施圖茨的療愈之道
0.0 |2025年05月02日 |片長96分钟 |正片
简介:

菲利普·施图茨是世界一流的精神科医生之一。在过去的 40 年里,他帮助了无数患者,其中包括世界级的创意人士和商业领袖,还有许多对治疗持怀疑态度的人。这部电影由他的朋友兼病人乔纳·希尔执导,探索了施图茨的生活,并带领观众了解他标志性的可视化练习题册 —《The Tools》。当希尔和施图茨坐下来进行一场颠覆他们典型医患关系的非正统会议时,他们以一种幽默、脆弱和最终治疗的体验将《The Tools》带到了生活中。影片坦诚地讨论了施图茨和希尔的个人心理健康之旅,同时穿插了两位来自不同世代的朋友之间轻松的玩笑,以一种任何人都能接受的方式,完美地勾勒出了《The Tools》和通往心理健康之旅 — 无论他们是否积极寻求帮助。

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陰宅瓦德馬爾
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陰宅瓦德馬爾
4.0
更新時間:2025年05月02日
主演:奥斯卡·贾恩那达,希维亚·艾巴斯卡,达尼埃莱·利奥蒂,莱娅·马鲁利,鲁道夫 桑丘,安娜·里苏尼奥,诺尔玛·鲁伊斯,Santi Prego,乔斯·路易斯·托里霍,赫蘇斯·奧爾梅多,弗朗西斯科·梅斯特,José Torija,Vanesa Suárez,Laura Toledo,Lino Braxe,吉米·巴纳坦,保罗·纳什,欧塞维奥·庞塞拉,特马·佩雷斯
简介:正在度假的房产税收专家露易莎·劳伦特(Silvia Abascal 饰)接到上司爱德华多的电话,要求她火速前往位于蒙特·奈格洛的瓦德马尔公馆。这座公馆建造于维多利亚时期,有着悠久的历史。早在一个月前爱德华多便派下属奥利西亚前去进行资产评估,准备将公馆拍卖。然而奥利西亚从此杳无音讯,适逢拍卖日期提前,他只得匆忙找到露易莎。经过一番讨价还价,露易莎临危受命。她来到这幢破败的宅邸,却在视察内部情况是见到一具高度腐烂的尸体。  4天后,露易莎也宣告失踪。她的老板马克西米连(Eusebio Poncela 饰)万般无奈,找到私人侦探尼古拉斯(Óscar Jaenada 饰)调查两名员工的下落。尼古拉斯却在调查过程中,慢慢揭开瓦德马尔公馆那令人心悸且鲜为人知的过去……
3172
2010
陰宅瓦德馬爾
主演:奥斯卡·贾恩那达,希维亚·艾巴斯卡,达尼埃莱·利奥蒂,莱娅·马鲁利,鲁道夫 桑丘,安娜·里苏尼奥,诺尔玛·鲁伊斯,Santi Prego,乔斯·路易斯·托里霍,赫蘇斯·奧爾梅多,弗朗西斯科·梅斯特,José Torija,Vanesa Suárez,Laura Toledo,Lino Braxe,吉米·巴纳坦,保罗·纳什,欧塞维奥·庞塞拉,特马·佩雷斯
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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