賭神3之少年賭神

简介：獵人克萊文，英文名爲Kraven the Hunter，是2024年上映的美國冒險電影。 少年謝爾蓋·克拉維諾夫（亞倫·泰勒-約翰遜 飾）的父親（羅素·克勞 飾）崇尚“強者爲王”，對後代施行野蠻殘酷的狼性教育，而在一次狩獵之中，經歷野生雄獅襲擊的謝爾蓋被父親拋棄。他在瀕死之際意外因爲獅子血液而產生變異，成爲擁有超常力量的獵人克萊文，從此踏上向父親的復仇之路，而犀牛人的出現，似乎也預示了更大的陰謀。  

简介：

今年夏天的搖滾音樂節上開機拍攝。　　金烔完主演的《一場春夢》是由《聖巴巴拉》導演趙成圭執導，該片是仁川搖滾音樂節爲紀念明年創立十週年所拍攝，目前還沒定要拍成僞紀錄片還是故事片。金烔完飾演的主人公心懷唱歌夢想但一直沒能實現，而在搖滾音樂節裏當工作人員。另外還有崔弼立、申智燻和日本女星藤井美菜加盟。　　預計將於明年夏天在韓國上映。

简介：一對夫婦被困在孤島上，一股不可預見的力量找上了他們，而女人正在變得越來越脫離自己，她不再是自己了……

简介：在墨西哥的原始森林裏，Sacha（艾麗西亞·希爾維斯通配音）和Manu（德雷克·貝爾配音）是一對十分要好的朋友，他們每天在叢林裏奔跑嬉戲，活的自由自在，彷彿世間從未有過任何紛aaa。生性活潑好動的Manu對一切充滿了好奇，這天，他不小心弄壞了一尊雕像，這尊雕像原本是供奉給森林之神的，闖下大禍的Manu就這樣遭到了驅逐，被逐出森林的Manu再也不能與Sacha在一起了。這天，沒有Manu陪伴的Sacha被狩獵者捉住，爲了救出Sacha，也爲了保護同伴賴以生存的森林，Manu開始了自己的作戰計劃！

简介：某日，突然在公司地下停車場被綁架的女人（姜藝媛 飾）試圖逃脫的故事。　　本片爲2007年《P2（車庫驚魂）》的韓國翻拍。

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“名侦探柯南系列”第23部动画剧场版，票房和口碑也屡破纪录。作为平成年代最后一部柯南电影，首次将案件发生地设立在海外，基德时隔四年后再度回归，与柯南合体展开行动。故事围绕着19世纪末与海盗船一同沉入海底、世界上最大的蓝宝石“绀青之拳”展开。

简介：故事发生在十九世纪的圣彼得，安娜（葛丽泰·嘉宝 Greta Garbo 饰）嫁给了拥有显赫身世的丈夫卡列宁（巴兹尔·雷斯伯恩 Basil Rathbone 饰），尽管过着锦衣玉食的生活，但安娜和丈夫之间并没有爱情，一颗渴望滋润的心灵在日复一日的困顿生活中逐渐走向枯萎。 之后，安娜遇见了名为沃伦斯基（弗雷德里克·马奇 Fredric March 饰）的英俊军官，沃伦斯基的存在点燃了安娜心中的火焰，她熊熊的燃烧着，奋不顾身地投身于这段为世间伦理所不容的恋情之中。卡列宁强烈的谴责了安娜的不忠，勇敢追寻内心情感的安娜离开了丈夫，投向了沃伦斯基的怀抱，让安娜没有想到的是，她和沃伦斯基的幸福生活只维持了极为短暂的一段时间，当沃伦斯基将他的虚伪和自私暴露无遗之时，绝望的安娜亦来到了生命的尽头。©豆瓣

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Liberal politician Gerben Kooistra becomes deputy Mayor of a small village. He is assigned to stay low profile while solving a ‘private problem’. Soon he discovers that the seemingly boring border-village is a hub for drug smugglers, led by hardened criminal Toontje van Wanrooy.

简介：故事發生在20世紀80年代的偏遠山城。南宿一中的優秀教師苗宛秋（于謙 飾）躊躇滿志，迎來了新一屆的高中學生。開學第一天，霸氣十足的苗老師便給這羣性格張揚、問題多多的學生們一個下馬威，無論是桀驁不馴的混混洛小乙，還是一腦袋鬼點子的王海，無論是投機倒把的耗子，還是虛榮張揚的關婷婷，都被他收拾得服服帖帖。只不過這幫孩子表面順服，背地裏卻與苗霸天展開了曠日持久的戰爭。在戰爭的過程中，專橫的苗霸天不時展現溫情的一面，他的古道俠腸更是令孩子們暗自佩服。　　轉眼三年時光過去，懵懂無知的孩子們漸漸長大，他們似乎開始認識到苗老師最真實的一面了……

简介：故事發生在一個特別的世界裏，人們生活在電影中，社會被分爲主角、配角和廢材三個階級。作爲一名“配角”， 葆拉從來只是在背景中出現，但她一直立志成爲一名“主角”。然而，就在最終考覈之前，葆拉的“讀心器”突然故障了，沒有配樂渲染情緒，葆拉還能成功晉級嗎？《戲夢空間》是一部爲影迷準備的反烏託邦元電影，充滿了對影史的回顧和調侃，“活不過一分鐘”的小配角們，也有自己的悲喜人生。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：

奥斯卡是名门之后，由于家中没有男丁，于是从小就被当做男孩养大。十四岁那年，奥地利和法国进行政治联姻，奥地利公主玛丽即将嫁给法国王子路易，父亲将奥斯卡送入了宫殿侍卫队，赋予了她保护玛丽的重任，只为了家族...