柏林夜總會納粹眼中釘
简介:
這部紀錄片對希特勒掌權時期失去的自由進行了探討,講述 20 世紀 20 年代柏林一家光鮮亮麗的夜總會如何成爲了酷兒羣體的避風港。
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更新時間:06月02日
主演:馬克·沃爾伯格,安東尼·霍普金斯,喬什·杜哈明,勞拉·哈德克,桑地亞哥·卡布瑞拉,伊莎貝拉·莫奈,傑洛德·卡爾邁克,斯坦利·圖齊,利亞姆·加里根,馬丁·麥克裏迪,約翰·霍林沃思,丹尼爾·阿德博伊加,格倫·莫肖爾,嘉瑪·陳,約翰·特託羅,託尼·海爾,克勞德·諾爾頓,雅各布·扎哈爾,瑪姬·斯蒂德,莎拉·斯圖爾特,菲比·尼克爾斯,麗貝卡·弗朗特,斯蒂芬·霍根,小本傑明·弗洛雷斯,胡利奧塞薩爾·查韋斯,艾莎卡比婭,安迪·比恩,馬克·德克斯特,羅伯·賈維斯,蒂姆·唐尼,克里斯蒂娜·譚,寶琳·麥克林,塞塔·因德尼,溫
简介:汽車人和霸天虎連年不斷的戰爭,給地球帶來了莫大的傷害。爲此,地球各國聯合成立反應部隊,針對變形金剛無論正邪一律絞殺。與擎天柱交往甚密的地球人凱德•伊格爾(馬克·沃爾伯格 Mark Wahlberg 飾)不顧身邊人的反對和政府的壓力,以一己之力爲大黃蜂、鋼鎖等汽車人提供庇護場所,期間他無意得到一枚徽章,從而將危機引向自身。失蹤的擎天柱飄回賽博坦,被變形金剛的創造者昆塔沙捕獲並黑化,命令他返回地球尋找至高無上的權杖,毀滅地球,復興賽博坦。與此同時,威震天和地球政府達成協議,彼此聯合追尋凱德及其盟友的蹤跡,其目標同樣是曾屬於魔法師梅林的權杖。  地球真正的危機終於降臨了……
431
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變形金剛5最後的騎士
主演:馬克·沃爾伯格,安東尼·霍普金斯,喬什·杜哈明,勞拉·哈德克,桑地亞哥·卡布瑞拉,伊莎貝拉·莫奈,傑洛德·卡爾邁克,斯坦利·圖齊,利亞姆·加里根,馬丁·麥克裏迪,約翰·霍林沃思,丹尼爾·阿德博伊加,格倫·莫肖爾,嘉瑪·陳,約翰·特託羅,託尼·海爾,克勞德·諾爾頓,雅各布·扎哈爾,瑪姬·斯蒂德,莎拉·斯圖爾特,菲比·尼克爾斯,麗貝卡·弗朗特,斯蒂芬·霍根,小本傑明·弗洛雷斯,胡利奧塞薩爾·查韋斯,艾莎卡比婭,安迪·比恩,馬克·德克斯特,羅伯·賈維斯,蒂姆·唐尼,克里斯蒂娜·譚,寶琳·麥克林,塞塔·因德尼,溫
財富流感
14
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財富流感
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更新時間:2025年05月17日
主演:瑪麗·伊麗莎白·溫斯特德,拉菲·斯波,洛蘭·布拉科,蒂莫西·斯波,喬納·豪爾-金,凱撒·東布瓦,理查德·塞梅爾,迪克西·艾格瑞克斯,亞歷山德拉·瑪桑凱,安娜·羅莎·德·埃薩吉雷·巴特勒,菲利普·舒爾,格雷格·奧維斯,邁克爾·約翰·特雷納,伯納德·布倫,埃裏克·古德,Nick Dutton,馬克·基託,埃琳娜·桑茲,吉奧古·薩伍艾斯,科林·摩根
简介:財富流感,英文名爲Rich Flu,是2024年上映的哥倫比亞美國西班牙驚悚電影。 一種前所未有的新型病毒在富人中流傳開來,被病毒感染的人全部先癲狂後死亡,一時間,社會動盪不安,恐懼在所有富豪之間瀰漫,富有程度越高,死的速度越快!當“富有”成爲了一種病毒,富人、中產、窮人們都將作何反應?作爲社會精英階層的女主又會作何選擇,是把自己的財產拱手相送保全性命,還是誓死守護富裕可觀的私人財產?  
610
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財富流感
主演:瑪麗·伊麗莎白·溫斯特德,拉菲·斯波,洛蘭·布拉科,蒂莫西·斯波,喬納·豪爾-金,凱撒·東布瓦,理查德·塞梅爾,迪克西·艾格瑞克斯,亞歷山德拉·瑪桑凱,安娜·羅莎·德·埃薩吉雷·巴特勒,菲利普·舒爾,格雷格·奧維斯,邁克爾·約翰·特雷納,伯納德·布倫,埃裏克·古德,Nick Dutton,馬克·基託,埃琳娜·桑茲,吉奧古·薩伍艾斯,科林·摩根
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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