賞金獵手
6.0 |06月02日 |已完结
简介:
因沉迷賭博而負債累累的賞金獵手米洛·博伊德(傑拉德·巴特勒 Gerald Butler 飾)接到工作追捕自己的前妻,記者妮可·赫莉(詹妮弗·安妮斯頓 Jennifer Anniston 飾)。妮可因追蹤一件離奇自殺事件,錯過自己襲警交通案的出庭而被法院通緝。對自殺事件內情緊追不捨的她想盡了一切辦法逃跑,使得本來就因彼此憎恨而離婚的兩人關係更加糟糕,直到有神祕殺手突然出現要至妮可於死地。米洛這才發現自己對妮可一直不能忘情。爲了保護妮可的安全,米洛帶她來到了二人當初渡蜜月的“丘比特莊園”,前塵往事湧上心頭,二人也都對是否應重續前緣而舉棋不定。與此同時,米洛的賭債和妮可的調查只將情況搞得更加複雜……
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橡皮頭1977
19
0.0
HD
橡皮頭1977
0.0
更新時間:2025年05月02日
主演:杰克·南斯,夏洛特·斯图尔特,珍妮·贝茨,朱迪思·罗伯茨,杰克·菲斯克,Laurel Near,V. Phipps-Wilson,Jean Lange,Thomas Coulson,Allen Joseph,John Monez,Darwin Joston,T. Max Graham,小哈尔·兰登,詹妮弗·林奇,Brad Keeler,Peggy Reavey,Doddie Keeler,吉尔·丹尼斯,Toby Keeler
简介:

阴暗压抑的工业小镇,刺耳的机器轰鸣噪音。亨利•斯班瑟(杰克·南斯饰)初次拜访女友家,然而目睹到的却是一个怪异扭曲的家庭,霸道的母亲、无能的父亲、植物人似的祖母以及笨拙的女儿。而更令亨利感到无助的是,他被迫与女友结婚。一夜之间,亨利成为一个畸形儿的父亲。相貌丑陋恶心的婴儿让亨利异常恐惧焦虑,也让新婚妻子因忍受不了婴儿的啼哭而半夜出逃。亨利再也忍受不了如此不堪的生活和夜夜噩梦,他最终亲手用剪刀肢解掉了这个畸形的早产儿。                                                                        由美国电影新浪潮运动旗手大卫·林奇创作的长片处女作《橡皮头》,历时五年完成。一经公映,便以强烈的前卫诡异风格挑战了当时还相当传统和保守的电影界。在情绪化的摇晃镜头与随处可见的阴暗腐败中,大卫·林奇构筑出了一幅扭曲病态的家庭人物关系,赤裸裸地破开人性的阴暗面。这种运用弗洛伊德心理分析,来剖析人类精神世界中焦灼郁闷的手法,加上极具视觉冲击力的影像,让大卫·林奇在影坛独树一帜。

0
1977
橡皮頭1977
主演:杰克·南斯,夏洛特·斯图尔特,珍妮·贝茨,朱迪思·罗伯茨,杰克·菲斯克,Laurel Near,V. Phipps-Wilson,Jean Lange,Thomas Coulson,Allen Joseph,John Monez,Darwin Joston,T. Max Graham,小哈尔·兰登,詹妮弗·林奇,Brad Keeler,Peggy Reavey,Doddie Keeler,吉尔·丹尼斯,Toby Keeler
移魂女郎
11
4.0
已完结
移魂女郎
4.0
更新時間:06月02日
主演:薇諾娜·瑞德,安吉麗娜·朱莉,克里·杜瓦爾,布萊特妮·墨菲,伊麗莎白·莫斯,傑瑞德·萊託,傑弗裏·塔伯,瓦妮莎·雷德格雷夫,烏比·戈德堡,安吉拉·貝蒂斯,吉利安·阿美娜特,克莉絲汀·梅爾斯,喬安娜·科恩斯
简介:本片根據蘇珊娜凱森的自傳體小說改編而成。蘇珊娜(薇諾娜·瑞德 Winona Ryder飾)本是正值花季的普通少女,卻被診斷爲“邊緣精神錯亂症”而送進了精神病院。雖然蘇珊娜深陷現實世界的精神壓力中飽受折磨,但在精神病院蘇珊娜結識到了一羣看似乖戾卻不同尋常的新朋友。具有反社會人格的莉莎(安吉麗娜·朱莉 Angelina Jolie飾),帶領患有說謊癖的喬治娜(克麗·杜瓦爾 Clea DuVall飾),對火深懷恐懼的珀麗(伊麗莎白·莫斯 Elisabeth Moss飾),不能當着他人面進食的戴西(布萊特妮·墨菲 Brittany Murphy飾)等其他女孩,做出了很多令人瞠目結舌的舉動,這令醫院管理人員頭痛不已。蘇珊娜逐漸融入了女孩們的“祕密活動”中。這一次次離經叛道的瘋狂冒險,使她踏上了一場尋找自我的精神之旅。  安吉麗娜·朱莉因本片榮獲第72屆奧斯卡金像獎(2000)奧斯卡獎-最佳女配角。
764
1999
移魂女郎
主演:薇諾娜·瑞德,安吉麗娜·朱莉,克里·杜瓦爾,布萊特妮·墨菲,伊麗莎白·莫斯,傑瑞德·萊託,傑弗裏·塔伯,瓦妮莎·雷德格雷夫,烏比·戈德堡,安吉拉·貝蒂斯,吉利安·阿美娜特,克莉絲汀·梅爾斯,喬安娜·科恩斯
等待方舟
14
9.0
已完结
等待方舟
9.0
更新時間:06月02日
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
7038
1985
等待方舟
主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
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