四次旅行

简介：

简介：

即將30歲的吉姆情路坎坷，他的好友亞歷克斯慫恿他在生日前成爲真正的男人。二人在餐廳邂逅青春美貌的姐妹花凱蒂和露露，並相約在倫敦酒吧正式約會。兩對俊男靚女如期相會，這時吉姆收到媽媽的信息催促他回家慶生，露露提議隨他一同回家。另一邊，亞歷克斯對凱蒂表達愛意被拒，惱羞成怒向她潑酒。這一行爲引得凱蒂對其萌生殺意，幸而被返回酒吧的露露制止。凱蒂頗有深意地邀請吉姆和亞歷克斯去家中做客。當四人來到位於郊區的家中，凱蒂終於露出真面目。原來她一心想要使用祕術復活父親，吉姆便是她的最後一個目標。一向聽命於姐姐的露露不忍吉姆落入死地，和盤說出實情慾放他一條生路。但喪心病狂的凱蒂卻沒有給他逃亡的機會。吉姆命懸一線，眼看父親復活無望的凱蒂更加瘋狂，內心痛苦掙扎的露露最終決定大義滅親，了結姐姐從而結束慘劇。屋外警笛聲響起，露露被警察帶走。

简介：本片改編自中島京子同名小說，講述原是中學校長的父親(山崎努飾)被確診爲認知障礙後，他是如何和妻子曜子(松原智恵子飾)及兩個愛女(竹內結子、蒼井優飾)度過接下來的時光的。

简介：電影以“時代楷模”卓嘎、央宗姐妹父女兩代人愛國守邊的先進事蹟爲題材，由中宣部電影局、電影頻道、區黨委宣傳部聯合打造，導演張馨執導。曾經在西藏玉麥鄉只有桑傑曲巴一戶人家。他們抵抗住環境惡劣、外敵騷擾、...

简介：當年那場慘烈的芝加哥大戰，汽車人雖然成功擊退了霸天虎的入侵，卻也讓地球人對他們失去了應有的信任與尊重。由美國中情局組建的“墓風”部隊對所有的變形金剛進行無差別的獵殺，一時間汽車人和霸天虎全都在地球不見了蹤影。某天，居住在得州的落魄機械發明家凱德·伊格（馬克·沃爾伯格 Marky Mark 飾）買回來一輛破舊的卡車車頭，誰知那竟是處在休眠中的汽車人首領擎天柱。嗅到氣息的墓風部隊蜂擁而至，甦醒後的擎天柱救走了凱德一家，也和散落在各個角落的汽車人相繼取得聯繫。另一方面，瘋狂的人類科學家從變形金剛的殘骸中獲知了他們變形的祕密，並企圖藉此製造出人造金剛，而脫胎自威震天的驚破天正是他們的得意作品以及催命死神。　　新一輪的危機捲土而來，地球面臨更大的災難……

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简介：德川幕府统治下的江户时代，位于丰后的羽根藩内，青年武士檀野庄三郎（冈田准一 饰）和友人因为小事起了争执，继而拔刀伤及对方。家老中根兵右卫门（串田和美 饰）赦免他的死罪，转而命其监视住在城外小山村的武士户田秋谷（役所广司 饰）的动向。户田曾担任郡奉行，与家老是儿时好友。七年前他涉嫌和藩主的侧室（寺岛忍 饰）通奸而被问罪，由于秋谷一直负责撰写羽根藩家谱，因此藩主命其在十年内完成家谱的编写，并于完工之日切腹自杀。抱着种种疑惑，庄三郎见到了淡定自若的秋谷及其妻子织江（原田美枝子 饰）、女儿薰（堀北真希 饰）以及少年武士郁太郎（吉田晴登 饰）。相处的过程中，庄三郎渐渐被秋谷的人格所感染，他在调查七年前的事件时，则发现了一些被人刻意隐瞒的真相…… 本片根据作家叶室麟的作品《秋蜩》改编。©豆瓣

简介：

在与朱丽叶·比诺什合作并入围威尼斯电影节主竞赛单元的首部长片《等待》中，皮耶罗·梅西纳就触及了死亡和悲伤的主题，而现在他要做出更进一步的探讨——爱人逝去之后，我们该如何面对别离，又要如何处理彼此之间的回忆？在他这部入围柏林国际电影节主竞赛单元的新片《另一种结局》中，男主角萨尔给出的答案是，求助于名为"另一种结局"的新技术，让女友的意识短暂复活，但这却是以另一个女人的身体为容器。在此过程中重拾的快乐或慰藉，究竟是让爱永恒了，还是逐渐消逝了呢？也许值得我们好好想想。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：Leyla and Adam have had a happy marriage for years. However, after a while, their marriage becomes a dead end. The excitement in their marriage is now gone, and Adam falls into a love that causes his heart to beat again. Adem, who falls in love with the woman named Nergis who comes across this period, cannot think of anyone other than Nergis. However, Nergis, who took the mind of Adam, has no intention of moving to another life from the one-man world he founded.

简介：本片翻拍自2011的印影《罪惡終結者》但劇情上做了很多的改動，講述Khushi被當成出賣了自己兄弟的叛徒，而她不得不想辦法證明自己，正當她處於人生的低谷之時，她偶遇一位貴，也因此他的命運發生了重大的變化。

简介：講述了留守兒童小云潔（外號矮婆），在山村裏與奶奶及兩個同父異母的妹妹相依爲命的故事。在沒有青年人的村子裏， 12歲的小云潔除了要努力學習外，還負擔着繁重的家務，辛苦與快樂交織在這個夏天裏。冬天來了，小云潔目睹了即將升學的好友們相繼離家出走，南下打工。而奶奶的突然離世，使她還算輕鬆的童年生活戛然而止。小云潔只能帶着兩個妹妹，背井離鄉去尋找自己在廣州打工的父母。而漂泊在外的父母，面臨着她所不能想象的生存壓力和許多更爲嚴峻的問題……