女主角失格

简介：图里奥公爵（吉安卡罗·吉安尼尼 Giancarlo Giannini 饰）迎娶了美丽的妻子秋丽安娜（劳拉·安托妮莉 Laura Antonelli 饰），虽然家有娇妻，但是天性好色的图里奥公爵还是整日在外面沾花惹草，这让年轻的秋丽安娜感到非常的寂寞。 随着时间的推移，秋丽安娜渐渐无法忍受这样压抑的生活，一次偶然中，她邂逅了一位名叫达博里奥（马克·波雷尔 Marc Porel饰）的男子。达博里奥是一位贫穷的作家，虽然身无分文，但是他的才华深深的吸引了秋丽安娜，两人渐渐走到了一起。最终，这段背德的感情被图里奥公爵所知晓，然而最让他感到愤怒的并非妻子对自己的不忠，而是达博里奥低贱的身份。

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《親愛的，原來是你》(Love, Rosie)改編自全球破億經典愛情電影《留給最愛的情書》(PS, I Love You)原著小說作家Cecelia Ahern另一幽默感人作品《Where Rainbows End》。由基斯頓迪他(Christian Ditter)執導，《魔鏡•魔鏡:白雪公主決戰黑心皇后》莉莉歌蓮絲(Lily Collins)及《飢餓遊戲》系列森加芬(Sam Claflin)主演。故事講述青梅竹馬的二人，一同成長面對大世界，一直處於「友達以上，戀人未滿」的狀態，卻各自遇到戀愛上的酸甜苦辣，直到最後發現，最愛的原來就是對方。二人首次合作即默契十足，火花閃耀大銀幕。為今個聖誕，帶來最觸動人心、最浪漫感人的愛情喜劇。

简介：歷經三年多製作，《布達拉宮》首次全方位展現這顆人類文化瑰寶的全貌。在內容上，從歷史、建築、文物、藝術、人文民俗、自然環保、現代生活等方面全景式展示。一代又一代人用勞動、智慧和審美造就了這座人類文明瑰寶，突出其人文價值、民族文化價值及匠心傳承精神。                                                                    在形式上，以循序漸進的探索爲脈絡，梳理歷史人文與傳承；以環環相扣的敘述滿足好奇心與求知慾；以生動感人的故事和民俗生活化解知識信息的嚴肅說教感。畫面與音樂唯美詩意，具有史詩感與審美高度。

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现代版罗密欧与茱丽叶！ Franziska得知父亲发生车祸，动身回到家乡，她无意接管祖传的葡萄园，只打算在当地待一小段时间，却没想到与迷人的医生Marco相互吸引。然而，在前奥地利地区，因过去的战争遗留下的伤痛与仇恨，让德国人和义大利人存在着陈年冲突。 Franziska与Marco家族之间看似永无休止的嫌隙，也威胁到两人之间日益增长的爱情。

简介：電影講述了同在一間銀行ATM部門中工作的何必（朱亞文飾）與蒙小鮮（張榕容飾），由於公司禁止辦公室戀情，正祕密的談着地下戀愛。與此同時300公里以外的熊仁鎮一個ATM機出現故障，取一倍的錢吐兩倍的現金，造成銀行財產損失。於是蒙小鮮和何必約定，誰先找到被多取得錢誰就可以留在銀行，另一個必須辭職。於是一場爭錢鬥愛的遊戲在小鎮迅速展開。

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主人公许诺常常会遇到一些莫名其妙的事，有些似乎是他经历过的，有些却像幻觉。而每一次频临死亡时，他又总能听到有人在他耳边重复同样一串数字……说话的人到底是谁？这串数字又是什么？解开了数字之谜，他是否能找到命运真正的归宿？

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Liberal politician Gerben Kooistra becomes deputy Mayor of a small village. He is assigned to stay low profile while solving a ‘private problem’. Soon he discovers that the seemingly boring border-village is a hub for drug smugglers, led by hardened criminal Toontje van Wanrooy.

简介：貪財又頹廢的“廢柴”家族中，四個不相往來的兄弟姐妹時隔十年，爲了給搶銀行後“失蹤”的父母辦葬禮回到了老家。雖說是葬禮，但其實連放遺體的靈柩都沒有。而舉行這場走形式的葬禮的目的，正是爲了瓜分遺產。在四人...

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朱丽娅·斯蒂尔斯(《谍影重重》系列)将首次执导剧情长片《愿你在此》(Wish You Were Here)，基于Renée Carlino所著同名小说，两人一起写剧本。                                                                      　　讲述年轻女子夏洛特渴望在生活中找到真正的火花，然而一直不能如愿，某次与一个名叫亚当的男人度过了浪漫一夜后，她开始幻想两人的未来，却没料到亚当很快翻脸撇清关系。一段时间后夏洛特还是耿耿于怀，她最终发现亚当身患绝症，帮助他充实度过了生命中最后的日子。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：莫萊蒂新片《三層樓上》改編自伊斯蘭作家Eshkol Nevo的同名小說（Three Floors Up）。影片把小說的背景移到意大利，講述居住在羅馬城區一棟三層樓房裏的三戶家庭的故事。在十年的時間內，每個家庭成員都被迫應對艱難的情況。面對這些 痛苦，他們所做出的不同選擇將決定彼此生活的軌跡。

简介：影片講述獄警王向春爲了更好的盡孝癱瘓的父母，放棄進京工作的機會，以超凡的毅力和孝心，十二年如一日地精心侍奉二老。在事業、家務雙重的壓力下，他以驚人的魄力和耐力，創作了《監獄中隊管理學》《孝子警官日記》《黑手伸出高牆》《明天誰坐牢》等學術論文和長篇小說，他先進的孝道事蹟詮釋了中華民族傳統慈孝的高尚美德。電影立意高遠，構思巧妙，線索清晰，情節既來源於監獄工作的事蹟案例，又有強力的藝術效果，是一部反映忠與孝的影片。