有friend無驚

简介：開心鬼（黃百鳴）轉世投胎，搖身變作某女子中學教師，在他班上，幾名愛捉弄人的調皮女生，戴卓儀（袁潔瑩）、MAY（羅美薇）和姚瓊（陳家玲），成立了以整人爲樂的“卑鄙會”，開心鬼是她們最愛拿來開玩笑的對象。　　開心鬼喜歡上隔壁男校某名女教師，正欲展開攻勢，發現該教師正被各方面條件都強於自己的某體育教師追求，相比形穢，開心鬼鬱鬱不得意，更受打擊的是，他因掉入戴卓儀一衆設的“陷阱”，遭校長誤會被迫離開學校。戴卓儀一衆後悔不迭，開始想辦法彌補過錯。

简介：清末民初，战乱不断，邪人王丽娘正害人性命，疯癫江湖术士毛不破与徒弟白祈、白源追捕邪祟来到鹤灵城，白祈将王丽娘及双头蛇击败，王丽娘濒死遗言及标识让毛不破心生疑惑，想起多年灭门惨案。不久，大帅府怪象频生，师徒三人被大帅府邀请前去府邸查探，旧相识黄老九和黄灵儿也随师徒三人一同前去。白祈破解怪事乃邪魔笑傀作祟，于是决定进入诛魔镜找寻真相。生死轮回，亲情爱情何去何从，不死之身左千秋阴谋能否得逞，一切尽在诛魔镜中世界···

简介：商人傑弗裏爲發展事業攜妻子阿德瑞娜搬到了新的城市居住，不久阿德瑞娜便遭到了綁ddd。警方束手無策，傑弗裏只得求救於該方面的專家，保羅。保羅一面設法與綁匪周旋，一面與警方聯手尋找綁匪下落。而阿德瑞娜在綁匪維克託的照料下，開始樂觀面對困境，同時整日心神不寧的傑弗裏在女祕書依麗莎的陪伴下，也鎮定許多，但阿德瑞娜與傑弗裏並不知道依麗莎與維克託正是這起綁架案的主謀，四人之間的關係變得極度複雜，阿德瑞娜最終能夠得救嗎？而這場感情糾葛又將以何種方式結尾？

简介：Jim Slater seeks a survivor of the Apache ambush his father died in.

简介：啄木鳥（曾志偉 飾）和甘油條（陳友 飾）是同事兼好友，兩人相識多年，默契十足，感情十分要好。某日，在執行追捕黑幫大佬阿成（沈微 飾）的過程中，兩人結識了警花吉吉（古嘉露 飾），三人結成搭檔。於是，在啄木鳥和甘油條之間，一場異常激烈的撩妹比賽拉開了序幕。雖然啄木鳥能說會道十分神氣，但甘油條似乎更加喜歡內向靦腆的甘油條。　　阿成綁架了啄木鳥和甘油條的好友花利文（陳百祥 飾），想要以他的性命威脅兩人，換取自由。啄木鳥和甘油條自然爲了救出好友而火速前往現場，面對殘暴的阿成，兩人能夠順利的救出花利文嗎？

简介：在早已逝去的江户时代，武士阶层中有一个特殊的群体，他们就是专为将军或者藩主准备料理的菜刀武士（包丁侍），虽然无法上阵杀敌，但手中的菜刀确实丝毫不亚于武士刀的重要存在。加贺藩首屈一指料理人舟木传内（西田敏行 饰）年事已高，原本作为继承人的长子突然病逝，而次子安信（高良健吾 饰）专爱舞刀弄剑，厨艺却令人不敢恭维。在藩内一次盛大的宴会上，藩主侧室阿贞夫人（夏川结衣 饰）身旁一个貌不惊人的侍女，却凭借着出色的味觉和对料理的才学感悟令传内所钦佩。在此之后，传内再三恳请，终于让名叫小春（上户彩 饰）的侍女同意嫁给安信为妻。小春过门后，通过一场料理对决令丈夫甘心随她学习厨艺。　　安信在妻子的辅导下，渐渐成为足以独当一面的合格包丁侍。可就在此时，一场血腥风暴向加贺藩袭来……

