搖滾藏獒藍色光芒

简介：因爲婦產科護士坦承12年前將有錢中產階級的Quesnoy家的男孩與下層階級Groselle（北非移民）家的女孩掉包，現在Quesnoy不想交還女 兒，還想把兒子Momo買過來。Momo是在粗野惡劣的家庭環境中長大的早熟聰明圓滑小慣竊，但是他到了Quesnoy家卻把他們弄得雞犬不寧。　　這是一部社會諷刺劇，對有錢階級和沒錢階級同時進行炮轟。故事講一個護士跟上司有染，曾故意將兩個初生嬰兒調包。12年後，上司的妻子去世，但他不願跟情婦結婚，於是她大爆調包祕密，使兩戶貧富差距相當明顯的家庭陷入各自的危機。富家願意把自己孩子接回去，窮的那家則拼命敲詐；窮家女兒回到富家後，將很多以前的習慣帶了過去；富家的女兒對自己親身父母頗爲好奇，但他們卻並不想把她領回去。

简介：『1970年，全世界都知道貝爾法斯特是個分裂的城市，附近鄰裏都變成貧民窟了，但是我對這一切毫不知情。我的世界就只有這麼大而已——四面牆和幾條安靜的街道，不過那是在我認識米奇寳之前』　　『1970年，全世界都知道貝爾法斯特是個分裂的城市，但是我對這一切毫不知情。直到事實像火車一樣碾過……』　　本片根據歐文麥卡菲帝著名的舞臺劇拍攝而成，講述了七十年代北愛爾蘭兩個少年的故事，一個來自天主教家庭，一個則是清教徒背景，原該水火不容的他們卻跨越了邊界，成爲血盟結拜兄弟。他們學著當時正在上映的《虎豹小霸王》,決定離家搶銀行做大事......　　舉報

简介：二次大战期间，日军侵略中国熟黯功夫的僧人天法，在寺门附近救了一个被日军追杀的地下工作者。此人身受重伤，弥留前将一幅有关日军军力分布的地图交给天法，求天法送到卧龙镇他的同志。天法冲破日军包围网上路，身上带了一只木盒，盒内是寺内最珍贵的经文，中途遇上两个小流氓阿龙与马可，二人以为天法木盒内是珍宝，所以不断要偷天法的木盒，天法武功高强，几次打败两个小流氓。但由于不识往卧龙镇的路途，只有与二人合作。

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迈克尔·J·福克斯，一个来自加拿大的小子，成为了1980年代国际流行文化的宠儿。他的人生轨迹因惊人的诊断而改变。当无法治愈的乐观主义者面对无法治愈的疾病（帕金森氏症）时会发生什么事？

简介：16歲的少女薩拉·貝利（Robin Tunney 飾）外表陽光美麗，卻擁有不爲人知的痛苦過去。爲了尋找生活的希望，她隨父親（Cliff De Young 飾）和繼母從舊金山搬到了位於洛杉磯的一座城市，並在當地一所教會學校繼續學業。在這裏她遇見三個打扮和舉止都很怪異的女孩——（費爾魯扎·鮑克 Fairuza Balk 飾）、邦妮（Neve Campbell 飾）和羅謝麗（Rachel True 飾）。周圍的學生沒有一個願意與她們交往，甚至盛傳他們就是恐怖的女巫。薩拉無意間展現出的超能力引起南希等人的注意，這四個本質上有着相同氣質的女孩很快便走到一起。　　他們希望召喚萬物之靈馬農（Manon），讓其進入自己的身體，由此可以使糟糕的生活變得好轉起來。只是，世界上絕對沒有免費的午餐……

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简介：鄧巴中尉（凱文•科斯特納 Kevin Costner 飾）在南北戰爭中立了大功，政府爲了褒獎他，給了他任意選擇駐地的特權。鄧巴渴望着一種全新的生活，於是選擇了遙遠偏僻的西部哨所塞克威克。這裏住着大量的印第安蘇族人。　　一開始蘇族人把他的到來有着抗拒，當鄧巴主動接近和了解他們的生活，並搭救了一個從小在蘇族長大的白人少女後，族人和他之間的關係開始回暖。他得到了一個印第安名字：與狼共舞。鄧巴的騎術讓族人驚歎，他的善良被大家稱讚，和白人少女也日久生情。一次對抗外族入侵的戰爭中，鄧巴更是被封爲了蘇族人的民族英雄。　　然而馬背文化的沒落已成必然，白人士兵來到這片土地，驅趕蘇族人，捕捉“叛徒”鄧巴，這片樸實的土地慢慢改變了容顏……

简介：影片改編自屢獲殊榮的編劇兼導演理查德·柯蒂斯創作的迷人兒童讀物三部曲，講述了一系列關於愛與孤獨、家人與朋友以及聖誕老人犯下大錯的故事，火雞更是要多少有多少。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：This film tells the rise of a Malay warrior named Mat Kilau and his friends against the British colonialists who came to Pahang in 1890. The greed of British officials and policies, which have imposed excessive taxes, confiscated land belonging to the Malays to reap the treasures of Pahang and disrupted the Islamic way in Pahang has caused dissatisfaction among the rulers and the Malays. The patriotic spirit of Mat Kilau and his friends who rose up against British violence had caused Captain Syers to launch an attack on Mat Kilau. Witness the heroic spirit of Mat Kilau, Tok Gajah and Mat Kilau's best friends use their wisdom to fight in the jungle against the British soldiers. Did Mat Kilau and his friends succeed in driving out the barbaric and greedy British army to reap gold and tin in Pahang

简介：被指控縱火的阿莫多出獄了，卻沒有人等着他。他回到家鄉，一個位於加利西亞深山、全歐洲森林大火發生最爲頻繁的村莊，與八十三歲的老母親和三頭乳牛一起生活。跨過溼冷陰鬱的冬季，阿莫多循着自然的節奏緩慢生活，曾經乾枯的生命在春日微風和盛夏陽光裏逐漸舒展，直到森林的濫墾越來越近，漫山的烈火再度襲捲而來……。　　導演奧利佛勒賽回到兒時遊玩的西班牙山村，完成這部橫跨四季的宿命之詩。以熟識的當地素人爲主角，在充滿儀式感的攝影機運動與超十六毫米膠捲質地的影像中，凝視這片被他譽爲「擁有極端美感、高反差又難以預測」的山林景貌，靜謐中匯聚出懾人的能量；而人類的純真與猜忌、自然的更迭與滅絕、生命的渺小和無常，更隨着鋪天蓋地的熊熊烈火，迸發出灼人的滾燙。影像力道直追貝拉塔爾、塔可夫斯基。

简介：爲了修築蘭州——新疆的鐵路，一支築路大軍戰鬥在新疆天山地區。容書記帶領工人們向困難和大風雪作鬥爭，並對王隊長和孔技術員錯誤的保守思想進行了鬥爭，做了大量的思想工作，使他們認識了自己的錯誤。容書記發動羣衆大搞技術革新，苦幹加巧幹，在天山南北各少數民族兄弟的幫助下，終於修通了這條鐵路。