大贏家

简介：屁股长在脸上的少女，没有眼睛的妓女，脸部畸形的妇人，想变成美人鱼的男孩，侏儒女想要孩子，他们因为外貌的丑陋，而活在自卑痛苦之中。

简介：

1944年，盟軍已經登陸歐洲對納粹展開反攻，在耶魯學習法律的湯姆·哈特（柯林·法瑞爾 Colin Farrell 飾）由參議院父親的安排下進入部隊擔任駐紮後方的中尉，一次護送任務中，哈特不幸被俘，被納粹送往集中營中關押。在集中營裏，出身軍官世家的威廉·麥克納馬拉上校（布魯斯·威利斯 Bruce Willis 飾）擔任俘虜們的領導，他將可能出賣了盟軍情報的哈特分配到士兵營房，又將兩名黑人飛行員指派給哈特照顧，集中營中充斥種族歧視的氣氛，哈特不得不盡力避免黑人飛行員遭受同袍的傷害，然而一名飛行員還是死於陷害，而剩下的另一名飛行員則捲入了謀殺，哈特決定爲黑人辯護，向集中營中的歧視宣戰……

简介：军阀混战时期，连年战争导致民不聊生，早已金盆洗手的卸岭一派为救百姓不得不下墓取财换粮。卸岭传人江宇跟着二叔——卸岭魁首江淮瑞，率领一众卸岭力士进入墓中。进入墓中后不久，卸岭众人便遭到墓中潜伏的巨型蜘蛛袭击，只有江宇和护卫熊奎背着受重伤的江淮瑞逃回寨中。　　三人到达摘自门口发现了一个穿着嫁衣的女子，女子自称顾凌，与江宇曾定下娃娃亲，此次来找江宇便是想要成亲换取聘礼换粮救快要饿死的弟弟。此时军阀张大帅的心腹陆小曼来到门前对江宇说张大帅有一笔生意要见江宇。　　江宇被胁迫来到张大帅的戏园见到张大帅，在张大帅用江淮瑞对江宇一再威胁之下，江宇无奈，只得答应，熊奎与顾凌不放心江宇一人也跟着一起下墓。　　江宇带着张大帅和手下来到了此前卸岭众人进入的墓中，但路过此前卸岭众人经过的地方时发现之前牺牲的卸岭力士的遗体全都不见了，此时江宇心中满是疑惑，想起二叔江淮瑞说过这儿是传说中的徐福墓而心生恐惧，想要逃走但不料被陆小曼拦下。无奈之下江宇、熊奎、顾凌和张大帅与一众手下开启了惊现、刺激的旅程.......

简介：故事將圍繞埃夫隆、德維尼兄弟二人，爲尋婚禮女伴引發的一連串爆笑故事。

简介：大門大意外地遇到了亞古獸，兩人見面就大打出手，亞古獸戰敗後稱大門大爲大哥，但是數碼特搜部隊（DATS）不容許未受其隊員管理的數碼獸留存在這個世界上，必需送回數碼世界，而後湯島告訴大若加入DATS他就...

简介：楊戩和哮天犬營救蘇媚兒誤入萬妖城，意外認識狐妖聖主玄姬，發現失蹤的蘇妲己現藏身聖主府中，還裹進了狐妖與狼妖、白狐與黑狐的混戰之中。但敵多寡衆，聖主玄姬、楊戩、哮天犬不堪重負都身受重傷，事情變得撲朔迷離……

简介：財富流感，英文名爲Rich Flu，是2024年上映的哥倫比亞美國西班牙驚悚電影。 一種前所未有的新型病毒在富人中流傳開來，被病毒感染的人全部先癲狂後死亡，一時間，社會動盪不安，恐懼在所有富豪之間瀰漫，富有程度越高，死的速度越快！當“富有”成爲了一種病毒，富人、中產、窮人們都將作何反應？作爲社會精英階層的女主又會作何選擇，是把自己的財產拱手相送保全性命，還是誓死守護富裕可觀的私人財產？  

简介：這是一個無釐頭的節日，但我們對此感到無比興奮。衆多音樂嘉賓在這部特輯中齊聚一堂，流行偶像塞布麗娜·卡彭特將演唱她的節日迷你專輯《fruitcake》中的歌曲以及其他經典節日封面曲目。該特輯中還將有精彩絕倫的音樂表演、喜劇嘉賓、出人意料的二重唱，以及更多驚喜和有趣的客串。

简介：貪財又頹廢的“廢柴”家族中，四個不相往來的兄弟姐妹時隔十年，爲了給搶銀行後“失蹤”的父母辦葬禮回到了老家。雖說是葬禮，但其實連放遺體的靈柩都沒有。而舉行這場走形式的葬禮的目的，正是爲了瓜分遺產。在四人...

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：和其他十幾歲的女孩一樣，塔拉剛剛從高中畢業，但她的父母似乎奇怪地疏遠。在附近一場可怕的斧頭謀殺狂歡中，塔拉看到了可怕的實體，迫使她質疑自己的理智和令人震驚的祖先。

简介：爲紀念玉 樹地震一週年而專門攝製的電影《格 桑梅朵》把故事放在玉樹地震帶給孩子的 心靈創傷和社會各方展開救助的背景 中講述，細心把握幼小心靈在巨大災 難中承受的痛苦、困惑和壓抑，對於 衆多的災區孤兒進行心理援助有着積 極的指導意義。　　電影描寫了八歲的藏族女孩格桑梅朵 在地震中失去了所有的親人，因巨大 的心理創傷而失語，並失去對過去所 有的美好記憶。在西寧來的“結對”小 夥伴、電視臺女記者及紅十字會心理 醫生的幫助下，最終格桑梅朵走出心 理陰影，臉上露出了幸福的笑容，開 口說話了，儘管只有短短几個字。