鬼娃娃花子
4.0 |06月02日 |已完结
简介:
坂本拓也(井上孝幸飾)上的本町小學附近有另一所小學,不知爲何接連發生了小學生的連續殺人事件,消息傳到本町小學,學生之間議論紛紛。   拓也的妹妹—夏美(前田愛飾)的班上同學,問錢仙兇手是誰,錢仙的回答是「花‧子」。小朋友們直覺想到“鬼娃娃花子”。“鬼娃娃的花子”是一個傳說 住在廁所裏的幽靈,而根據錢仙的預言,下一個受害者正是夏美,並且“花子”明天就會現身……   夏美立刻跑去拓也的班上,找拓也求助,沒想到拓也不當一回事,把夏美趕回去。夏美只好和同學浩志一起回家,途中到一位非常漂亮的女孩,向他們問到本町小學的路。   這名美少女叫作水野芽子(河野由佳飾)。第二天剛好轉學進入拓也的班上,成績優秀的芽子,不久在班上即大受歡迎,有一次,芽子被班上的加奈子與小綠撞見從謠傳的“花子”出現的廁所裏出來,從此竟被同學們懷疑是“花子”,只有拓也一直護着她。   在這之後,有一天,拓也與芽子一起打掃飼養著山羊的小屋。在拓也爲了拿學級日誌到離開到職員辦公室時,加奈子和小綠正好在走廊。突然她們看到眼前出現一大片血跡,嚇得拔腿就跑,沒想到混身是血,拿着鐮刀的芽子,就站在前面……
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主演:薇諾娜·瑞德,安吉麗娜·朱莉,克里·杜瓦爾,布萊特妮·墨菲,伊麗莎白·莫斯,傑瑞德·萊託,傑弗裏·塔伯,瓦妮莎·雷德格雷夫,烏比·戈德堡,安吉拉·貝蒂斯,吉利安·阿美娜特,克莉絲汀·梅爾斯,喬安娜·科恩斯
简介:本片根據蘇珊娜凱森的自傳體小說改編而成。蘇珊娜(薇諾娜·瑞德 Winona Ryder飾)本是正值花季的普通少女,卻被診斷爲“邊緣精神錯亂症”而送進了精神病院。雖然蘇珊娜深陷現實世界的精神壓力中飽受折磨,但在精神病院蘇珊娜結識到了一羣看似乖戾卻不同尋常的新朋友。具有反社會人格的莉莎(安吉麗娜·朱莉 Angelina Jolie飾),帶領患有說謊癖的喬治娜(克麗·杜瓦爾 Clea DuVall飾),對火深懷恐懼的珀麗(伊麗莎白·莫斯 Elisabeth Moss飾),不能當着他人面進食的戴西(布萊特妮·墨菲 Brittany Murphy飾)等其他女孩,做出了很多令人瞠目結舌的舉動,這令醫院管理人員頭痛不已。蘇珊娜逐漸融入了女孩們的“祕密活動”中。這一次次離經叛道的瘋狂冒險,使她踏上了一場尋找自我的精神之旅。  安吉麗娜·朱莉因本片榮獲第72屆奧斯卡金像獎(2000)奧斯卡獎-最佳女配角。
764
1999
移魂女郎
主演:薇諾娜·瑞德,安吉麗娜·朱莉,克里·杜瓦爾,布萊特妮·墨菲,伊麗莎白·莫斯,傑瑞德·萊託,傑弗裏·塔伯,瓦妮莎·雷德格雷夫,烏比·戈德堡,安吉拉·貝蒂斯,吉利安·阿美娜特,克莉絲汀·梅爾斯,喬安娜·科恩斯
等待方舟
14
9.0
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等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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