偽裝者

偽裝者

第30集

5.0 |2025年05月02日 |已完结
简介:
为了修复感情裂痕,安娜和尤汉来到朋友海边的别墅度假。海泳时,他们偶遇失足礁石而意外受伤的陌生女人。安娜和尤汉将她和她丈夫收留进别墅,假装是屋子的主人。谁知,这一决定竟引发了一连串的伪装、角色扮演和心理游戏,事态也一步步走向暴力冲突和灾难的边缘……  Intent on repairing a rift in their relationship, Anna and Juhan retreat to a seaside house lent to them by well-heeled friends. After witnessing an accident on rocky shore, they take in a wounded woman and her husband - a couple they find they have a lot in common with. Anna and Juhan begin to pretend they own the house, engaging their guests in a game of domination that propels their relationship to the brink of destruction.
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美國制造1966
17
7.0
已完结
美國制造1966
7.0
更新時間:2025年05月02日
主演:安娜·卡里娜,拉斯洛·绍博,让-皮埃尔·利奥德,玛丽安娜·菲斯福尔,伊夫·阿封索
简介:记者保拉为了追求杀害男友里沙尔的真正凶手,来到了亚特兰提克城,这是一个深受美国文化影响的地方,之后出现了一大堆像唐纳德、里查德、维德马克、多丽斯.沟口……有着怪名字的怪人。保拉在追寻真相的过程中,还卷入了政治阴谋和黑帮事件中。  法国新浪潮电影大师戈达尔把美国好莱坞黑帮电影的所有元素用在这部非常刻意的政治恐怖片中,明显向该类型的大师萨缪尔富勒、尼古拉斯雷、霍华德霍克斯等做了模仿式的致敬,片中还涉及许多真实的政治背景和暗杀事件。整部影片虽然显得情节荒唐,较为做作,但导演通过流行音乐(其中一首是《北非碟影》中的“时光流逝”)、广告插画、气氛处理等方法展现深受美国流行文化影响和主导下的法国社会景象。以《美国制造》为标志,戈达尔的政治批判意识进入其后期阶段。他将电影的叙事惯例当作现实政治在电影艺术门类中的主要表现而加以痛烈的反对。为此,他对电影的表现手段进行了极富挑战性的探索。
4648
1966
美國制造1966
主演:安娜·卡里娜,拉斯洛·绍博,让-皮埃尔·利奥德,玛丽安娜·菲斯福尔,伊夫·阿封索
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
死命刑警的時間
5
0.0
HD
死命刑警的時間
0.0
更新時間:05月31日
主演:吉田鋼太郎,賀來賢人,蓮佛美沙子,中尾明慶,茂呂師岡,金井勇太,山谷花純,大路惠美,黑澤明日香,小木茂光
简介:

某日,已是一名股票交易員的榊信一(賀來賢人 飾)與青梅竹馬的前女友山口澄乃(蓮佛美沙子 飾)和學生時代一起做志願者活動的舊友們再次相遇。如今過着奢華生活的榊羨煞旁人,但不爲人所知的是,此時的他正處在極爲艱難的人生交叉路口。實際上,榊已身患重病且時日無多,因此他暗自下定決心要釋放出內心的“殺人衝動”。                                                                        次日,一位名叫岡本真紀的年輕女子的屍體被人發現。警視廳搜查一課刑警蒼井凌(吉田鋼太郎 飾)和片區刑警矢部知樹(中尾明慶 飾)共同展開了搜查。蒼井3年前舊病復發卻一直沒有對外公開,忍受着病痛的他仍舊堅持查案。然而,蒼井的病情很快就發生了惡化,到了危及生命的地步。面臨死神威脅的蒼井,決心賭上性命也要揪出真兇。                                                                        另一方面,得知榊命不久矣的澄乃決定再次回到他的身邊。澄乃的存在讓榊感受到了溫暖,但即便是他自己也無法遏制住內心這股難以名狀的殺人衝動,於是他又開始了作案……                                                                        與此同時,又一位女性的遺體被人發現。通過監控錄像追蹤真紀生前行蹤的蒼井意外發現了一名帶着墨鏡的男子曾向真紀搭話。蒼井從男子的行動中發現此人聽力存在障礙。抓住了這一線索的蒼井開始爲收集目擊證言而四處奔走。但就在這一過程中,他的身體承受不住而失去意識被送到了醫院。得知父親入院消息的蒼井瑞希(山谷花純 飾)急忙趕往醫院。然而她沒有想到的是,榊也正在悄然接近她……

0
2019
死命刑警的時間
主演:吉田鋼太郎,賀來賢人,蓮佛美沙子,中尾明慶,茂呂師岡,金井勇太,山谷花純,大路惠美,黑澤明日香,小木茂光
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