驚變28周

简介：

即將30歲的吉姆情路坎坷，他的好友亞歷克斯慫恿他在生日前成爲真正的男人。二人在餐廳邂逅青春美貌的姐妹花凱蒂和露露，並相約在倫敦酒吧正式約會。兩對俊男靚女如期相會，這時吉姆收到媽媽的信息催促他回家慶生，露露提議隨他一同回家。另一邊，亞歷克斯對凱蒂表達愛意被拒，惱羞成怒向她潑酒。這一行爲引得凱蒂對其萌生殺意，幸而被返回酒吧的露露制止。凱蒂頗有深意地邀請吉姆和亞歷克斯去家中做客。當四人來到位於郊區的家中，凱蒂終於露出真面目。原來她一心想要使用祕術復活父親，吉姆便是她的最後一個目標。一向聽命於姐姐的露露不忍吉姆落入死地，和盤說出實情慾放他一條生路。但喪心病狂的凱蒂卻沒有給他逃亡的機會。吉姆命懸一線，眼看父親復活無望的凱蒂更加瘋狂，內心痛苦掙扎的露露最終決定大義滅親，了結姐姐從而結束慘劇。屋外警笛聲響起，露露被警察帶走。

简介：On the run from his former employer, a reluctant hitman seeks refuge in an isolated village where he is faced with events that test the true nature of his conscience.

简介：

北宋年間，寺廟老和尚止善收養了一個棄嬰，嬰兒的肚子上留有疤痕“東昌王文之子”，止善發現嬰兒是個半人半狐，毅然決定將其收養並教導他一心向善。他給嬰兒取名王孜，每日教王孜唸經打坐。

简介：北原十和子（蒼井優 飾）同名爲陣治（阿部隆史 飾）的男子過着同居的生活。雖然居住在同一屋檐下，但十和子和陣治之間卻並非情侶關係。十和子厭惡陣治的粗俗和懦弱，而即便被十和子辱罵嫌棄，陣治卻依然深深的爲她着迷。十和子有過一段不堪回首的戀情，前男友黑崎俊一（竹野內豐 飾）是一個徹頭徹尾的渣男，不僅利用十和子的身體，還在分手之時將十和子打成重傷。　　一次偶然中，十和子結識了名爲水島真（松坂桃李 飾）的男子，一來二去之間，兩人之間產生了不倫的感情。然而，水島真也只不過是貪戀十和子的肉體罷了。警察找到了十和子，向她詢問失蹤的黑崎的下落。

简介：千禧年前夕，笨拙的 12 岁孤女贝芙莉·穆迪（杰玛·布鲁克·艾伦饰）发现了一盘破损的混音带，这是她的父母在年轻时制作的。将贝芙莉抚养长大的祖母盖尔（朱丽·鲍温饰）曾经也是一位少女妈妈，并经历了丧女之痛，她不愿多谈这段伤心往事。贝芙莉则想趁此机会多了解自己的父母。于是她踏上了旅程，开始寻找磁带中收录的歌曲。一路上，她结识了古怪的邻居艾伦（奥德丽·谢饰）、看上去很凶的尼基（奥尔加·佩特萨饰），以及愤世嫉俗的唱片店老板阿反（尼克·图恩饰），他将为贝芙莉提供寻找歌曲的线索，并帮助她和盖尔重归于好。

简介：故事发生在十九世纪的圣彼得，安娜（葛丽泰·嘉宝 Greta Garbo 饰）嫁给了拥有显赫身世的丈夫卡列宁（巴兹尔·雷斯伯恩 Basil Rathbone 饰），尽管过着锦衣玉食的生活，但安娜和丈夫之间并没有爱情，一颗渴望滋润的心灵在日复一日的困顿生活中逐渐走向枯萎。 之后，安娜遇见了名为沃伦斯基（弗雷德里克·马奇 Fredric March 饰）的英俊军官，沃伦斯基的存在点燃了安娜心中的火焰，她熊熊的燃烧着，奋不顾身地投身于这段为世间伦理所不容的恋情之中。卡列宁强烈的谴责了安娜的不忠，勇敢追寻内心情感的安娜离开了丈夫，投向了沃伦斯基的怀抱，让安娜没有想到的是，她和沃伦斯基的幸福生活只维持了极为短暂的一段时间，当沃伦斯基将他的虚伪和自私暴露无遗之时，绝望的安娜亦来到了生命的尽头。©豆瓣

简介：

简介：高中生乖乖美女Emma、孤僻帥帥男Dean及其同學到島上度，兩人由於偶然意外被困於孤島，Emma心有所愛，Dean則偷偷暗戀，兩個人在孤島上的近百天內越靠越近…… 　　電視電影，跟舊的那個《青春珊瑚島》沒有任何聯繫，也沒有任何可比性，女角自然不可能像波姬小絲那樣嬌美，電影尺度也遠遠不如《青》，只能算是把小青年的純愛青春片從學校搬到了小島上而已，整個電影沒有重點，不知所謂。

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：一場在極圈進行的原子彈爆炸實驗，釋放了冰層中沈睡一億四千年的恐龍，這隻恐龍跑到紐約市大肆侵略，造成巨大恐慌。

简介：小拉姆舅舅在田裏發現錳礦,可沒資金,想老婆把她的首飾拿出抵押.可他老婆死活不肯,非常不支持他.拉姆媽媽知道後,把所有首飾都給了哥哥,連結婚項鍊都給了.於是,拉姆舅舅把事情發展起來了.可期間,小拉姆父母雙亡.拉姆舅舅只好把外甥帶回家.然而,拉姆舅媽在得知她丈夫並不認爲自己是那些財產的主人,而是替拉姆管理後,經常虐待拉姆,導致拉姆身心極大受傷.於是,在聽取醫生的建議後,拉姆舅舅把拉姆送到了不丹的一間寺廟.　　多年後,深受拉姆舅媽影響的拉姆的表妹茜塔在要得其爸爸的7千萬盧比成爲殘忍無情的老闆.不惜強行拆貧民窟推行她的商業計劃.然而,她爲了強行拆除貧民窟,她是藉助了惡霸立法議員的能耐,代價是與惡霸立法議員同居一個月.可是,自認爲了不起的茜塔卻毀約,於是,惡霸立法議員爲了得到她,不惜對她使出各種大招.　　就在此時,茜塔得知她爸爸死亡的消息,她開心啊,以爲可以得到500億盧比的財產.可是,她爸爸留給她的就是一條結婚項鍊,別的財產都給了拉姆.於是,自以爲是的茜塔又認爲能輕易從拉姆那得到那500億的財產.　　可是.....人算不如天算......

简介：

从海洋到陆地，地球的每个角落都充满垃圾。《它从未在此》是一部关于垃圾的电影，它展示了我们的家园深受垃圾的危害，这些垃圾随着人类足迹甚至去到了地球上最偏远的地方。