王牌保安
3.0 |06月02日 |已完结
简介:
影片故事講述退伍老兵(安東尼奧·班德拉斯飾)在一個購物商場當保安,然而他工作的首晚,一個被歹徒追擊的女孩跑到商場尋求庇護。該片北美預計今年上映。
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海嘯奇跡
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海嘯奇跡
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更新時間:2025年05月02日
主演:娜奥米·沃茨,伊万·麦克格雷格,汤姆·赫兰德,萨缪尔·乔斯林,奥克利·佩德加斯特,玛尔塔·埃图拉,索恩克·莫宁,杰拉丁·卓别林,普洛伊·金达科特,约翰·桑德博格,道格拉斯·约翰逊,妮可拉·哈里森,吉特·尤斯兰德,布鲁斯·布莱恩,彼得·图灵斯坦,多米尼克·鲍尔,莎琳雷特·托马斯,欧卡·基拉蒂,邦妮·泽勒巴克,哈里·赫兰德,安提欧·昆塔瓦莱
简介:本片取材于2004年印度洋海啸时发生的一桩真实事件。  玛莉雅(娜奥米·沃茨 Naomi Watts 饰)和亨利(伊万·麦克格雷格 Ewan McGregor 饰)带着三个儿子,一同前往泰国共渡圣诞佳节,不料就在圣诞节隔天,当这幸福的一家人在泳池旁享受着悠闲时光时,一股猛兽般的万呎滔天巨浪竟迎面袭来。被眼前景象震慑住的玛莉雅,一时反应不及,不幸惨遭巨浪袭卷;而尽管亨利及时抓住两个儿子准备逃亡, 一切仍旧太迟,凶猛的大水最后仍冲散了他们。一度被巨浪击昏的玛莉雅,醒来后发现自己正漂浮在海面,而原本围绕在身旁的所有景物,都已被淹没于水面下,她深信家人们皆已罹难的同时,竟发现自己的大儿子卢卡斯,竟然就漂浮在距离她仅有几公尺远的海面上。玛丽雅顿时犹如被打了一剂强心针,她决定想尽办法,要带着大儿子卢卡斯一起活着离开......
234
2012
海嘯奇跡
主演:娜奥米·沃茨,伊万·麦克格雷格,汤姆·赫兰德,萨缪尔·乔斯林,奥克利·佩德加斯特,玛尔塔·埃图拉,索恩克·莫宁,杰拉丁·卓别林,普洛伊·金达科特,约翰·桑德博格,道格拉斯·约翰逊,妮可拉·哈里森,吉特·尤斯兰德,布鲁斯·布莱恩,彼得·图灵斯坦,多米尼克·鲍尔,莎琳雷特·托马斯,欧卡·基拉蒂,邦妮·泽勒巴克,哈里·赫兰德,安提欧·昆塔瓦莱
無辜
15
5.0
已完结
無辜
5.0
更新時間:2025年05月02日
主演:吉安卡罗·吉安尼尼,劳拉·安托内利,詹妮弗·欧内尔,里娜·莫雷莉,马西莫·吉洛蒂,迪戴·豪德品,玛丽·杜布瓦,罗伯塔·帕拉迪尼,克洛德·曼,马克·波雷尔,菲利普·埃尔桑,埃尔薇拉·科尔泰斯,西里娅·贝蒂,Enzo Musumeci Greco,Alessandra Vazzoler,莫蕊拉·皮娅若,Vittorio Zarfati,玛格丽特·霍洛维茨
简介:图里奥公爵(吉安卡罗·吉安尼尼 Giancarlo Giannini 饰)迎娶了美丽的妻子秋丽安娜(劳拉·安托妮莉 Laura Antonelli 饰),虽然家有娇妻,但是天性好色的图里奥公爵还是整日在外面沾花惹草,这让年轻的秋丽安娜感到非常的寂寞。 随着时间的推移,秋丽安娜渐渐无法忍受这样压抑的生活,一次偶然中,她邂逅了一位名叫达博里奥(马克·波雷尔 Marc Porel饰)的男子。达博里奥是一位贫穷的作家,虽然身无分文,但是他的才华深深的吸引了秋丽安娜,两人渐渐走到了一起。最终,这段背德的感情被图里奥公爵所知晓,然而最让他感到愤怒的并非妻子对自己的不忠,而是达博里奥低贱的身份。
290
1976
無辜
主演:吉安卡罗·吉安尼尼,劳拉·安托内利,詹妮弗·欧内尔,里娜·莫雷莉,马西莫·吉洛蒂,迪戴·豪德品,玛丽·杜布瓦,罗伯塔·帕拉迪尼,克洛德·曼,马克·波雷尔,菲利普·埃尔桑,埃尔薇拉·科尔泰斯,西里娅·贝蒂,Enzo Musumeci Greco,Alessandra Vazzoler,莫蕊拉·皮娅若,Vittorio Zarfati,玛格丽特·霍洛维茨
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
砂礫
12
2.0
已完结
砂礫
2.0
更新時間:06月02日
主演:王詠歌,張力維,艾合麥提,宗錦生,齊克建
简介:砂礫 (1984)烈士的後代蘇旺從部隊復員後,放棄領導上照顧的機會,不顧未婚妻丁琴的反對,自願到砂礫荒僻的塔里木沙漠當養路工。蘇旺到沙梁道班時,這裏只剩下大個子房玉樹、小胖子古達和代理班長哈德爾。艱苦的勞動和嚴酷的環境在扭曲着道班工人的思想和性格。一心要回城的房玉樹和古達越來越消沉頹廢。他們成天喝酒、算卦,哈德爾則正忍受着失戀的折磨。在一次瘋狂廝打後,房玉樹和古達捲起行李回城了。他們走後,困難更大了,作爲班長的蘇旺咬牙硬挺着,拼命幹活。負責給道班送水的女知青李曼把這一切看在眼裏,並得知蘇旺還業餘搞路面板結試驗,還買鮮花點綴道班房,不由對這條硬漢子產生了敬佩之心。丁琴來信與蘇旺絕交,而此時哈德爾的女友來信要與他重歸於好,蘇旺爲了成全他們,準了哈德爾的假。他自己卻要一人頂四人的工作,寂寞、勞累時時在折磨他,蘇旺終於支持不住,借酒澆愁,喝了個酩酊大醉。李曼冒雨給他送來熱包子。並幫他指揮搶修公路。酒醒後,蘇旺痛悔不已,暗自感激李曼。由於過度的疲勞和虛弱,蘇旺昏倒在墊路勞動中,又是李曼揹着他,把他送進醫院。出院後,蘇旺驚喜地發現哈德爾、古達都回來了。但李曼卻冰冷地拒絕了蘇旺的愛情,隨後蘇旺
1332
1984
砂礫
主演:王詠歌,張力維,艾合麥提,宗錦生,齊克建
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