我在黑社會的日子

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简介：如果杀人电影中的连环杀手有一个女儿呢？ 如果女儿说她要接管家族企业怎么办？

简介：A man returns to his parents' village to claim his land. Along the way, he befriends a charming young woman. Unbeknownst to him, her family has a long-standing feud with his family.

简介：A sailing holiday spirals out of control when a teenage daughter uncovers the dark past of her mother's new boyfriend.

简介：十三年前在一个繁忙的西海岸码头，美丽的金发女理劳拉发现她可爱的三岁女儿失踪了。在这几年以来，劳拉遭受了很多内疚。多年后，劳拉·帕丁顿与丈夫离婚，她想要重新开始她的生活，多年以后，她成为一名有名的律师，并找到一个新的合作伙伴：雅各布，他也失去了一个孩子， 可能失踪的孩子寻找工作使劳拉与青少年雅各布更深接触，起初，当劳拉遇见雅各布的时候，他似乎是完美的人物，雅各布告诉劳拉，她必须从女儿的失踪痛苦的生活里走出来重新开始。

简介：故事發生在一個特別的世界裏，人們生活在電影中，社會被分爲主角、配角和廢材三個階級。作爲一名“配角”， 葆拉從來只是在背景中出現，但她一直立志成爲一名“主角”。然而，就在最終考覈之前，葆拉的“讀心器”突然故障了，沒有配樂渲染情緒，葆拉還能成功晉級嗎？《戲夢空間》是一部爲影迷準備的反烏託邦元電影，充滿了對影史的回顧和調侃，“活不過一分鐘”的小配角們，也有自己的悲喜人生。

简介：顧海表面上經營着一家高端車行，私下幹着走私車、販賣問題零部件、控制地下賽車的不法勾當，他的手下林霄偷偷吞了兩百萬，想和妹妹林遙離開這座城市開始新生活。但林霄被顧海發現，林霄不願說出錢的下落，顧海便打算抓林遙來威脅林霄。與此同時，酷愛賽車的林遙正準備進行一場地下賽車......

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为了为女儿的癌症治疗筹集资金，一名退休的公牛骑手与他疏远的儿子联手，在时间耗尽前抢劫以确保付款。但在抢劫案出错后，要想保住这笔钱——以及他们的自由——需要两人智胜当地两名顽强的执法人员，其中包括一名有正义意识的警长，她很快怀疑，她的案件的关键可能就在离家不远的地方。

简介：投資直播公司破產、欠了五十萬債的東北姑娘楊楊爲了躲債偶然躲到了山東一個村裏，住進了村裏唯一一家家庭民宿。　　經營民宿的孫二嬸以一哭二鬧三上吊的方式把在北京打工好幾年、事業上毫無起色的兒子大光硬拖回了家。連番無數次相親失敗之後，不願結婚、一心只想去北京闖的大光把最後一次相親搞砸了。孫二嬸下了死命令，找不到對象，絕不放大光去打工。　　被催債沒轍的楊楊像每次捅了簍子一樣去找老爸老楊。爲了從老爸那獲得投資，把入住的民宿說成了自己投資開的，而且經營良好。老楊很高興，但是——決定第二天派得力助手張會計來考察。這回楊楊撒下的謊，不知如何去圓。　　一個需要女朋友，一個需要當老闆。靈機一動，楊楊想出了雙贏的計劃，於是跟大光談交易，她扮演成大光的女朋友，讓他能順利去打工，大光配合她扮成老闆，讓她順利拿到老爸的投資！　　二人花錢僱村民當客人，組成了一支“蝦兵蟹將”臨時團隊，僞裝出生意興隆的假象，但一個謊言需要無數個謊言去掩蓋，雪球越滾越大，事情的發展終究超出了掌控……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：意圖征服一切的霸天虎全員出擊，塞伯坦即將隕落，B-127（迪倫·奧布萊恩 Dylan O'Brien 配音）臨危受命前往地球。在1987年的加州，B-127不僅遭到特工伯恩斯（約翰·塞納 John Cena 飾演）的追捕，更被閃電（大衛·索博洛夫 David Sobolov 配音）毆至重傷，語言模塊和記憶模塊嚴重受損。B-127變形爲大衆甲殼蟲，被失去了父親（蒂姆·馬丁·格利森 Tim Martin Gleason 飾演）的查莉·沃森（海莉·斯坦菲爾德 Hailee Steinfeld 飾演）發現並開回家。查莉爲B-127取名大黃蜂，雙方成爲親密無間的好朋友。然而好景不長，反射彈（賈斯汀·塞洛克斯 Justin Theroux 配音）與粉碎（安吉拉·貝塞特 Angela Bassett 配音）追至地球，利用美國軍方的衛星網絡追蹤到大黃蜂，並企圖將霸天虎大部隊召喚到這裏。爲了阻止反彈射和粉碎，大黃蜂和他的新朋友一起踏上了保衛這個藍色星球的征途……