繆斯

繆斯

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2.0 |2025年05月02日 |HD
简介:
Edward Dunstan is an artist obsessed by his muse. Every photograph and every movie conveyed the same meaning What he wanted to see. His muse waited in vain for him to see her as she was, but he could not. And so, like the mermaid in his latest movie who grew legs and left him, so does his muse. For months his days and nights are filled with watching her on the screen. His anger turns to self-pity... turns to acceptance... Only now does he understand what he put her through. When his latest letter to her is returned, he binds himself in chains and climbs into the very tank of water his muse spent many unhappy hours.
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怪談1964
3
7.0
已完结
怪談1964
7.0
更新時間:2025年06月02日
主演:新珠三千代,渡邊美佐子,三國連太郎,石山健二郎,赤木蘭子,北原文枝,松本克平,仲代達矢,岸惠子,望月優子,菅井琴,千石規子,野村昭子,平田昭彥,浜村淳,中村賀津雄,丹波哲郎,志村喬,林與一,村松英子,田中邦衛,北村和夫,中谷一郎,花澤德衛,夏川靜江,桑山正一,谷晃,近藤洋介,山本清,中村敦夫,阿部百合子,長山藍子,中村玩右衛門,瀧澤修,杉村春子,中村雁治郎,仲谷升,宮口精二,佐藤慶,神山繁,田崎潤,織本順吉,小林昭二,青木義朗,玉川伊佐男,天本英世
简介:本片分爲四個故事:《黑髮》居住在京都的武士(三國連太郎 飾)厭倦了貧苦的生活,他拋棄妻子(新珠三千代 飾),與一個貴族小姐(渡辺美佐子 飾)結婚。然而現任妻子的冷酷讓武士懷念起前妻的溫柔賢淑,他再次與前妻相遇,結果卻出人意料;《雪女》狂風暴雪的一日,青年(仲代達矢 飾)在山上邂逅美麗的雪女(岸恵子 飾)。雪女愛慕青年,饒他不死,但青年不得將這次相遇告知外人;《無耳芳一的故事》盲僧芳一(中村賀津雄 飾)的琵琶彈唱連鬼魂也分外欣賞,但經常與鬼接觸勢必折損陽壽,寺中的長老決定拯救芳一;《茶杯中》武士關內(中村翫右衛門 飾)喝茶時發現茶碗有一個陌生人的面孔,他打破茶碗,卻引來了一個不速之客。  本片根據小泉八雲同名短篇小說改編,並榮獲1965年戛納電影節評委會特別獎、1966年每日電影最佳藝術指導和最佳攝影兩項大獎。
2401
1964
怪談1964
主演:新珠三千代,渡邊美佐子,三國連太郎,石山健二郎,赤木蘭子,北原文枝,松本克平,仲代達矢,岸惠子,望月優子,菅井琴,千石規子,野村昭子,平田昭彥,浜村淳,中村賀津雄,丹波哲郎,志村喬,林與一,村松英子,田中邦衛,北村和夫,中谷一郎,花澤德衛,夏川靜江,桑山正一,谷晃,近藤洋介,山本清,中村敦夫,阿部百合子,長山藍子,中村玩右衛門,瀧澤修,杉村春子,中村雁治郎,仲谷升,宮口精二,佐藤慶,神山繁,田崎潤,織本順吉,小林昭二,青木義朗,玉川伊佐男,天本英世
等待方舟
15
9.0
已完结
等待方舟
9.0
更新時間:2025年06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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