呆呆計劃
0.0 |2025年05月19日 |片長88分钟 |HD
简介:

鬱鬱不得志的賭場洗碼仔梅大志(陳小春 飾)因妻子安靜(鄧家佳 飾)和萍水相逢的蜜月夫婦郝東東(汪東城 飾)和菓菓(張小覺 飾)欠下了鉅額賭債,又因爲安靜的姐姐安寧(徐歐儀 飾)和她的學生仔仔,捲入了一塊價值連城的寶物龍鳳鏡的生死爭奪中。                                                                        與此同時,香港黑道富商白楚雄(吳啓華 飾)、黑老大十三幺、濟州島韓國黑幫、好賭欠債的業餘殺手車基範(李凡秀 飾)也加入到命運的漩渦中,衆人開始了一場圍繞龍鳳鏡,充滿荒誕色彩的奪寶大戰。深陷其中的衆人將如何破局而出……環環深入,結局已經不能用出乎意料來形容!

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主演:薇諾娜·瑞德,安吉麗娜·朱莉,克里·杜瓦爾,布萊特妮·墨菲,伊麗莎白·莫斯,傑瑞德·萊託,傑弗裏·塔伯,瓦妮莎·雷德格雷夫,烏比·戈德堡,安吉拉·貝蒂斯,吉利安·阿美娜特,克莉絲汀·梅爾斯,喬安娜·科恩斯
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简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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