重返20歲

简介：苏乔乔（张雪迎 饰）是一个非常平凡的女大学生，过着一成不变的生活，扔到人堆里就没有人能够在认出她来。而林叶（许梦圆 饰）则和苏乔乔恰恰相反，她是校园里“女神”级别的存在，所到之处没有人不投来羡慕的眼光。就是这样两个大相径庭的人，某一天醒来之后，苏乔乔震惊的发现自己竟然和林叶互换了身份。　　刚开始，苏乔乔并不能接受受人瞩目的生活，但随着时间的推移，她渐渐习惯了四处抛头露面赢取赞扬，更和校草陈晨碰撞出了一段罗曼蒂克的情缘。就在苏乔乔沉浸在幸福和虚荣之中时，她并不知道自己早已经落入了林叶一手设计的圈套之中。

简介：故事根據60歲的出租車司機Kempton Bunton在1961年從倫敦國家美術館偷走了一幅戈雅的畫的真實故事改編。Bunton發了一封勒索信說，只有在英國政府同意爲老年人提供免費電視的條件下，他纔會退還畫作。 然而，事實證明他正在撒謊，在接下來的50年裏，他都沒有出現。該事件也是國家美術館歷史上首次也是唯一一次盜竊事件。

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简介：麥克西恩（米婭·高斯 Mia Goth 飾）是一個做夢都想要出名的女孩，可現實是，她沉浸於毒品帶來的幻覺和快感之中，並且即將出演一部由她的男友（馬丁·亨德森 Martin Henderson 飾）指導的色情片。爲了拍攝，麥克西恩和男友、攝影RJ（歐文·坎貝爾 Owen Campbell 飾）、場務洛林（珍娜·奧爾特加 Jenna Ortega 飾），以及另外的一對主演傑克森（卡迪小子 Kid Cudi 飾）、波比（布蘭特妮·斯諾 Brittany Snow 飾）驅車來到了一幢地處偏遠的宅子處。　　宅子的所有者是名叫霍華德（史蒂芬·烏瑞 Stephen Ure 飾）的老人，他對於這幫年輕人的到來似乎並不歡迎。儘管如此，影片還是按照計劃開拍了，在此過程中，年輕的肉體和濃烈的荷爾蒙似乎喚醒了深藏在霍華德妻子體內的某種慾望。

简介：哈里斯（Dominic Purcell 饰）、吉拉（Josie Maran 饰）和希德（Marcus Thomas 饰）是当年同在一所学校求学的好友，他们的一个老友因车祸不幸身亡，三人参加完葬礼后决定借酒浇愁。天色已晚，当地酒吧皆已打烊。他们突发奇想，竟跑去墓地喝酒狂欢。希德偶然在一块墓碑上发现一条神秘的铭文，三人读过后不以为意，继而在墓园中尽情起舞。 但在次日，离奇怪异的事情不约而同找上他们。恰逢此时，心灵专家文森特（Tchéky Karyo 饰）出现，指出哈里斯众人在墓园中的做法亵渎并唤醒了沉睡于此的恶灵，他们必须在下个月圆之夜到来前找到对策，否则命将不保……©豆瓣

简介：半纪录片半传奇小说的电视电影。

简介：在医院工作的山际辰雄（染谷将太 饰）和悦子（夏帆 饰）是一对恩爱的小夫妻。近一段时间，辰雄时常望着窗外发愣，令妻子分外不安。与此同时，悦子所在的工厂同事浅川美雪（岸井雪乃 饰）出现异样，她声称总在家中看到男性幽灵，但那却是她在世的亲生父亲。悦子将美雪送到丈夫的医院检查，结果发现美雪完全丧失了“家人”的概念。在医院时，悦子还遇到了辰雄的好友真壁医生（东出昌大 饰），而对方给她留下了十分不好的感受。渐渐她发现，辰雄与真壁之间似乎有着某种联系，两人更秘密在进行着什么。 周围的世界变得越来越古怪，悦子最终发现了一个攸关人类的可怕阴谋。©豆瓣

简介：《生存家族》講述了這麼一個故事，突然有一天家裏的電器全部無法運轉，車，自來水，電池，手機和電視等等都不能使用了，在東京生活的鈴木一家決定騎自行車去鄉下，逃離東京…

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简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：奧斯卡（詹姆斯·弗蘭科 James Franco 飾）是個只會雕蟲小技的馬戲團魔術師，卻無意中被龍捲風從塵土飛揚的堪薩斯城帶到了神奇美妙的奧茲國。那裏的居民認爲他是傳說中的大魔法師從天而降，祈求他擊敗...

简介：身为青年导演的女主角夏天从自己的新作庆功宴开始后溜之大吉。当她上车从包里拿出口红，一张照片随之而落，捡起口红和照片，照片里的熟悉的脸庞笑容依旧。她许久凝视，浅笑，驾车而去，进入回忆。思绪随着镜头延伸到多年以前的一个夏天，那是实习时期，夏天和男友程烨进入一个实景剧组成为主演。她与程烨意见不合发生争执并僵持不下，她甚至在程烨被孙导在排练现场批头痛骂之后依然给予其压力，一句“不要以你以为‘为我好的方式’为我好”让本该成为幸福恋人的两个年轻人背道而驰。夏天亲眼目睹了近乎万念俱灰的程烨，在得到女生杨韦晴的帮助之下重拾信心后，夏天逐渐明白了自己与程烨相处中的种种无法契合，于是她选择放手并成全一对有情人。