白色大廈

简介：石一坚（周润发 饰）在女儿（童菲 饰）的婚礼上，因误用兄弟小马（张家辉 饰）的“催眠治疗”加上机器人炸弹袭击而变得精神错乱。神秘人物易天行（张学友 饰）一心想要置石一坚于死地，幸亏龙五（向华强 饰）带领儿子龙十五（向佐 饰）及时营救。“赌侠”刀仔（刘德华 饰）与赌神表妹高菲（李宇春 饰）也一起来帮助石一坚恢复记忆，众人终于知道易天行就是幕后黑手，为了调查清楚真相，石一坚与“赌神”（周润发 饰）联手，最后大战一触即发。

简介：故事緊接着《熟男我愛你》繼續發展，艾利克斯（雷歐·波瓦 Raoul Bova 飾）和尼基（米琪拉·奎阿託希歐奇 Michela Quattrociocche 飾）這對年齡相差20歲的“老少配”眼看着已經交往了三年之久了，儘管此時的尼基還只是一個剛剛年滿二十歲的“小女孩”，但對尼基愛之深情之切的艾利克斯還是決定要娶她爲妻。　　在一番浪漫的約會和求婚後，尼基接受了艾利克斯的求婚，兩人的盛大婚禮也提上了日程。可是，就在這個節骨眼上，尼基卻患上了婚姻恐懼症，各種各樣不吉利的念頭在她古靈精怪的大腦中飛速流竄，她甚至產生了退卻的念頭。面對着準新娘的猶豫和躊躇，我們的準新郎該如何挽回她的心呢？

简介：虽然从小就生活在曼斯菲尔德庄园中，但这里的一切却无法让范妮（弗兰西丝·奥康纳 Frances O'Connor 饰）感到一丝亲切。寄人篱下的身份让年幼的她饱尝了人情的冷暖，好在有善良的埃德蒙德（约翰·李·米勒 Jonny Lee Miller 饰）的关心和陪伴，范妮才得以保留心中那一块小小的净土。才华横溢的范妮喜欢通过文字来记录内心的所想所感，成为一名作家是她最大的梦想。　　亨利（亚历桑德罗·尼沃拉 Alessandro Nivola 饰）和玛丽（艾伯丝·戴维兹 Embeth Davidtz 饰）的到来打破了庄园中的宁静生活，伦敦的经历让兄妹两习惯于热情而奔放的表达感情，这一切在曼斯菲尔德庄园中实属罕见。很快的，埃德蒙德的注意力便被漂亮的玛丽吸引了，同时，亨利似乎也对范妮十分中意，面对人生中这突如其来的变化，范妮不知该何去何从。

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简介：A man with spiritualist powers is told by his mentor that a demonic entity is returning to destroy his daughter's soul, and that he should take drastic measures to prevent this from happening.

简介：影片主要講述，在一個地下停車場，兩個蒙面男人抓住了一個年輕漂亮的女子——肖筱，億萬富翁的女兒。他們綁架了她到了一處廢棄的房子。這兩個綁匪——冷酷無情的何洪森和心存善念的嚴傑，策劃着這個小心謹慎的犯罪計劃。但兩人都明白，即使肖父按約定交出贖金，兩人中更爲強勢的何洪森也必然會選擇撕票，因爲他與肖父存在舊仇。　　一切按計劃進行，兩位綁匪在人質面前也永不露真面目。但一心想逃生的肖筱無意中拆穿了嚴傑的真實身份，嚴傑摘下面具，竟是肖筱的男朋友，愧疚的嚴傑說出了他自己暗藏的另一個計劃—拿到贖金帶着肖筱遠走高飛。但若是這個計劃暴露，他與肖筱都將面臨生命危險，肖筱只好配合嚴傑演着這出戏。　　強勢的何洪森漸漸發現了事情朝着不對勁的方向發展，他一方面注意着嚴傑的動向，一方面還得與警方周旋。在一次轉移綁架地點的過程中，兇狠的何洪森逼使肖筱說出了那個被暗藏的另一個計劃。何洪森終於發現了嚴傑的背叛，何洪森開始制定了另一個計劃，殺害嚴傑。兩兄弟反目成仇，互相殘殺，肖筱在他們倆之間成爲了一個挑撥離間者，生命時刻受到着威脅。　　警方的張隊長從一開始就收集與肖父收集着各種證據，兩方一直處在偵查和反偵察的對峙當中，終於在最後找到了綁架地點，成功解救了肖筱，並抓獲了兩名綁匪。但這三人，最重要的東西在這次事件中都已經失去了。

简介：神秘又开放的金三角地区位于印度支那三国交界，是一片三不管的地带。1954年，台湾当局响应联合国决议，下令撤出流落在金三角地区的国军，但是，还是有至少十一万国军及其家属留在了这里。　　国军参谋范龙（梁朝伟 饰）从俘虏营中逃出，历尽艰难回到国军营地。士兵阿丁（林志颖 饰）亦回归部队，老兵老谢（吴孟达 饰）给予了丧失战友的阿丁兄弟般的关怀。国军贺司令（柯俊雄 饰）与缅方谈判，试图放下武器归顺，范龙施计保存了部分军火，缅方却对国军赶尽杀绝，全赖范龙，国军得以突围而出。然而队伍很快出现了分化，范龙等人投奔土匪，贺司令则带领余部归顺泰国政府，流落在金三角的国军将士，为生存展开了卓绝的斗争……

简介：軍艦島，英文名爲Gunhamdo，是2017年上映的韓國劇情電影。 2017.一部在臭名昭著的日本殖民時期的韓國動作片（Battleship Island）上映，影片講述從1930年代至第二次世界大戰期間(二戰)，朝鮮移民和中國戰俘被迫在臭名昭著的日本軍艦島那裏開採煤炭。儘管“受到真實事件的啓發”，但該圖是純粹的捏造。不僅如此，這非常引人注目，這不僅得益於引人注目的情況，而且還要歸功於二流音樂家黃正敏（Jung-Min Hwang）和他的銀幕女兒蘇安安（Su-An Kim）之間真正真誠的聯繫。  

简介：当州长爱上了脱衣女郎

简介：大明正德年间，西北的飞砂镇上，神童朱鼒材棋艺高超，无人可比！在京城，大宦官刘瑾妄想篡位夺权，保皇的安华郡王发动兵谏被杀，而朱鼒材正是安化郡王的嫡孙，全家惨遭杀害时他幸免于难。刘瑾派遣东厂的精锐来杀朱鼒材！朱鼒材在世外高人‘冬瓜老’的点拨下，运用擅长的棋艺，不仅救了母亲，还准备动身进京，向皇帝告御状，扳倒当朝的大权奸。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.