別對映像研出手
4.0 |2025年06月02日 |已完结
简介:
高中1年級學生淺草綠(齋藤飛鳥 飾),是強調“設定即生命”的動畫迷。  在素描本上描繪積累各種各樣的想法,卻因不能一個人行動做事而無法邁出走向動畫製作的一步。對於淺草這種才能,擁有製片人氣質的金森沙耶加(梅澤美波 飾)很快注意到了。同時,瞭解到同學兼新星讀者模特的水崎燕(山下美月 飾),其實上希望成爲動畫家,3人爲了展現腦內“最強的世界”而設立了映像研。  電影版『別對映像研出手!』2020年初夏上映
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简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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简介:砂礫 (1984)烈士的後代蘇旺從部隊復員後,放棄領導上照顧的機會,不顧未婚妻丁琴的反對,自願到砂礫荒僻的塔里木沙漠當養路工。蘇旺到沙梁道班時,這裏只剩下大個子房玉樹、小胖子古達和代理班長哈德爾。艱苦的勞動和嚴酷的環境在扭曲着道班工人的思想和性格。一心要回城的房玉樹和古達越來越消沉頹廢。他們成天喝酒、算卦,哈德爾則正忍受着失戀的折磨。在一次瘋狂廝打後,房玉樹和古達捲起行李回城了。他們走後,困難更大了,作爲班長的蘇旺咬牙硬挺着,拼命幹活。負責給道班送水的女知青李曼把這一切看在眼裏,並得知蘇旺還業餘搞路面板結試驗,還買鮮花點綴道班房,不由對這條硬漢子產生了敬佩之心。丁琴來信與蘇旺絕交,而此時哈德爾的女友來信要與他重歸於好,蘇旺爲了成全他們,準了哈德爾的假。他自己卻要一人頂四人的工作,寂寞、勞累時時在折磨他,蘇旺終於支持不住,借酒澆愁,喝了個酩酊大醉。李曼冒雨給他送來熱包子。並幫他指揮搶修公路。酒醒後,蘇旺痛悔不已,暗自感激李曼。由於過度的疲勞和虛弱,蘇旺昏倒在墊路勞動中,又是李曼揹着他,把他送進醫院。出院後,蘇旺驚喜地發現哈德爾、古達都回來了。但李曼卻冰冷地拒絕了蘇旺的愛情,隨後蘇旺
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主演:伊萬·麥克格雷格,麗貝卡·弗格森,凱麗·卡倫,雅各布·特倫布萊,卡雷爾·斯特魯基,丹尼·勞埃德,艾米麗·阿琳·林德,克利夫·柯蒂斯,扎恩·邁克拉農,切爾西·塔爾瑪琪,艾麗克斯·埃索,布魯斯·格林伍德,喬賽琳·唐娜休,卡爾·盧波利,維奧萊特·麥格勞,凱蒂·帕克,羅伯特·朗斯特里特,賽琳娜·安杜茲,尼古拉斯·普賴爾,貝瑟妮·安妮·林德,查爾斯·格林,扎克瑞·莫莫,傑森·戴維斯,胡安·賈斯帕,路易斯·桑切斯
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