母愛食堂

简介：醜小鴨成功拯救鳥類王國後回到了鴨子農場，在那裏他受到了英雄般的待遇，醜小鴨也開始沉迷於這種明星的光環。　　另一邊鳥類王國中一場不知名的瘟疫蔓延開來，不少鳥兒都染病不起，天鵝議員們派人前去尋求卡爾騎士的幫助，正巧卡爾騎士意外受傷，只能讓醜小鴨去查明原因，可沒想到在看到瘟疫慘狀時，醜小鴨情緒崩潰害怕的逃走了，衆人對醜小鴨失望透頂。　　逃走的醜小鴨也陷入深深的自責中，他終於重新振作起來，決定和醜小八一起找出病因，卻沒想到被暗中潛伏的加瓦埋伏，奪走了他的力量，還將他困在了枯井之中，在井內，醜小鴨找到生機，見到了鳥類神祕的古代遺蹟，也揭開加瓦的祕密。危機時刻，醜小鴨及時趕到激活琉璃鳥之光，再次拯救了鳥類王國。

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Ten-year-old Kristjan finds himself up against his friends when during one of their games Elmar - the tough guard of their make-believe playground - falls into a deep hole.

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炎热的暑假，女生们还要在学校补课，早就坐不住的她们自动请缨去送午餐给为棒球队打气的管乐队。一路上嘻嘻哈哈的她们快到终点才发现因为天气炎热饭盒早就变坏了，而管乐队队员毫不知情地吃下去，随之而来的身体不适让而唯一没有吃饭盒的中村要求女生们负责，组成爵士乐团。可是女生们不懂得演奏乐器。                                                                      　　艰苦的训练开始了，可是痛苦中也带着甜蜜。

简介：故事發生在約旦。丈夫突然去世後，30歲的納瓦爾（Nawal）不得不爲她的那份遺產而奮鬥，來挽救她的女兒和她的家，而在這個社會中，有一個兒子才能順利繼承遺產。

简介：故事開始於1992年的香港，在一場觀星活動中，周旭日（原島大地 飾）遇見了王子月（湯怡 飾）。周旭日是出生於富貴之家的大少爺，即將在父親的安排之下出國讀書乃至移民，而王子月則成長在一個破碎的家庭之中，和母親過着入不敷出的困苦生活。雖然兩人的出身和成長經歷大相徑庭，但他們還是在彼此身上看到了自己所渴求的特質，兩顆年輕而又真摯的心迅速靠近。　　終於，這段懵懂的戀情還是被周旭日的父親給知道了，作爲懲罰，周旭日被送往了寄宿學校，他要在那裏“服刑”整整一年，然後直接被送出國外。幸運的是，在冷酷的父親之外，還有很多熱心善良的人們，他們被兩個孩子之間的感情所打動，對他們施以援手。

简介：1943年法國維希政府時期，一羣猶太兒童在兒童庇護所生活了幾年後必須避開德國納粹的逮捕逃往瑞士，爲了避開逮捕不得不與他們信任的成年人分開。這一羣猶太孩子踏上了一條一切靠自己的逃亡之旅。 本片根據真人真事《芬妮的回憶錄》改編，真實刻畫了二戰時 期猶太兒童的處境，這羣猶太兒童們面對着成年人都不知所措的艱險逃亡，又將如何？這羣孩子是否能成功逃到瑞士呢？ ©海德文

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：一部影射陳寶蓮自殺事件的影片。講述女主（陳雅倫飾）爲什麼走上三級片之路？又如何被富商包養？最後選擇自殺結束短暫一生？在本片中都有所交待。

简介：居住在德里，以賣槍爲生的社會青年索努.迪力一向得意於自己坑蒙拐騙的本領，然而突如其來的戀愛卻喚起了他迴歸正道的念頭。在他想要退出江湖時，一位質樸的警察來了，在他的威脅之下，索努被迫作爲警方線人深入德里槍支貿易的最深處，從黑暗走向更深的黑暗……他能否全身而退？他的愛情會被謊言所斷送嗎？警方看似正義的行動背後有什麼祕密？這次臥底之行從他的身上帶走的，會是良知，愛情，羈絆，還是生命？

简介：Tells the story of a young man who has amnesia. He bands together with a rugged survivalist in a zom...

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鎌倉時代、1200年代初め。貧しい農家に生まれながらも賢く利発な平次郎は、ある日、親鸞聖人と出会い、多くを学び成長していく。やがて京に戻った親鸞聖人を追って故郷を離れた平次郎は、「唯円」という名を授かり、仲間たちとともに親鸞聖人のもとで仏教を学ぶ。そんな中、かつての友人が苦境に立たされていると知った唯円は、なにも出来ない自分への無力感にとらわれ苦悩する。なぜ、善人よりも悪人が救われるのか？　人は、なぜ生きるのか？　「すべての人間が悪人であり、救われるために条件はない」という親鸞聖人の言葉の真意が、解き明かされていく――。

简介：根據簡·奧斯汀同名小說改編。伊麗莎白·班納特(凱拉·奈特麗 飾)出身於小地主家庭，有四個姐妹，母親班納特太太整天操心着爲女兒物色稱心如意的丈夫。新來的鄰居賓格來先生和他的朋友達西（馬修·麥克菲迪恩 飾）打破了她們一家人單調的鄉村生活。賓格來和伊麗莎白的姐姐簡·班納特互生情愫；達西對善良聰明的伊麗莎白產生了好感，而伊麗莎白卻對達西不可一世的傲慢心存偏見，不接受他的感情。然而，世事難料，賓格來和簡·班納特因爲誤會，關係危在旦夕；達西的種種作爲，展示了性格中和伊麗莎白相同的善良一面，逐漸贏得了伊麗莎白的好感。兩對有情人能否終成眷屬？班納特姐妹們能否得到自己想要的生活？　　簡·奧斯汀筆下十九世紀初英國鄉村生活和社會風貌，重新展現在大銀幕上。