哈利波特與混血王子

简介：

简介：

在人与妖怪之间过着忙碌日子的夏目，偶然与以前的同学结城重逢，由此回忆起了被妖怪缠身的苦涩记忆。此时，夏目认识了在归还名字的妖怪记忆中出现的女性·津村容莉枝。和玲子相识的她，现在和独子椋雄一同过着平稳的生活。夏目通过与他们的交流，心境也变得平和。但这对母子居住的城镇，却似乎潜伏着神秘的妖怪。在调查此事归来后，寄生于猫咪老师身体的“妖之种”，在藤原家的庭院中，一夜之间就长成树结出果实。而吃掉了与自己形状相似果实的猫咪老师，竟然分裂成了3个——！？

简介：茅山正宗传人七哥和两个不成器的徒弟共同保卫着青龙镇，直到同门师妹黄蓉和她徒弟到来悄然改变。停尸间尸变，赶尸道长遇害，各类毒物突袭等一系列怪事接踵而至，原来一切都是师妹于暹罗结仇的降头师所为，而更大的复仇计划正将来临。茅山后裔们严阵以待，正邪大战一触即发。

简介：电影《火线出击》是一部弘扬主旋律，传播正能量的优秀影片，讴歌了消防官兵“听党指挥，能打胜仗，作风优良”的崇高精神和“一不怕苦，二不怕死”的优良传统，

简介：Sophia, a smart but quiet high schooler, strikes up a friendship with a new girl in class, but the girl begins to disrupt the lives of Sophia and her family. Sophia is then forced to uncover her friend's past and learn the truth before it's too late.

简介：這部歷史劇展示了1897年薩拉加希之戰。本片的重點是伊沙·辛格士官。他在當時的印度阿富汗邊界開伯爾-普赫圖赫瓦的沙門山脈的三個要塞之一駐守。因違抗上司命令從宗教分子手中拯救了一名阿富汗姑娘，因而被調到作爲信息中轉站的薩拉加希要塞。　　而阿富汗宗教分子便利用這個藉口，想一舉奪下三個要塞。而首先進攻的就是作爲中轉站的薩拉加希要塞。伊沙·辛格士官率領21名錫克教徒組成的排抗擊超過1萬阿富汗的侵略軍，浴血奮戰，硬生生地拖延了阿富汗的侵略軍的進攻步伐，從而破滅了阿富汗的侵略軍一舉奪下三個要塞的陰謀，可是，21名勇士全部罹難，壯烈犧牲。這次活動被認爲是歷史上最偉大的背水一戰。

简介：“90後”女孩潘藝文，生在重慶市中心的富裕家庭，畢業於北大，又在西班牙ＩＥ商學院攻讀了碩士學位。決勝小康攻堅階段，她毅然捨棄廣東恒大的百萬年薪崗位，走進武陵山區，創業養蜂，追花逐蜜。歷時三年，歷盡艱辛，她在理想和現實的反差中掙扎徘徊，她在城裏和鄉村的落差裏適應攀爬，經過各種困難和失敗的錘鍊之後，她在深山裏創辦的農業發展公司由小變大，追隨她參與到養蜂產業的羣衆由少到多，追隨她走進鄉村的碩士、博士也越來越多，一個橫跨武陵山的“蜂蜜經濟走廊”正在初步形成。曾經的“武陵山小龍女”已經成爲鄉村裏津津樂道的“小農女”，不僅書寫了屬於自己的童話事業，實現了“詩和遠方”的童話生活，還帶動着越來越多的山區羣衆共同富裕。

简介：故事发生在十九世纪的圣彼得，安娜（葛丽泰·嘉宝 Greta Garbo 饰）嫁给了拥有显赫身世的丈夫卡列宁（巴兹尔·雷斯伯恩 Basil Rathbone 饰），尽管过着锦衣玉食的生活，但安娜和丈夫之间并没有爱情，一颗渴望滋润的心灵在日复一日的困顿生活中逐渐走向枯萎。 之后，安娜遇见了名为沃伦斯基（弗雷德里克·马奇 Fredric March 饰）的英俊军官，沃伦斯基的存在点燃了安娜心中的火焰，她熊熊的燃烧着，奋不顾身地投身于这段为世间伦理所不容的恋情之中。卡列宁强烈的谴责了安娜的不忠，勇敢追寻内心情感的安娜离开了丈夫，投向了沃伦斯基的怀抱，让安娜没有想到的是，她和沃伦斯基的幸福生活只维持了极为短暂的一段时间，当沃伦斯基将他的虚伪和自私暴露无遗之时，绝望的安娜亦来到了生命的尽头。©豆瓣

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：1954年指揮大師富特文格勒在薩爾茨堡音樂節上，指揮維也納愛樂樂團，上演莫扎特的經典歌劇《唐•喬萬尼》，這個珍貴的錄像堪稱富特文格勒留存至今最完美的影像資料，來自當年奧地利導演保羅•齊納爾的努力，不計工本，用彩色電影膠片拍攝整個歌劇的演出，由著名的意大利男低音西耶皮演唱劇名主角，瑞士女高音德拉.卡薩演唱艾爾薇拉，堪稱一時之選。卡司如下：　　Otto Edelmann...Leporello - Bass　　Elisabeth Grümmer...Donna Anna - Soprano　　Cesare Siepi...Don Giovanni - Bariton　　Dezsõ Ernster...Commendatore - Bass　　Anton Dermota...Don Ottavio - Tenor　　Lisa della Casa...Donna Elvira - Soprano

简介：在某個毫無徵兆的日子，某高中二年級女生仁科愛梨（櫻庭奈奈美 飾）從昏迷中醒來，發現自己和町村誠一郎等10名同齡人被被關在一棟廢棄的建築物中。他們來到一間空屋子，通過電視機播放的內容，發現自己被迫置於某個奇怪的遊戲中：十位“村民”中混入了兩隻“人狼”，村民們必須在規定的時間內票選出人狼並殺掉他，而未達成目標或者任何違反規定的做法都可能招致自身的死亡。愛梨的朋友尚子對此嗤之以鼻，結果在拉開門的一瞬間便當中慘死。這一幕嚇壞了其他的年輕人，他們一方面渴望得到營救，一方面想方設法要完成可怕的遊戲。恐怖的氣氛肆意瀰漫，性命與人性承受莫大的考驗……　　本片根據川上亮的小說原作改編。

简介：