大獨裁者

简介：在高中的一个暑假，桦山由佳（土屋太凤 饰）和其他九名同学从昏迷中醒来，却发现他们被囚在位于某个偏远乡村的废弃建筑物内。众人懵懵懂懂，只有由佳抱着无所谓的态度。这时，放在房间角落里的录像机和电视突然自动运行起来，屏幕中显示出相应文字。在场的十个人禁止走出建筑，他们必须参加人狼游戏。十人中有两个人是人狼，其他“村民”必须在规定时间前找出人狼并将其杀掉，而人狼则同样要设法杀掉村民。截止期限前未完成任务或者违反规则都将面临处死的命运。少男少女带着些许玩乐的心态进行着游戏，可是游戏却朝着难以预料的方向发展……　　本片根据川上亮的小说原作改编。

简介：何鵬（於榮光 飾）是一名年輕有爲，充滿了正義感的警官。在一次臥底行動中，他和同事楊正（陳展鵬 飾）一起執行任務，行動最終以成功破獲犯罪分子的贓物告終，而面對價值連城的鑽石，楊正鬼迷了心竅，將贓物藏了起來沒有上報。　　何鵬在無意之中發現自己竟然身患絕症，時日無多。因爲工作一直冷落了妻子的何鵬感到非常的愧疚，於是決定用餘下的時間好好的陪伴妻子。楊正藉此機會將私藏贓物的罪名栽贓到了何鵬的頭上。爲了證明自己的清白，何鵬不得不拖着病重的身體親自上陣調查事件的真相。最終，何鵬終於揪住了楊正的小辮子，人贓俱獲。

简介：故事根據60歲的出租車司機Kempton Bunton在1961年從倫敦國家美術館偷走了一幅戈雅的畫的真實故事改編。Bunton發了一封勒索信說，只有在英國政府同意爲老年人提供免費電視的條件下，他纔會退還畫作。 然而，事實證明他正在撒謊，在接下來的50年裏，他都沒有出現。該事件也是國家美術館歷史上首次也是唯一一次盜竊事件。

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简介：珍妮（蘇菲•瑪索 Sophie Marceau 飾）是居住在法國的一名美女作家，她和丈夫迪奧（Andrea Di Stefano 飾）共同經營一個幸福美滿的四口之家。但是近一段時間，珍妮卻感到令人難以承受的壓力。客戶的要求讓她無法隨心所欲寫作，漸漸地珍妮發現周遭的一切開始發生變化，房間、丈夫、兒女甚至她自己的容貌都讓人倍感陌生。珍妮的歇斯底里使家中的歡樂蕩然無存，她和丈夫的婚姻也走到盡頭。　　某天，珍妮的容貌也完全發生改變，變成了一個擁有一頭黑髮、大眼明眸的異域風情女子（莫妮卡•貝魯奇 Monica Bellucci 飾）。她偶然在母親的住所看到一張相片，於是啓程前往意大利，尋找自己真正的本源歸宿……

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简介：朝不保夕的司機張水（張涵予 飾），受上司方長方（王耀慶 飾）利誘，答應親赴法國邀請義弟韋力（黎明 飾）幫忙參加天價紅酒的競拍。張水謊稱爲國家執行祕密任務騙得韋力的信任，一同前往品酒大會。拍賣現場，張水意外的發現指使自己來參加拍賣會的老闆方長方也在現場，而此時的方長方好像從沒認識過張水...品酒會的主持者利芳（杜鵑 飾）與各路買家逐一品酒，只有通過考驗的人纔可以參與到競拍環節。　　利芳同父異母的哥哥LK此時在衆人之外靜靜的看着所發生的一切，誰也想不到，拍賣會的真正目的根本不是賣酒……

简介：在都立杜鵑花臺高中放學後的教室裏，響裕太在筆記本上一遍又一遍的畫着GRIDMAN。這個世界曾經被一個少女創造、又被破壞。拯救了那個少年的心的，是從異次元來的超級代理人GRIDMAN，少女製作了擁有心靈的怪獸，以及裕太他們。在和平的世界力生活的他們，日常生活隨着一身聲巨響開始崩潰。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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单身孕妇朱莉娅刚刚失去工作，这对她来说犹如世界末日。新朋友阿拉娜为她带来了及时雨，因为她知道有人正四处寻找孕妇，并会为她们的阳性反应的验孕棒付费。

简介：After the tragic death of his wife, Jon immediately starts an affair with the enigmatic Red. The closer he gets to her, the more is his life dominated by an ominous digital signal - the stutter.

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