天上的孩子

简介：

简介：本片講述水利專家申天一和同窗辛遠航在古木村治理黃河水患問題時，遭遇了“逆水行屍”的詭異事件，並意外搭救了昔日夥伴餘茵。幾人同行合力探索黃河詭事背後的真相。申天一等人在重重謎團中層層分析、逐步揭開謎底，找到了科學治理水患之法，徹底讓古木村恢復了和平。

简介：生長在單親家庭的敏雅（林秀晶 飾）是個酷愛搖滾音樂的高中生，她並不是“不良少女”但卻會吸菸喝酒。她是個浪漫主義的人，希望自己的愛情能夠一帆風順。　　一天，在敏雅樓下搬來了一名英俊的大學生英宰（金來沅 飾）。英宰直言不諱說自己對敏雅一見鍾情，繼而展開一系列的追求攻勢，企盼能得到敏雅的歡心。雖然敏雅覺得英宰並不討厭，可是她依然懷疑英宰的爲人，她甚至跟蹤英宰，想知道英宰結識的是什麼朋友。經過英宰多番的努力，敏雅才向他敞開了心扉，兩人開始了愛情故事。當敏雅向母親訴說戀愛感受的時候，她對自己的這次初戀依然模糊。

简介：珍妮（蘇菲•瑪索 Sophie Marceau 飾）是居住在法國的一名美女作家，她和丈夫迪奧（Andrea Di Stefano 飾）共同經營一個幸福美滿的四口之家。但是近一段時間，珍妮卻感到令人難以承受的壓力。客戶的要求讓她無法隨心所欲寫作，漸漸地珍妮發現周遭的一切開始發生變化，房間、丈夫、兒女甚至她自己的容貌都讓人倍感陌生。珍妮的歇斯底里使家中的歡樂蕩然無存，她和丈夫的婚姻也走到盡頭。　　某天，珍妮的容貌也完全發生改變，變成了一個擁有一頭黑髮、大眼明眸的異域風情女子（莫妮卡•貝魯奇 Monica Bellucci 飾）。她偶然在母親的住所看到一張相片，於是啓程前往意大利，尋找自己真正的本源歸宿……

简介：卑劣的街頭，英文名爲Biyeolhan geori，是年上映的韓國動作電影。 Byung-du是一名29歲的職業犯罪分子，爲中級執行者Sang-chul工作。身患絕症的母親，照顧年幼的兄弟姐妹，Byung-du作爲代祖父母正在承受財務壓力。當大老闆黃某被一個腐敗的檢察官逼迫時，Byung-du志願從事低調的工作並贏得了大個子的信任。但是，他的真正麻煩始於有抱負的電影導演的朋友閔浩，要求他擔任後者的處女作電影顧問。  

简介：阿斯崔德（朱麗婭·耶恩奇 Julia Jentsch 飾）是一位在事業上頗有建樹的女演員，擁有衆多的粉絲。與此同時，她和丈夫馬庫斯（比亞內·梅德爾 Bjarne Mädel 飾）之間的感情也非常要好，兩人共同養育着可愛的小女兒內爾（艾米莉亞·派斯克 Emilia Pieske 飾），並且正在滿心歡喜的迎接這個家庭裏第二個小生命的誕生。　　然而，令阿斯崔德沒有想到的是，她腹中的胎兒被醫生診斷極有可能在出生之後患有唐氏綜合症和嚴重的先天性心臟病，作爲母親，阿斯崔德將有權要求墮胎。然而，腹中的小小生命已經24周大了，這個艱難的抉擇讓一家人都陷入了痛苦的境地之中。

简介：故事發生在約旦。丈夫突然去世後，30歲的納瓦爾（Nawal）不得不爲她的那份遺產而奮鬥，來挽救她的女兒和她的家，而在這個社會中，有一個兒子才能順利繼承遺產。

简介：

简介：投資直播公司破產、欠了五十萬債的東北姑娘楊楊爲了躲債偶然躲到了山東一個村裏，住進了村裏唯一一家家庭民宿。　　經營民宿的孫二嬸以一哭二鬧三上吊的方式把在北京打工好幾年、事業上毫無起色的兒子大光硬拖回了家。連番無數次相親失敗之後，不願結婚、一心只想去北京闖的大光把最後一次相親搞砸了。孫二嬸下了死命令，找不到對象，絕不放大光去打工。　　被催債沒轍的楊楊像每次捅了簍子一樣去找老爸老楊。爲了從老爸那獲得投資，把入住的民宿說成了自己投資開的，而且經營良好。老楊很高興，但是——決定第二天派得力助手張會計來考察。這回楊楊撒下的謊，不知如何去圓。　　一個需要女朋友，一個需要當老闆。靈機一動，楊楊想出了雙贏的計劃，於是跟大光談交易，她扮演成大光的女朋友，讓他能順利去打工，大光配合她扮成老闆，讓她順利拿到老爸的投資！　　二人花錢僱村民當客人，組成了一支“蝦兵蟹將”臨時團隊，僞裝出生意興隆的假象，但一個謊言需要無數個謊言去掩蓋，雪球越滾越大，事情的發展終究超出了掌控……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：As the seasoned infantry and tank units of the German 11th Panzer "Ghost" division move silently into position on the snow covered hills around Nennig Germany ,a battle weary GI and his unit stand ready to defend the small town, a key position in the Allied advance to win the war. Outgunned and outnumbered, S/ Sgt Don Smith struggles to find hope and courage against overwhelming odds in one of the decisive confrontations in the "Battle of the Bulge" during WWII. His squad of GI's of the 94th Infantry Division lay dug in on the ridge-line outside of town. No one in high mand believed that German forces would attack in the sub zero temperatures and near blizzard conditions. As the pre-dawn attack es, with munications down Sgt. Smith is left with no choice but to make his way through enemy fire, unarmed and wounded, into town and warn of the ing attack. Based on actual accounts "Everyman's War" explores the heroic events of this decorated veterans courage and the struggle between duty and desire. Between the prospect of the life and love, Dorine that waits at home and the harsh realities of war which marks the pivotal epoch in his life as he discovers that the loss of hope can be worse than the loss of life. One man's courage... One man's hope...Everyman's War.

简介：电影改编自真实事件，讲述的是一个带着面具的男人背后的故事。奥古斯托(Vladimir Brichta饰)是位在聚光灯下找寻立足之处的艺术家，踏上了母亲的艺术道路。他的母亲是位活跃在50年代的舞台艺术家。不遗余力地寻求观众的掌声，他找到了赢得观众喜爱的机会，就是成为了80年代的儿童节目最受欢迎的小丑电视主持人。　　换上小丑装后，奥古斯托获得了史无前例的成功。但由于合同条款禁止他泄露自己的真实身份，他成了一个匿名的名人。奥古斯托变成了带给全国儿童欢乐的小丑，但却没有给自己儿子加布里埃尔（Cauã Martins饰）带来快乐。在儿子加布里埃尔眼里，父亲是个追求名气疏远自己的人。全片充满幽默和讽刺，夸张地展现了80年代巴西电视后台世界。该片讲述了一个男人找寻自己艺术价值的超现实故事以及他人格的堕落。