鷹爪鐵布衫

简介：

将女儿们送往冬令营，乔许与艾玛这对老夫老妻，终于获得睽违已久的一周假期。偷得浮生七日闲，原想重燃爱火大搞一场，结果发现性致不如以往。面对中年婚姻危机，两人决定积极处理：邀请同事三人行却不太行、去俱乐部找刺激却找到亲戚、嗑药助兴却力不从心提早泄气，还有骚包下属和暗恋老友在一旁搅局，眼看女儿们返家在即，他们到底能不能重拾性趣？

简介：人聲鼎沸的西班牙鬥牛場中，孔武健壯的鬥牛士安東尼奧（丹尼爾·吉梅內斯·卡喬 Daniel Giménez Cacho 飾）正在進行一場關鍵賽事。看臺上，他正懷有身孕的美麗妻子卡門（茵瑪·庫艾斯塔 Inma Cuesta 飾）緊張地注視着眼前的一切。然而意外發生，安東尼奧被公牛頂成重傷，深受驚嚇的卡門在產下一女後撒手人寰。住院期間，別有心計的護士因卡娜（瑪麗貝爾·瓦度 Maribel Verdú 飾）細心呵護安東尼奧，而她日後也成爲這名殘疾鬥牛士的新一任妻子。自幼遠離父親生活的小卡門輾轉回到安東尼奧的豪宅，可是卻遭到因卡娜的殘酷虐待。命運多舛的卡門（瑪卡蓮娜·加西亞 Macarena García 飾）日漸長大，容貌出衆，但心狠手辣的繼母是可要將她置於死地……　　本片根據白雪公主的故事改編，榮獲2013年歌蒂獎最佳藝術指導獎，2012年聖塞巴斯蒂安國際電影節銀貝殼獎和評委會特別獎。

简介：小豬佩奇是一個可愛的但是有些小專橫的小豬。她已經五歲了，與她的豬媽媽，豬爸爸，和弟弟喬治生活在一起。故事內容多數環繞日常生活，比如小孩子們參加學前遊戲小組、探訪祖父母和表親、在遊樂場遊玩、踏單車等等。...

简介：

为了为女儿的癌症治疗筹集资金，一名退休的公牛骑手与他疏远的儿子联手，在时间耗尽前抢劫以确保付款。但在抢劫案出错后，要想保住这笔钱——以及他们的自由——需要两人智胜当地两名顽强的执法人员，其中包括一名有正义意识的警长，她很快怀疑，她的案件的关键可能就在离家不远的地方。

简介：個性莽撞的玫瑰仙子（孫儷 飾）渴望能夠像紫霞仙子一樣找到一世珍愛，於是從日月神燈前盜取那把曾見證曠古愛戀的紫青寶劍來到凡間，希望找到能拔劍出鞘的真命天子。山賊清一色（鄭中基 飾）只想本本份份做個山賊，不料卻拔出玫瑰仙子的紫青寶劍，之後倆人又意外通過越光寶盒穿越時空，親歷赤壁之戰。在穿越的日子裏，玫瑰仙子對於拔劍出鞘的清一色百般示愛，而一心想重新踏上穿越時空之路的清一色卻對玫瑰仙子只是假意奉承，在利用玫瑰仙子從曹操（郭德綱 飾）手裏奪回越光寶盒之後，他毅然棄玫瑰仙子於不顧，獨自回到曾經。然而再次偶到玫瑰仙子之時，清一色卻發現有一份愛早已在自己的心頭生根發芽……　　本片借經典影片《月光寶盒》之東風，58位明星傾情加盟，並重新演繹近年來多部影片中的精彩片段，“笑果”非比尋常。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：In July 2016, Islamic terrorists stormed a popular café in upscale Dhaka and held its patrons hostage, killing more than 20 people and sending shockwaves across the subcontinent. Faraaz is the youngest son of a rich, politically connected family. That evening, he meets his friends at the café and finds himself caught in the crossfire. How he reacts to the nightmarish situation forms the heart of the story. Offsetting nail-biting tension with unexpected humour – often at the expense of inept law-enforcement officials – Hansal Mehta (Aligarh, LFF 2015) brings his trademark sensitivity, nuance and empathy to this fictionalised retelling. It is particularly striking for the way it looks at religious extremism from the perspective of Muslims who have seen their faith questioned and demonised because of the actions of radical extremists.

简介：

简介：

简介：

简介：

猎人一家三口在森林里避世隐居，受到一只野狼的威胁。在搜捕这只狼的过程中，他们遭遇到了更为险恶的生物，一个专门残害女性的连环杀手.....

简介：It's been eight years since the opening night tragedy of Hell House, LLC and still many unanswered questions remain. Thanks to an anonymous tip, investigative journalist Jessica Fox is convinced that key evidence is hidden inside the abandoned Abaddon Hotel-evidence that will shed light on the hotel's mysteries. She assembles a team equally hungry for answers with one goal: break into the hotel and discover the truth.