嗨起打他個鬼子
10.0 |2025年06月02日 |已完结
简介:
《嗨起打他個鬼子》講述的是1938年,國民黨南京政府西遷重慶後,貴陽成爲戰略重地,日軍爲打通西南通道,派遣小分隊到貴州腹地進行情報竊取工作,從而引發貴州少數民族英勇抗日的故事。
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简介:文新荷是金家的大少奶奶,嫁進金家十年一直任勞任怨,即使受了委屈也一直隱忍着,留學回國的蘇雪婷覬覦金家九彩丹青的染布祕方,爲達目的不擇手段。處心積慮陷害新荷,將新荷迷暈,穿上新荷的衣服故意出現在海生面前,製造誤會。誣陷其與從小一起長大的春旺有染,金家任何一個人都不相信新荷和春旺是清白的,結果春旺被打死,新荷被釘上門板扔進了清河,在最後一刻她的丈夫金海生也不願救她……  蘇雪婷終於如願嫁進了金家,而新荷九死一生,被桃姨所救,爲再見女兒一面並且爲調查真相還自己一個清白,改頭換面,決心向金家復仇……  半年後,新荷成爲春花樓的頭牌小彩青,金海生爲彩青贖身並迎娶她做姨太太。期間,由於蘇雪婷不小心摔倒導致早產,生了個死胎,卻嫁禍給彩青,在關鍵時刻丫鬟說出了事實真相。蘇雪婷實跡敗露,捲款潛逃,留下大筆九彩丹青訂單,此時,彩青挺身而出,而她的身份也隨之暴露。  金家老夫人爲了九彩丹青的真正祕方再次對新荷做出不仁不義之事,新荷領悟到害人的不是九彩丹青的祕方,而是人類的貪心。最終將九彩丹青的祕方公佈於衆。而海生也逃脫金家的牢籠。  一年後,新荷和金海生終於重逢,從此過上了幸福的生活。
840
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简介:故事梗概:  盼望已久的暑假到了。北京某中學高二年級外號“老外”、“大款”的兩名同學相約到外地旅遊。經過一番祕密地精心準備,“老外”和“大款”出發了。在家庭和父母雙重“高壓”管理教育下的兩個孩子,能從父母的眼皮子底下成功溜走,獲得嚮往已久的“自由”,兩個半大的孩子猶如脫繮的駿馬、出籠的黃雀,那種高興勁兒自不用提。  坐汽車、乘火車,兩個孩子出了北京,在人生地不熟的小鎮懷揣着一點點的膽怯,更多的欣喜。一天,“老外”和“大款”在途中撞上兩個年齡與他們相仿的男孩。正是那句老話:不打不相識。有過短暫的不愉快之後, “老外”和“大款”與有着相同學習生活感受的“大俠”、“哭得勝”成了“志同道合”的生死之交。  從此,四個孩子結伴而行,在一座舊倉庫安了家。一天,“哭得勝”看家,其他三個孩子出外打工,“哭得勝”在庫房裏發現了一塊刻有國徽的模板和一鐵箱假鈔,突然庫門大開,一夥人闖了進來,爲爭奪錢財大打出手。孩子們畢竟不是大人的對手。危急關頭,“老外”靈機一動,設法向公安部門報警。經過一番調查,公安部門在四個半大孩子的配合下,將罪犯一舉抓獲,經歷一場夏日暑期驚險的四個孩子,接受警察叔叔的批評教育,在警察叔叔的安排下滿懷喜悅踏上了回家的路。  精彩視點:  本片是北京電影製片廠1991年拍攝的一部優秀的兒童題材作品。主演鞏立峯和富大龍都是北京電影學院(blog)的學生。影片拍攝時,15歲的富大龍絕對沒有想到16年後他能摘取最佳男主角的桂冠。1976年,富大龍出生在北京。8歲時開始接觸電影,參與拍攝電影《中彩》,開啓自己進入電影藝術殿堂的大門;隨後在獲“童牛獎”的《少年彭德懷》中出任男主角,成功塑造少年彭德懷形象。1998年,富大龍以優異的成績畢業於北京電影學院表演系,從此奠定他邁上銀幕的重要基石。有着“武術迷”、“京戲迷”、“詩人”等美譽的富大龍有幸結識馮小寧導演,讓他走進影片《戰爭子午線》的開機鏡頭;當《紫日()》進入籌備期,馮小寧導演又再一次找到他,給了他走向一個成熟的優秀電影演員的機會。真正讓觀衆記住富大龍的,是電影《天狗()》(blog),憑藉該片,富大龍獲得第二十六屆金雞獎最佳男主角獎、第十二屆華表獎優秀男演員獎、第十一屆中國電影表演藝術學會獎(金鳳凰獎表演協會大獎)。富大龍其他電影作品有《故園秋色》、電視劇《許世友在少林》、《北洋水師》、《寇老西兒》、《無言的愛》、《風雲密支那》、《少年包青天()》、《隱姓埋名》、《衙門口》、《歸途如虹》、《不做後悔事》、《我是農民》等。
3591
1991
夏日曆險
主演:鞏立峯,富大龍,張萌
等待方舟
15
9.0
已完结
等待方舟
9.0
更新時間:2025年06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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