半條命3特種兵之戰
8.0 |2025年06月02日 |已完结
简介:
畢龍身爲李悠悠的保鏢爲了調查一直以來想要刺殺李悠悠的罪魁禍首,按照李悠悠的孿生妹妹殺手李刀鋒臨走時所留下的線索來到了一家情趣酒店,卻發現了李刀鋒的屍體,並被警察誤認爲是殺手進行追捕,畢龍知道是圈套只好擺脫警察逃走。  逃走的畢龍接到了策劃這次殺人案的電話,並且得知只有按照他所說幫他找到些東西才能擺脫殺人的罪名,畢龍只好按着他所說的做。  李刀鋒的情人殺手刀疤跟李刀鋒一起被擄,經過了一番搏鬥逃了出來,卻因爲看到看守的手機上有畢龍殺害李刀鋒的信息,誤以爲殺害刀鋒的兇手就是畢龍惱羞成怒開始了刺殺畢龍之路。  警察找到李悠悠,李悠悠的得知了孿生妹妹李刀鋒的死訊,卻怎麼也不相信是畢龍所爲,警長林怡想從李悠悠作爲突破口抓捕畢龍的計劃隨之落空,只好發佈了全城通緝令。  畢龍按照神祕人的指示到麒麟堂找過江龍,過江龍一改之前的態度,排兵佈陣迎接畢龍,過江龍告訴畢龍自己很欣賞畢龍,但是他也知道畢龍是來搶麒麟玉的。言語不合只好開打,畢龍撂倒了所有人,從過江龍的身上搶到了麒麟玉。  畢龍又接到神祕人的電話讓他去找永孝堂的瘋狗,拿永孝堂的孝子棒。畢龍一邊無奈的接受着神祕人的指令,一邊暗中調查着他。  警長林玲帶領警察趕到麒麟堂,發現過江龍等人都被人殺死了,並且用的是南國特種兵專用的刀,所有的證據都指向畢龍。  畢龍又來到永孝堂的ktv找瘋狗,畢龍卻發現整個永孝堂已經被人屠戮殆盡,只剩下奄奄一息的堂主瘋狗,瘋狗告訴他是刀疤殺了瘋狗,並搶走了畢龍想要的孝子棒。  畢龍不明白爲什麼已經與畢龍冰釋前嫌的刀疤會突然變節去幫助神祕人,各種複雜的信息和過渡的疲勞讓畢龍昏倒在了路旁。  畢龍甦醒的時候已經在警車上,被林怡警官用手銬緊緊的鎖着,畢龍怎麼向林怡解釋林怡也無法相信刀鋒不是自己殺的,畢龍只好施展特種兵的技能擺脫了手銬,鎖住林怡再次逃了出來。  畢龍不知此去結果如何,去之前偷偷跑回酒店見了李悠悠一面,兩人互表心意深情相擁。  按照瘋狗臨死所說找到了刀疤,不管畢龍怎麼解釋刀疤也不相信,兩個人只好爲了孝子棒展開了一場特種兵之戰,最終畢龍擊敗刀疤,奪回了孝子棒。  神祕人最後的指令也來了,讓畢龍到最後的地點忠義堂,搶奪堂主陳永福手中忠義堂的信物忠義匾。  畢龍帶着兩堂的信物到了忠義堂,發現這裏竟然是一個宗家祠堂,上面豁然立着陳國良的靈位,一個年輕人走了出來,向靈位上了三炷香,並告訴畢龍他就是陳國良的兒子陳永福。  畢龍懇求陳永福交出忠義堂的信物,這樣自己才能洗脫殺人的嫌疑,陳永福冷靜的拿出電話,畢龍的電話響了,畢龍這才知道一直操控自己的神祕人原來就是陳永福。  陳永福之所以讓畢龍去搶奪三人團另外兩團的信物也是爲了借畢龍的手統一南國的黑道,如果畢龍被兩堂殺掉,也是爲自己報了仇,一箭雙鵰,並且欺騙刀疤在畢龍之後殺了兩位堂主,現在連刀疤也被畢龍除掉了,就只剩下一個重傷的畢龍了,陳永福兩下就將重傷的畢龍和手無縛雞之力的悠悠擊倒在地。  兩人在生命的最後時刻胡吐心聲,最終表白,陳永福看着二人冷笑不止,眼看陳永福就要結果二人的性命,畢鳳和林玲突然出現,擋住了陳永福,救下了畢龍和李悠悠。  但是二人依然不是陳永福的對手關鍵時刻刀疤出現合四人之力最終將陳永福擊斃。
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主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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