特種兵歸來2黑色罌粟
1.0 |06月02日 |已完结
简介:
龍衛、陸大山、馬躍突然接到雅塔的緊急呼叫,她告訴龍衛,已經得知了黑色罌粟計劃的內容!龍衛等人與雅塔匯合,她將一個名叫“露娜”的女孩兒帶來與龍衛見面。  從女孩兒口中龍衛得知,她是一名生物學博士研究生,剛從藤國北部的一所私人醫學實驗中心逃出來的,實驗室內,一個叫海亞博士的人正是黑色罌粟的研製者,他研製的黑色元素,加入到毒品中,會使人對毒品的渴望增加數百倍,進而變得瘋狂。黑色元素是基於第16號染色體中部的ABCC11基因上第538位鹼基突變的原理研製的基因毒素,這種基因突變也是狐臭的病源,中國人中,這類基因突變的人佔比爲95%,華北等中原地帶佔比爲99%。 換句話說,這種毒素是專門針對中國人的基因武器!幾天以前,兩個神祕人(蝰蛇和麋鹿)來到了醫學實驗中心,他們向博士說黑狐要提前啓動黑色罌粟計劃,要求博士在數天之內生產2000毫升黑色元素,並提出願意用高價購買黑色元素的配方圖譜,海亞博士同意出售黑色元素,卻拒絕出售配方圖譜,他們悻悻而去,約定好幾天內交貨。  龍衛不禁倒吸一口涼氣。雅塔表明態度,她願意繼續爲龍衛提供幫助,和他們一起行動抓捕海亞博士,從他那裏截獲黑色元素成品和配方數據。  海亞博士的私人醫學實驗中心僱有大批僱傭兵把守,戒備森嚴。龍衛幾人冒充僱傭兵,混入醫學中心,佔領實驗中心的監控室,他們根據露娜提供的實驗室位置,層層闖關,攻入實驗室。海亞博士提着裝有2000毫升黑色元素原液和配方數據的箱子從暗道倉皇逃離,正好被龍衛等衆人截住。  這一仗本來大獲全勝,沒想到雅塔忽然調轉了槍口!她將龍衛三人拷住,並在黑狐的監控下,槍殺了龍衛三人。隨後將海亞博士、黑色元素箱子帶上車,原來,她與黑狐有一個約定:用三個血狼的性命和海亞博士、元素、配方數據,換取她父親——藤國前總統的自由身。雅塔對龍衛充滿歉意,但她爲了父親,別無選擇。  雅塔見到了前來交接的蝰蛇和麋鹿,但她失望了,蝰蛇和麋鹿並沒有帶來他的父親,而是將梅姐等人全都擊斃,搶走了海亞博士和箱子,雅塔多虧了梅姐的保護,躲過追殺!  祕密地點,龍衛三人集結,等待雅塔出現。原來,雅塔從一開始就根本不相信黑狐會釋放她的父親,她早就將黑狐與她的談判內容告知了龍衛,龍衛決定將計就計,目的是通過演這場戲,確定黑狐的藏身老巢,消滅黑狐,救出父親。  龍衛命令馬躍用電腦追蹤着信號,他們早在抓捕海亞博士的瞬間,就將一個微型的衛星追蹤器射入了海亞博士的體內。衛星信號不斷移動,最終停在一個位於深山中的祕密基地,那裏就應該是黑狐的老巢!  祕密基地,黑狐終於現身(蒙面),他先從海亞博士手中拿到了2000毫升黑色元素原液和載有配方圖譜的電腦,隨即原形畢露,逼迫海亞博士打開電腦文件密碼,將黑色元素配方圖譜交給他,海亞博士寧死也不說出文件密碼,毒發身亡。黑狐雞飛蛋打,十分惱怒,責成麋鹿立刻全力破解海亞博士的文件密碼!爲了趕在文件破譯前消滅對手,龍衛等人只有十二小時的時間。  黑狐基地,激戰再次展開,龍衛三人作戰小組快速突入,直奔祕密基地的主建築,最終,龍衛小組突破了防線,擊斃蝰蛇和麋鹿,闖入到建築中,此時電腦已顯示密碼破解,龍衛在文件即將發送的前一刻終止了程序。  劇烈的爆炸響起,整個祕密基地化爲灰燼,龍衛、陸大山、馬躍、雅塔劫後餘生,但沒有人驚喜,他們失去了抓捕黑狐的機會。——猴子傳輸來的偵查衛星圖片顯示,一艘快艇從祕密基地駛出,已經遠去了。  快艇上,黑狐將手裏的電話扔進大海中,他緩緩摘下面具,居然是雅塔的父親,藤國前總統坤恩!
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14
9.0
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9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
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主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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