時光盡頭的戀人

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简介：On the run from his former employer, a reluctant hitman seeks refuge in an isolated village where he is faced with events that test the true nature of his conscience.

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A widow who has given up on life becomes convinced that a stray dog is the reincarnation of her Hurling-loving husband.

简介：故事發生在1835年的東歐，憲兵康斯坦丁（特奧多·科爾班 Teodor Corban 飾）帶着他的兒子伊沃尼塔（米海·科瑪羅尤 Mihai Comanoiu 飾）正在茫茫的沙漠裏追捕奴隸卡費（　　託瑪·庫茲因 Toma Cuzin 飾），因爲這名奴隸和僱主的妻子有着不純潔的關係。雖然身爲父子，但康斯坦丁和伊沃尼塔的個性截然不同，前者熱情又樂觀，總是充滿了幹勁，而後者沉默又內向，腦海裏無時不刻都在思考着人生。　　一路上，父子兩人遇見了各種各樣的人，他們有着不同的膚色，不同的信仰，雖然同爲人類，但彼此之間有着非常激烈的思想碰撞，這些人給伊沃尼塔的世界觀帶來了極大的震撼，也讓他一路成長。

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“名侦探柯南系列”第23部动画剧场版，票房和口碑也屡破纪录。作为平成年代最后一部柯南电影，首次将案件发生地设立在海外，基德时隔四年后再度回归，与柯南合体展开行动。故事围绕着19世纪末与海盗船一同沉入海底、世界上最大的蓝宝石“绀青之拳”展开。

简介：北原十和子（蒼井優 飾）同名爲陣治（阿部隆史 飾）的男子過着同居的生活。雖然居住在同一屋檐下，但十和子和陣治之間卻並非情侶關係。十和子厭惡陣治的粗俗和懦弱，而即便被十和子辱罵嫌棄，陣治卻依然深深的爲她着迷。十和子有過一段不堪回首的戀情，前男友黑崎俊一（竹野內豐 飾）是一個徹頭徹尾的渣男，不僅利用十和子的身體，還在分手之時將十和子打成重傷。　　一次偶然中，十和子結識了名爲水島真（松坂桃李 飾）的男子，一來二去之間，兩人之間產生了不倫的感情。然而，水島真也只不過是貪戀十和子的肉體罷了。警察找到了十和子，向她詢問失蹤的黑崎的下落。

简介：Thor's villainous uncle Loki has escaped Asgard to search for Yggdrasil - The Tree of the Nine Realms. The tree holds the power of the Universe and is hidden away on Earth. With the help of giant wolf god Fenrir, Loki plans to destroy the tree and replant it in his image, giving him dominion over all. Now Thor must follow Loki to Earth to wage an epic battle that will hold the two worlds in its balance.

简介：1952年，妮基爲了逃離麥卡錫主義時期的美國，同丈夫和女兒回到法國，但童年遭遇的不安回憶依舊在妮基的腦海中揮之不去。爲了能夠解脫出來，她試圖從藝術中找到力量。本片是關於法裔美國藝術家妮基·聖法勒（Niki de Saint Phalle）的傳記片，追溯了妮基從模特到畫家的轉型過程。除講述她因精神崩潰在醫院的治療經歷，更着重描繪了她的藝術治癒過程，特別是她聞名世界的以步槍射擊作畫的獨特創作方式，還原了一位從不幸中重生的非凡藝術家。本片入圍今年戛納電影節一種關注單元.

简介：頭髮花白的特種作戰少校赫洛莫在一次緝毒行動中負傷，在救治過程中，居然陰差陽錯地與環境保護科警察奧列格新出生的嬰兒實現了靈魂轉移。案件迫在眉睫，新生兒幼小的身體裏裝着刑警少校的老靈魂，當蠢蛋老爹遭遇暴走嬰兒，警匪對峙過程中上演了一幕幕啼笑皆非的破案囧事。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：瘦虎（麥嘉 飾）和肥龍（洪金寶 飾）是警局裏的最佳拍檔，屢立奇功。這次，他們收到消息，前往追捕大毒販太子德。不料，兩人和太子德的一番龍爭虎鬥，竟然意外攪禍了香港警務處副處長的婚禮，雖然最終拘捕了太子德，兩人卻因激怒了上司而不得不暫時休假。　　兩人趁閒來無事，前往新加坡旅 遊，意外結識了兩名當地女子併成爲好友。豈料，這時太子德保釋外出，爲了報仇雪恨，特意僱了殺手前往新加坡找瘦虎、肥龍尋仇。兩人雖然大難不死，但卻連累了兩位好友身受重傷。由於正在停職期間，兩人決定以牙還牙！

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本片榮獲最佳影片、最佳導演、最佳女主角、最佳造型化妝獎等各項榮譽。　　1554年，在瑪麗一世血腥的統治下，英國陷入了空前的混亂。直到1558年她駕崩，她同父異母的妹妹伊麗莎白（凱特·布蘭切特 Cate Blanche tt 飾）登上女王的寶座，舉國上下一片歡騰。令伊麗莎白興奮不已的不僅僅是登上王位， 還有幼時的心上人羅伯特-達德利（約瑟夫·費因斯 Joseph Fiennes 飾）結束流放，重新走進了她的生活。但突如其來的宮廷政變、暗藏的陰謀、大臣的欺騙、國家糟糕局勢，無不給這位新任女王帶來危機。但她運用自己的智慧，在一次次宮廷政變中，華麗脫身，一次次掃除異己，鞏固了自己的王位，並將16世紀的英格蘭從岌岌可危的邊緣推向昌盛的頂點。但伊麗莎白拒絕任何政治上的聯姻，堅持追求真愛。這位威嚴、冷峻、剛毅的女王最後終生未嫁，只與國家和權利終身爲伴。