輕輕搖晃

简介：这是一个梦想闪耀的时代，这也是一个理想冷却的时代；这是最坏的时代，这也是最好的时代，这是我们的小时代。 这是当下时代一群时尚年轻人的青春故事，也是属于他们生活的真实写照，更是我们这个时代的一个缩影。　　故事发生在经济飞速发展时期的上海，主人公林萧（杨幂 饰）、顾里（郭采洁 饰）、南湘（郭碧婷 饰）、唐宛如（谢依霖 饰）四个女生在这座风光而时尚的城市里生活与学习、工作与成长，四个女生从小感情深厚，却各自有着不同的价值观与人生观，她们在同一个宿舍朝夕相处，转眼到了大学生涯的后期，平静的生活开始面临层出不穷的挑战，找工作实习的忙碌以及随之而来的巨大生存压力，看似平静的校园生活相继发生着种种让她们措手不及、不知如何面对、需要抉择的事情。同时，顾源（柯震东 饰）、简溪（李悦铭 饰）、宫铭（凤小岳 饰）、崇光（陈学冬 饰）、卫海（杜天皓 饰）、席城（姜潮 饰）等一群男生和这四个女生之间也正发生着千丝万缕的情感交错……　　面临巨大生存压力，面对剪不断理还乱的情感纠葛，四个女生要先后经历友情、爱情，乃至亲情的巨大转变，在巨变面前，她们是否依然坚持自己的生活态度，她们的青春故事将如何续写精彩？　　本片根据同名畅销小说《小时代》改编，郭敬明亲自操刀编剧，并首度跨界担任电影导演。

简介：託尼·斯塔克（小羅伯特·唐尼 Robert Downey Jr. 飾）試圖重啓一個已經廢棄的維和項目，不料該項目卻成爲危機導火索。世上最強大的超級英雄——鋼鐵俠、美國隊長（克里斯·埃文斯 Chris Evans 飾）、雷神（克里斯·海姆斯沃斯 Chris Hemsworth 飾）、綠巨人（馬克·魯弗洛 Mark Ruffalo 飾）、黑寡婦（斯嘉麗·約翰遜 Scarlett Johansson 飾）和鷹眼（傑瑞米·雷納 Jeremy Renner 飾），不得不接受終極考驗，拯救危在旦夕的地球。神祕反派奧創（詹姆斯·斯派德 James Spader 配音）逐漸崛起，超級英雄們必須重新集結，竭力阻止奧創實施人類滅絕計劃。戰鬥中，復仇者聯盟成員們還遇到了兩個新人物——旺達·馬克西莫夫（伊麗莎白·奧爾森 Elizabeth Olsen 飾）和皮特羅·馬克西莫夫（亞倫·泰勒-約翰遜 Aaron Taylor-Johnson 飾），以及以全新面目歸來的老朋友——幻視（保羅·貝坦尼 Paul Bettany 飾）。　　世界秩序瀕臨崩潰，復仇者聯盟必須阻止奧創的陰謀。強敵不斷出現，一場空前絕後的全球浩戰即將展開……

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志嘉的父親因不滿兒子的婚姻，而避居小島，志嘉娶了明月後，生下了女兒玉蓮。然而明月經受不住金錢誘惑，撇下父女倆與別人去了香港，志嘉從而積勞成疾，生活十分窘迫，不久，志嘉便去世了。留下女兒玉蓮投靠爺爺長山於小島中生活，玉蓮與小朋友小豆子一起過上了孤兒流浪的生活。但玉蓮是個懂事的孩子，她默默地幫爺爺做這做那，終於感動了爺爺，祖孫倆相依爲命。而明月也在這時尋上島來，想領回玉蓮，彌補沒做好母親的罪責。長山此時身患絕症，雖捨不得孫女，但爲玉蓮前途着想，只好以“怒罵”迫使她離開自己，託付給明月撫養。

简介：Sophia, a smart but quiet high schooler, strikes up a friendship with a new girl in class, but the girl begins to disrupt the lives of Sophia and her family. Sophia is then forced to uncover her friend's past and learn the truth before it's too late.

简介：藤沢周平の短編小説を原作とする「殺すな」では、かつて妻を手に掛けてしまった浪人小谷善左エ門と、同じ長屋に住む訳ありの男女、吉蔵とお峯の心模様が描かれる。

简介：华纳旗下的角色【史酷比】再度与DC的【正义联盟】的角色【超狗小氪】合作新动画电影，

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简介：一名法医开始怀疑自己的新婚丈夫是警方一直在通缉的连环杀手。这个发现将使这名法医和她的前男友，一名警探陷入危险之中。

简介：貪財又頹廢的“廢柴”家族中，四個不相往來的兄弟姐妹時隔十年，爲了給搶銀行後“失蹤”的父母辦葬禮回到了老家。雖說是葬禮，但其實連放遺體的靈柩都沒有。而舉行這場走形式的葬禮的目的，正是爲了瓜分遺產。在四人...

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Misha, who returns to her royal family estate after 15 years to visit her estranged father, only to find him missing.

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.