芬妮與亞歷山大

简介：当giulia遇到libero并和他在一起的时候，giulia 发现还有不一样的命运和生活在等待着她。但是一个选择直接导致了她被这个世界所背弃

简介：一百多年前，中國少林武學家武天行，在日本擴廣少林武學，卻惹起日本四大御前侍衛家族的挑戰，武天行連敗三家，最後與千葉家門主千葉奔雷一場驚天動地的大戰後，千葉奔雷戰敗，但心有不甘，希望再與武一戰，武天行敬重他是真正的武者，答應雷，就算自己死了，他的子孫亦會接受挑戰。一百年後，千葉家的子孫千葉歸一四處尋找 武家子孫的下落，不斷挑戰少林派武館，而歸一一直只知練武報仇，連維生之道亦不懂，弄至要行乞度日。而武家傳人武道一，在一漁村與自幼相識的子慧在同一豆腐店工作，道一則在店的天井內開設武館，可惜多年來，只有一人拜師學藝。道一父親臨死前告戒不可以動武，更把一佛珠交給一，要他出手時三思。

简介：經典愛情片《12夜》將推出新一章《12日》。《12夜》爲2000年上映的愛情電影，由林愛華執導，陳奕迅、張栢芝主演，謝霆鋒、盧巧音、鄭中基、馮德倫 等人聯合演出，描繪出都市年輕男女戀愛的12個階段。《12日》將展現現在這個世代的愛情觀，與20年前早已經不同。

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民政局照相室，热情的工作人员一再催促“笑一个”，但镜头前的徐亦飞和杨可还是满脸苦相地拍下了结婚证上所用的合影；更令工作人员匪夷所思的是，不到半刻钟，徐、杨二人又来拍摄离婚证上所需的单人照，此次，两人却先后在拍照时露出诡异笑容。离婚手续办理处，徐亦飞和杨可将刚刚补办好的结婚证换成了离婚证。之所以补办结婚证，是因为在翻箱倒柜都找不到原证件的前提下，他们想给两年恋爱、七年婚姻一个圆满交代，办理离婚证的原因，则是他们彼此都认为这是有生以来最明智的决定。

简介：A sailing holiday spirals out of control when a teenage daughter uncovers the dark past of her mother's new boyfriend.

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農村小夥子周正午在同鄉好友的邀請下，帶着夢想來到北京。但在北京，他遇到一系列的麻煩，沒有找到好友，卻認識了一個漂亮的北京女孩朱古麗。                                                                      　　“我要在北京住下去，找一個北京女孩做老婆，這樣我的兒子就可以成爲北京人了，我的子孫後代也就成爲城裏人了……”這句話是正午在北京呆下去的信念。                                                                      　　在不知不覺中，正午愛上了朱古麗，但朱古麗一直在等待一個叫強哥的人，並且告訴正午她也不是北京人，她也是來北京尋找夢想和愛情的……                                                                      　　朱古麗離開了正午，而正午依舊日復一日的坐在公園的長椅上見着各式各樣的北京女人。                                                                      　　某日，正午如常的在公園等待來見面的姑娘。一雙熟悉的紅皮鞋出現在他的眼前，他抬頭一看……

简介：小美和阿雄在一起很久了，到了快結婚的時間，可是當小美和阿雄的兩家人在一起見面的時候，父母雙方不同意，各自有自己的原因，阿雄家裏是農村的，小美家是城裏人，兩種不同思想的長輩讓兩個年輕人左右爲難。

简介：A singer holes up at a sinister estate to write new songs for his act. The ghost of his murdered wife begins to haunt him, then the person who actually killed her shows up at the mansion.

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简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：被指控縱火的阿莫多出獄了，卻沒有人等着他。他回到家鄉，一個位於加利西亞深山、全歐洲森林大火發生最爲頻繁的村莊，與八十三歲的老母親和三頭乳牛一起生活。跨過溼冷陰鬱的冬季，阿莫多循着自然的節奏緩慢生活，曾經乾枯的生命在春日微風和盛夏陽光裏逐漸舒展，直到森林的濫墾越來越近，漫山的烈火再度襲捲而來……。　　導演奧利佛勒賽回到兒時遊玩的西班牙山村，完成這部橫跨四季的宿命之詩。以熟識的當地素人爲主角，在充滿儀式感的攝影機運動與超十六毫米膠捲質地的影像中，凝視這片被他譽爲「擁有極端美感、高反差又難以預測」的山林景貌，靜謐中匯聚出懾人的能量；而人類的純真與猜忌、自然的更迭與滅絕、生命的渺小和無常，更隨着鋪天蓋地的熊熊烈火，迸發出灼人的滾燙。影像力道直追貝拉塔爾、塔可夫斯基。