穿著旗袍的女孩

简介：Follows the life of a youngster from college to his marriage.

简介：故事根據60歲的出租車司機Kempton Bunton在1961年從倫敦國家美術館偷走了一幅戈雅的畫的真實故事改編。Bunton發了一封勒索信說，只有在英國政府同意爲老年人提供免費電視的條件下，他纔會退還畫作。 然而，事實證明他正在撒謊，在接下來的50年裏，他都沒有出現。該事件也是國家美術館歷史上首次也是唯一一次盜竊事件。

简介：《Top Gear》是英国BBC电视台出品的一档汽车节目,虽然是一个汽车节目,但它相对于平时我们在电视上看到的汽车杂志之类的广告或节目有着天堂与地狱之间的差.思维跳跃的编导,好莱坞水平的专业摄影,匪夷所思的试车创意,还有那三个闻名世界的大嘴和一位从不说话的神秘试车手Stig.观看Top Gear,你不仅是在看一个单纯的汽车节目,很多时候更像是在欣赏一部令你热血沸腾的大制作电影!

简介：Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business drug dealers. Going against the plan, the two spend the night partying, allowing the molikan.com audience to see that, in a certain light, the bad guys weren't really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that's filled with Germans, Jesus, banjos, bongos, beers, and bongs.

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现代版罗密欧与茱丽叶！ Franziska得知父亲发生车祸，动身回到家乡，她无意接管祖传的葡萄园，只打算在当地待一小段时间，却没想到与迷人的医生Marco相互吸引。然而，在前奥地利地区，因过去的战争遗留下的伤痛与仇恨，让德国人和义大利人存在着陈年冲突。 Franziska与Marco家族之间看似永无休止的嫌隙，也威胁到两人之间日益增长的爱情。

简介：电影改编自真实事件。故事发生在1959年的古巴，彼时，文学巨匠海明威（詹姆斯·瑞马尔 James Remar 饰）正在那里隐居。艾德（吉奥瓦尼·瑞比西 Giovanni Ribisi 饰）是一名记者，同时也是海明威的超级粉丝，为了能够接近自己崇拜的偶像，艾德千里迢迢来到了古巴，并且最终顺利的找到了海明威和他的妻子玛丽（乔莉·理查德森 Joely Richardson 饰），很快，他们就成为了朋友。　　在和海明威一起生活的这段日子里，艾德发现这位伟人所表现出的言谈举止并不如他在书中所展现给读者的那般冷峻。他们一起喝酒吃饭，一起钓鱼，谈天说地，海明威的所思所想成为了艾德生活的指路明灯，带给了他无限的智慧。

简介：本片包含的四個故事是道德力量與死刑這兩個關鍵主題的變奏曲。這就提出了一個問題：在專制政權及其看似不可避免的威脅下，個人自由能在多大程度上得到表達？

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：凡杜拉在醫院陰鬱的無境長廊與暗室間遊蕩。他彷彿仍活在1975年，手持康乃馨的革命軍推翻獨裁政權，理應替維德角移工帶來光明的時刻。但是他的親友、隔壁村莊的老婦，以及不停細語摸索過去的女人，歷史的陰影仍持續將他們的生活浸染成無邊的黑色。接續2009坎城影展得獎作品《青春向前行》，科斯塔再次潛進葡萄牙歷史，一夜恍惚的夢迴。

简介：本片是多次勇奪廣東地區收視冠軍的同名千集電視長劇的賀歲電影版。　　廣州西關康家大院疑似發現古文物遺址，一家人聽到政府許諾會作出鉅額補償時，喜出望外。家庭會議上，康嫂（沈殿霞）宣佈她擬將補償金分作四分，自己以及三個兒子阿光（蘇志丹）、阿宗（郭昶）和阿耀每人各一，但尚沒成家或離婚的那份，暫由她保管。二十年前攜帶幼子阿祖（余文樂）離開康嫂去香港淘金的康伯（曾志偉）看過新聞，也回到廣州欲分一杯羹。緊接，這一家便如炸開了鍋：康叔想着不久就有大錢拿，借諸多老街坊的保命錢將家裏置換一新；最貪財的阿宗和阿嬋（虎豔芬）兩夫妻決定拿到錢再離婚；阿光和阿耀雖不視錢如命，但有錢總比沒錢好，於是急着帶外地女友見家長——因爲康嫂規定不準討外地人做老婆，他們爲討她歡心可謂大費周章；阿祖更要命，他喜歡上的女孩（蔣怡）竟是個山東人與韓國人的混血兒，不但自己很能打，還有個非常能打的老爸（黃霑）和老弟，爲了將女孩追到手，他沒少挨拳頭。

简介：索菲亞是一名有前途的17歲排球運動員，在一場可能決定她命運的錦標賽前夕，她得知自己懷孕了。她不願意把孩子生下來，於是決定非法墮胎。她因此成爲一個原教旨主義團體的目標，該團體決心不惜一切代價阻止她。但索...

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