我的正妹教練
3.0 |06月02日 |已完结
简介:
Elia是一名心理醫生,他和妻子分居隔壁的公寓,卻又常常約會。因爲血糖過高,醫生建議痛恨健身房的Elia增加鍛鍊,他誤打誤撞結識了美麗卻又不按常理出牌的私人教練Claudia,從此他平靜的生活一去不復返……
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橡皮頭1977
19
0.0
HD
橡皮頭1977
0.0
更新時間:2025年05月02日
主演:杰克·南斯,夏洛特·斯图尔特,珍妮·贝茨,朱迪思·罗伯茨,杰克·菲斯克,Laurel Near,V. Phipps-Wilson,Jean Lange,Thomas Coulson,Allen Joseph,John Monez,Darwin Joston,T. Max Graham,小哈尔·兰登,詹妮弗·林奇,Brad Keeler,Peggy Reavey,Doddie Keeler,吉尔·丹尼斯,Toby Keeler
简介:

阴暗压抑的工业小镇,刺耳的机器轰鸣噪音。亨利•斯班瑟(杰克·南斯饰)初次拜访女友家,然而目睹到的却是一个怪异扭曲的家庭,霸道的母亲、无能的父亲、植物人似的祖母以及笨拙的女儿。而更令亨利感到无助的是,他被迫与女友结婚。一夜之间,亨利成为一个畸形儿的父亲。相貌丑陋恶心的婴儿让亨利异常恐惧焦虑,也让新婚妻子因忍受不了婴儿的啼哭而半夜出逃。亨利再也忍受不了如此不堪的生活和夜夜噩梦,他最终亲手用剪刀肢解掉了这个畸形的早产儿。                                                                        由美国电影新浪潮运动旗手大卫·林奇创作的长片处女作《橡皮头》,历时五年完成。一经公映,便以强烈的前卫诡异风格挑战了当时还相当传统和保守的电影界。在情绪化的摇晃镜头与随处可见的阴暗腐败中,大卫·林奇构筑出了一幅扭曲病态的家庭人物关系,赤裸裸地破开人性的阴暗面。这种运用弗洛伊德心理分析,来剖析人类精神世界中焦灼郁闷的手法,加上极具视觉冲击力的影像,让大卫·林奇在影坛独树一帜。

0
1977
橡皮頭1977
主演:杰克·南斯,夏洛特·斯图尔特,珍妮·贝茨,朱迪思·罗伯茨,杰克·菲斯克,Laurel Near,V. Phipps-Wilson,Jean Lange,Thomas Coulson,Allen Joseph,John Monez,Darwin Joston,T. Max Graham,小哈尔·兰登,詹妮弗·林奇,Brad Keeler,Peggy Reavey,Doddie Keeler,吉尔·丹尼斯,Toby Keeler
村裏有情況
13
6.0
已完结
村裏有情況
6.0
更新時間:06月02日
主演:潘陽,鞏天闊,鞏漢林,倪景陽,唐鑑軍,德柏,金珠,張維威,李翠翠,廖娟
简介:投資直播公司破產、欠了五十萬債的東北姑娘楊楊爲了躲債偶然躲到了山東一個村裏,住進了村裏唯一一家家庭民宿。  經營民宿的孫二嬸以一哭二鬧三上吊的方式把在北京打工好幾年、事業上毫無起色的兒子大光硬拖回了家。連番無數次相親失敗之後,不願結婚、一心只想去北京闖的大光把最後一次相親搞砸了。孫二嬸下了死命令,找不到對象,絕不放大光去打工。  被催債沒轍的楊楊像每次捅了簍子一樣去找老爸老楊。爲了從老爸那獲得投資,把入住的民宿說成了自己投資開的,而且經營良好。老楊很高興,但是——決定第二天派得力助手張會計來考察。這回楊楊撒下的謊,不知如何去圓。  一個需要女朋友,一個需要當老闆。靈機一動,楊楊想出了雙贏的計劃,於是跟大光談交易,她扮演成大光的女朋友,讓他能順利去打工,大光配合她扮成老闆,讓她順利拿到老爸的投資!  二人花錢僱村民當客人,組成了一支“蝦兵蟹將”臨時團隊,僞裝出生意興隆的假象,但一個謊言需要無數個謊言去掩蓋,雪球越滾越大,事情的發展終究超出了掌控……
4236
2021
村裏有情況
主演:潘陽,鞏天闊,鞏漢林,倪景陽,唐鑑軍,德柏,金珠,張維威,李翠翠,廖娟
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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