲西藏的亡命生涯。原来，梅有着过目不忘的本领，她记下来了一连串的数字，而这些数字经过解密后是一个密码。知道了事件原委的莱特决定帮助梅度过难关。但是，的又等待他们是一场怎样的战斗呢？

简介：珍妮（蘇菲•瑪索 Sophie Marceau 飾）是居住在法國的一名美女作家，她和丈夫迪奧（Andrea Di Stefano 飾）共同經營一個幸福美滿的四口之家。但是近一段時間，珍妮卻感到令人難以承受的壓力。客戶的要求讓她無法隨心所欲寫作，漸漸地珍妮發現周遭的一切開始發生變化，房間、丈夫、兒女甚至她自己的容貌都讓人倍感陌生。珍妮的歇斯底里使家中的歡樂蕩然無存，她和丈夫的婚姻也走到盡頭。　　某天，珍妮的容貌也完全發生改變，變成了一個擁有一頭黑髮、大眼明眸的異域風情女子（莫妮卡•貝魯奇 Monica Bellucci 飾）。她偶然在母親的住所看到一張相片，於是啓程前往意大利，尋找自己真正的本源歸宿……

简介：二戰期間，一個連環殺手如鬼影般籠罩着德國漢堡，雖然罪行累累，警方卻兩年來拿他束手無策。一位警探決心重新調查這樁棘手的案件，SS起初還支持他的工作，不日就把這個案子又壓了下來，而隨後，他企圖阻止一起明顯不公的審判，拒絕執行命令並因此受到上級處罰，被送往前線。

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简介：曼兒（林嘉欣 飾）爲了尋找男友德森（鄭伊健 飾）生前的一幅畫來到了青島。男友因爲遺傳性的疾病而離開了她，曼兒一直想找到這個畫中的景象。青島是德森小時候生活的地方，她想在這裏能找到線索。　　來到青島後的她認識了樂於助人的郵差小烈（劉燁 飾），小烈更樂於幫助曼兒尋找畫中景象。但沒想到的是小烈與曼兒之間的感情發生了微妙的變化，使曼兒不知所措，百般滋味在心頭……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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简介：本片講述了在中國人民解放軍某戰區的一場紅藍軍事演習中，紅軍王牌特種作戰小隊“天虎突擊隊”在執行偵察任務時，陷入了藍軍設計好的陷阱，以狙擊手慄劍爲代表的6名精兵強將經過苦戰才驚險逃脫……此刻，紅藍兩軍的正面戰場已經全面打響，剛逃出重重包圍的天虎突擊隊，接到了指揮部的絕密任務，突襲並破壞藍軍的無人化作戰中心，但天虎突擊隊將要面對的是戰鬥經驗極其豐富的藍軍特種部隊……

简介：年轻的女人回到故乡，试图寻找困扰她整个童年的答案。但当她通过自己的努力试图揭开真相时，意外发生了：古老的传说开始侵入现代的现实，当奇幻故事与现实世界的边界开始模糊，村民们转而指责她是女巫。