獅城奇案之罪案現場

简介：本片取材于2004年印度洋海啸时发生的一桩真实事件。　　玛莉雅（娜奥米·沃茨 Naomi Watts 饰）和亨利（伊万·麦克格雷格 Ewan McGregor 饰）带着三个儿子，一同前往泰国共渡圣诞佳节，不料就在圣诞节隔天，当这幸福的一家人在泳池旁享受着悠闲时光时，一股猛兽般的万呎滔天巨浪竟迎面袭来。被眼前景象震慑住的玛莉雅，一时反应不及，不幸惨遭巨浪袭卷；而尽管亨利及时抓住两个儿子准备逃亡， 一切仍旧太迟，凶猛的大水最后仍冲散了他们。一度被巨浪击昏的玛莉雅，醒来后发现自己正漂浮在海面，而原本围绕在身旁的所有景物，都已被淹没于水面下，她深信家人们皆已罹难的同时，竟发现自己的大儿子卢卡斯，竟然就漂浮在距离她仅有几公尺远的海面上。玛丽雅顿时犹如被打了一剂强心针，她决定想尽办法，要带着大儿子卢卡斯一起活着离开......

简介：影片讲述一群年轻人对中国传统武术的追求。大张伟扮演超级搞笑人物华子，献上了一段段闹剧。导演寇占文以及主演：花儿乐队主唱大张伟、华语超人气组合棒棒堂成员敖犬及阿纬、香港当红偶像傅颖和电影特别推荐的三位新人张驰、奇霖、党山鹏。　　《武动青春》是一部青春励志来弘扬中华武术精神的动作电影，标榜不请替身、不用特效，力求以百分百真功夫完成所有拍摄，与此同时，剧情更是紧贴时下年轻人喜好，打破传统武术电影拍摄的一贯手法，从导演及演员的选择及整部电影剧情框架，都以全新概念示人，开创“新浪潮武术电影”新风潮！

简介：本片主人公苗苗既是一羣留守兒童的老師，也是一個留守兒童的母親。苗苗將一歲多的孩子託付給婆婆，離開家去臨縣黃白塔村裏的小學任教，學生們很快喜歡上了這位女老師，有一個叫雨誠的男孩，留守兒童，常年與奶奶生活在一起，與他交流最多的是一條小狗。雨誠與同學發生口角，離開了學校，苗苗跑到雨誠家中，沒有找到他。兩天之後，在警察的幫助下，苗苗在網吧內找到了雨誠。看着雨誠，苗苗想起了遠在孝義家中的...

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刚刚结束了与叛忍集团“晓”的抗争，木叶村被一股诡异不祥的气氛所笼罩。此时此刻，漩涡鸣人（竹内顺子 配音）沉浸在对家人的思念中，孤独无助。某个晚上，心情糟糕的鸣人巧遇刚刚和家人吵架的小樱（中村千绘 配音），二人在公园闲聊之际，神秘的斑（内田直哉 配音）突然出现，并向二人使出瞳术。眩晕过后，鸣人和小樱发现看似一如平常的木叶村，曾经熟悉的伙伴竟然性格发生巨变。一连串不正常的事件令二人苦恼不已。更令人难以置信的是，包括佐助以及鸣人的父母波风水门（森川智之 配音）和玖辛奈（篠原惠美 配音）也出现在他们的面前。斑的阴谋慢慢展开……                                                                      　　本片根据岸本齐史的漫画原作改编，为该作品第九部动画剧场版。

简介：1943年法國維希政府時期，一羣猶太兒童在兒童庇護所生活了幾年後必須避開德國納粹的逮捕逃往瑞士，爲了避開逮捕不得不與他們信任的成年人分開。這一羣猶太孩子踏上了一條一切靠自己的逃亡之旅。 本片根據真人真事《芬妮的回憶錄》改編，真實刻畫了二戰時 期猶太兒童的處境，這羣猶太兒童們面對着成年人都不知所措的艱險逃亡，又將如何？這羣孩子是否能成功逃到瑞士呢？ ©海德文

简介：貪財又頹廢的“廢柴”家族中，四個不相往來的兄弟姐妹時隔十年，爲了給搶銀行後“失蹤”的父母辦葬禮回到了老家。雖說是葬禮，但其實連放遺體的靈柩都沒有。而舉行這場走形式的葬禮的目的，正是爲了瓜分遺產。在四人...

简介：美國爆發xb疫情,科學家束手無策,歷史上曾有人治癒過該病,無奈資料被毀,科學家們只得使用時間機器回到過去尋找,不料卻遇到了1871芝加哥大火災。。一部傷感的經典科幻片，正大劇場好像播出過

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Misha, who returns to her royal family estate after 15 years to visit her estranged father, only to find him missing.

简介：高中生乖乖美女Emma、孤僻帥帥男Dean及其同學到島上度，兩人由於偶然意外被困於孤島，Emma心有所愛，Dean則偷偷暗戀，兩個人在孤島上的近百天內越靠越近…… 　　電視電影，跟舊的那個《青春珊瑚島》沒有任何聯繫，也沒有任何可比性，女角自然不可能像波姬小絲那樣嬌美，電影尺度也遠遠不如《青》，只能算是把小青年的純愛青春片從學校搬到了小島上而已，整個電影沒有重點，不知所謂。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

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圣诞节将至，一间地处偏远的小木屋里，波特（拉菲·斯波 Rafe Spall 饰）和马特（乔恩·哈姆 Jon Hamm 饰）同坐一桌，用红酒和烤土豆庆祝这个银装素裹的节日。波特沉默寡言，无精打采，而马特却恰恰相反，为了逗波特讲话，他向波特讲述了自己的过去。                                                                      　　曾经的马特是一名“恋爱导师”，他通过摄像头和网络“远程操控”他的客户，让这些平日里无人问津的“宅男”们能够在派对山成功抱得美人归。然而，一场意外让马特决定永远离开这个他经营得风生水起的行当，此间究竟发生了什么？听了马特的叙述，波特终于决定向马特讲述自己的故事，这个故事关乎于他和他的女友，但并不完全关乎于爱情。

简介：眼盲的教授傑克經歷了一場極具實驗性的手術來恢復視力，但捐贈給他的那雙眼睛卻是來自一位心狠手辣的殺人魔，彷彿被附身的傑克因此性情大變，而他的妻子也被迫面臨這失控的一切。