简介：

　　小新一家还有风间，妮妮，正男，阿呆一起报名动感超人周年纪念南海之旅，就在动感超人电影的船上首映会上，突然出现了一群粗暴的猴子将大人们都掳走了。春日部防卫队为了救出大人们而出动，小新一行人冒险渡海到南海上的一座荒岛希望可以查出发生了什么事，但本应在船上小葵和小白竟突然出现，小新还发现另一辆古怪的船......

简介：1952年，妮基爲了逃離麥卡錫主義時期的美國，同丈夫和女兒回到法國，但童年遭遇的不安回憶依舊在妮基的腦海中揮之不去。爲了能夠解脫出來，她試圖從藝術中找到力量。本片是關於法裔美國藝術家妮基·聖法勒（Niki de Saint Phalle）的傳記片，追溯了妮基從模特到畫家的轉型過程。除講述她因精神崩潰在醫院的治療經歷，更着重描繪了她的藝術治癒過程，特別是她聞名世界的以步槍射擊作畫的獨特創作方式，還原了一位從不幸中重生的非凡藝術家。本片入圍今年戛納電影節一種關注單元.

简介：

三亚荒漠，张嘉辉参加摩托车越野赛获得冠军。回程途中，张嘉辉搭救娜娜，将娜娜带回市中心。原来娜娜来自外星，她从里面发现地球上有男人的存在，于是只身来到地球寻找如意郎君。在地球娜娜经历了无数坎坷才发现最好的男人张嘉辉就在自己身边。嘉辉为娜娜不惜冒险与坏人斗智斗勇帮娜纳排除万难。最终娜娜留在地球与嘉辉开始幸福生活。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：陳有財發現片場裏有寶藏，遂準備設法驅趕看更員王守利及朱仔等離開，他發現這幾個看更員多年前曾姦殺女演員邱慧貞，並在巡夜時看到過女鬼，於是陳有財和妻子便藉此扮殭屍嚇唬王等人，想迫使他們離開片bbb。不料又新來了一個叫莫銳的管理員，他亦是爲寶藏而來，與陳有財夫婦展開爭鬥，人爲財死鳥爲食亡……

简介：小拉姆舅舅在田裏發現錳礦,可沒資金,想老婆把她的首飾拿出抵押.可他老婆死活不肯,非常不支持他.拉姆媽媽知道後,把所有首飾都給了哥哥,連結婚項鍊都給了.於是,拉姆舅舅把事情發展起來了.可期間,小拉姆父母雙亡.拉姆舅舅只好把外甥帶回家.然而,拉姆舅媽在得知她丈夫並不認爲自己是那些財產的主人,而是替拉姆管理後,經常虐待拉姆,導致拉姆身心極大受傷.於是,在聽取醫生的建議後,拉姆舅舅把拉姆送到了不丹的一間寺廟.　　多年後,深受拉姆舅媽影響的拉姆的表妹茜塔在要得其爸爸的7千萬盧比成爲殘忍無情的老闆.不惜強行拆貧民窟推行她的商業計劃.然而,她爲了強行拆除貧民窟,她是藉助了惡霸立法議員的能耐,代價是與惡霸立法議員同居一個月.可是,自認爲了不起的茜塔卻毀約,於是,惡霸立法議員爲了得到她,不惜對她使出各種大招.　　就在此時,茜塔得知她爸爸死亡的消息,她開心啊,以爲可以得到500億盧比的財產.可是,她爸爸留給她的就是一條結婚項鍊,別的財產都給了拉姆.於是,自以爲是的茜塔又認爲能輕易從拉姆那得到那500億的財產.　　可是.....人算不如天算......