親友皆死

简介：二次大战期间，日军侵略中国熟黯功夫的僧人天法，在寺门附近救了一个被日军追杀的地下工作者。此人身受重伤，弥留前将一幅有关日军军力分布的地图交给天法，求天法送到卧龙镇他的同志。天法冲破日军包围网上路，身上带了一只木盒，盒内是寺内最珍贵的经文，中途遇上两个小流氓阿龙与马可，二人以为天法木盒内是珍宝，所以不断要偷天法的木盒，天法武功高强，几次打败两个小流氓。但由于不识往卧龙镇的路途，只有与二人合作。

简介：Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a moralityfolk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.

简介：1988年的布拉格，大提琴手路卡（Zdenek Sverák 飾）丟掉了樂團的工作多時，只能靠爲殯儀館伴奏和修補墓碑爲生。這位大齡單身漢在女人面前頗有魅力，他也樂此不疲，但困窘的生活讓他不得不違背初衷，與一位蘇聯女子假結婚以獲得報償。婚後幾日，蘇聯女子轉道投奔西德，將五歲幼子科裏亞（Andrei Chalimon 飾）丟給路卡撫養，路卡有一搭沒一搭的用對方聽不懂的捷克話向科裏亞抱怨蘇聯人的霸道，同時還要應付警察對假結婚的追查以及敵視蘇聯人的母親。路卡拜託多位女友照顧科裏亞，這對父子也慢慢產生了對彼此的依賴，不久蘇聯政府要接回孩子，路卡趁着八十年代末混亂的形勢，帶着科裏亞離家出走……　　本片獲1997年奧斯卡最佳外語片獎，1996年威尼斯電影節榮譽獎等十幾項褒獎。

简介：1952年，妮基爲了逃離麥卡錫主義時期的美國，同丈夫和女兒回到法國，但童年遭遇的不安回憶依舊在妮基的腦海中揮之不去。爲了能夠解脫出來，她試圖從藝術中找到力量。本片是關於法裔美國藝術家妮基·聖法勒（Niki de Saint Phalle）的傳記片，追溯了妮基從模特到畫家的轉型過程。除講述她因精神崩潰在醫院的治療經歷，更着重描繪了她的藝術治癒過程，特別是她聞名世界的以步槍射擊作畫的獨特創作方式，還原了一位從不幸中重生的非凡藝術家。本片入圍今年戛納電影節一種關注單元.

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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故事由女子Yanny（蔡卓妍饰）为了逃避自己在香港的失败恋情，前往美国探望多年不见的女友Ling（郑秀文饰）展开。Ling与丈夫Tang（佟大为饰）在圣荷西过着仿佛宁静无忧的理想生活。但就在短短五天的探访中，Yanny竟揭发了这对夫妇背后隐藏的身份真相。三个人各自有着不可告人的历史，更重演着一场凶案的轨迹，冲向你死我亡的结局。异乡人的美国梦，孤寂与怀疑累积成沉重的代价。

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蕾絲（裘恩典 飾）和頂頂（鮑菲 飾）一對吸睛少女遊蕩到某著名影視機地，簡單粗暴就地自拍玩直播，誓要轟轟烈烈成名一次。其間遇到技術宅屌絲，咆哮邪少 （姚一奇 飾），表面上幫二人拍片直播，暗把二人刷進自己DIY的遊戲中把玩。當吸睛少女以爲自己暗墜地下機關城，其實己不知不覺落入咆哮邪少變態設計之中。吸睛少女的命運已不由自主，一時被邪少育成的嗜色狂獸大根（秦勇 飾）連番追捕，時又遭遇暗黑蘿莉女僕美滋（高晴 飾）誘導出二人內心陰暗一面，從前的一宗謀殺案真相正要被揭開，一場撕逼即將發生…到底吸睛少女如何才能扭轉乾坤，逃出這個虛擬玩局？

简介：心愛的女孩即將成爲皇帝的妃子 物理天才闖入戒備森嚴的大清宮祠 在歷史的陰謀與愛情的犧牲之間 他能否阻止這場悲劇的上演？　　《穿越時空》系列是是東方飛雲影視公司投資製作的電影，據悉將於7月16日在遼寧衛視《週末王剛講故事》（每週五晚2220開始) 開播。共四部，目前已全部拍攝完成，分別爲《穿越時空之明月郡主》、《穿越時空之靈格格》、《穿越時空之大清宮祠》、《穿越時空之來客》，由陳大偉、吳靜一、於清斌、黃千格、陳真希、喬若熙、羅曼雅主演，導演：陳曉雷

简介：《毛驴上树2倔驴搬家》讲述了第一书记余丹阳在神仙村开展扶贫工作期间，与“老倔驴”赵大河之间发生的一系列诙谐幽默的趣事。最终，余丹阳在努力下不仅帮助村民们顺利搬家，在生活和思想上全面脱贫，更将整个神仙村带上了一条脱贫致富的金光大道。

简介：由国内著名导演张瀚文执导，青年演员陈真希、侯京健主演的侦探推理电影《走尸之谜》即将上映，一组剧照被网友提前曝光。　　数字电影《走尸之谜》讲述了归国刑侦专家阮烈（侯京健饰）调查一桩医院“尸体”自行失踪，医生意外触电身亡的离奇案件时，与珍藏心底的爱人——遇害医生的妻子杜桑（陈真希饰）重逢。随着案情的一步步深入，阮烈渐渐怀疑杜桑是谋杀亲夫的凶手，在爱情与正义之间，他无法抉择……　　《走尸之谜》导演张瀚文毕业于北京电影学院导演系后，坚持在电影上有所造诣，便留学于日本亚细亚大学，专修文化传媒专业。曾执导过《寻找酷巴熊》、《神秘的字迹》、《灰姑娘的水晶鞋》、《死了都要爱》、《玫瑰眼》、《寻找酷巴熊》、《神秘的字迹》、《铠甲勇士》等数部优秀的电影作品，担任中央电视台电影频道高清数字电影《永久凤凰》执行导演，被曝光的剧照中，电影以灰色偏柔和色调展现侦探悬疑感，在导演构思下，透过造型依稀可见各种人物性格，年轻时尚感显露无疑，有侦探漫画《名侦探柯南》的味道，导演欲将发生在民国时期惊心动魄的侦探片打造成中国版的《名侦探柯南》。

简介：麥琪因槍殺警察而被判死刑。當毒劑注入她的身體，她漸漸昏去。醒來時，她得知自己真實身份已經“死亡，如果想要繼續活命，就必須擔當政府的殺手。經過一番脫胎換骨的訓練，麥琪以新的身份重入社會，重新領略了生活的意義。而同時，她也產生了擺脫政府控制的想法。一場對立迅速展開...

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