車在囧途
7.0 |2025年06月02日 |已完结
简介:
汽車,這個普通的交通工具,在現代生活裏佔有愈來愈重要的作用。買車實際上成爲了一種積極動態的投資,在社交的意義和精神需求上,使人與城市產生更活躍的交流,是其他個人投資方式所不能替代的。本片正是從這個立意點出發,“吝嗇富商”郭立行(郭德綱 飾)、“單身剩媽包工頭”嚴小蓮(王一楠 飾)、“風流小資男”陳波(許紹洋 飾)、“網購控白領”伊容(張馨予 飾)四個人,因爲不同的個人目的團購了一輛“車”,從而引發了一系列“囧”事,實際展示的是圍繞車引發的價值觀差異的衝突過程,細緻刻畫了都市生活中不同人羣的衆生相,涉及瞭如“拼車”、“搖號”、“限行”、“亞歷山大”族等許多當前社會熱議點,加入鮮辣的笑料,嬉笑怒罵中體現故事主人公的窘境,從側面反映出奮鬥在一線城市的年輕人的真實生活狀態。
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大都會1963
18
0.0
HD
大都會1963
0.0
更新時間:2025年05月02日
主演:阿尼尔·查特吉,马达比·慕克吉,贾雅·巴杜里,Haren Chatterjee,Sefalika Devi,Prasenjit Sarkar,哈拉丹·班纳吉,Vicky Redwood,Bibhuti Banerjee,Manisha Chakraborty,塔潘·查特吉,Arun Chowdhury,Pritish Dey,Shailen Ganguli,希亚马尔·戈沙尔,Anuradha Guha,Jyoti Kripalani,Samir Lahiri,Ashok Mitra,Tarak Mitra
简介:

巴汉宝(Prasenjit Sarka 饰)知道自己并不是一个成功的男人,他不仅要赡养妻儿,还要负责父母的养老,一大家子人将日子过得抠抠搜搜。为了补贴家用,巴汉宝的妻子阿拉提(贾雅·巴杜里 Jaya Bhaduri 饰)不得不外出打工赚钱,哪知道聪慧热情的阿拉提一下子就在职场获得了认可,事业经营的有声有色,虽然家里的经济情况因此而有所缓解,但巴汉宝的心里十分的不是滋味,妻子在外面抛头露面如鱼得水,让他觉得自己脸上无光。                                                                        某日,巴汉宝因为一场意外而丢掉了工作,彻底沦为家里蹲,他和妻子之间的平衡被彻底的发破了,夫妻之间的关系濒临崩溃的边缘。

0
1963
大都會1963
主演:阿尼尔·查特吉,马达比·慕克吉,贾雅·巴杜里,Haren Chatterjee,Sefalika Devi,Prasenjit Sarkar,哈拉丹·班纳吉,Vicky Redwood,Bibhuti Banerjee,Manisha Chakraborty,塔潘·查特吉,Arun Chowdhury,Pritish Dey,Shailen Ganguli,希亚马尔·戈沙尔,Anuradha Guha,Jyoti Kripalani,Samir Lahiri,Ashok Mitra,Tarak Mitra
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:2025年06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
誘饵
14
4.0
超清
誘饵
4.0
更新時間:2025年05月02日
主演:Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean,Stacey Guthrie,Jowan Jacobs,Giles King,Edward Rowe,西蒙·谢泼德,特里斯坦·斯特罗克,玛丽·伍德维恩
简介:康沃尔渔村的风景明信片田园诗误导了人们。虽然过去钓鱼是一种养家糊口的方式,但如今富有的伦敦游客纷纷下山,取代了当地人,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游。他们卖掉了这座家庭别墅,现在看来,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了,而不仅仅是因为车轮夹钳。  Bait是一种黑白,手工制作,16毫米胶片制作的电影。许多关于鱼、网、龙虾、长靴、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。  The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.  Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.
2332
2019
誘饵
主演:Morgan Val Baker,Georgia Ellery,Martin Ellis,Chloe Endean,Stacey Guthrie,Jowan Jacobs,Giles King,Edward Rowe,西蒙·谢泼德,特里斯坦·斯特罗克,玛丽·伍德维恩
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