坂道之家

简介：On the run from his former employer, a reluctant hitman seeks refuge in an isolated village where he is faced with events that test the true nature of his conscience.

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故事发生在第二次世界大战时期，纳粹德国的空袭使美军第八空袭部队损失惨重。漫长的持久战，让美军的士气和斗志都消失殆尽，濒临绝境。然而吃紧的战况却不容得他们半点松懈和喘息。在此危机而关键的时刻，总部派来了新指挥官弗兰克·萨维奇（格利高里·派克 Gregory Peck 饰）接管这批队伍。面对德军的猛烈攻击和部队的严重损失，弗兰克意志坚定临危不惧，以铁一般的纪律和身先士卒的态度，带领部队一路拼杀，与德军殊死搏斗。弗兰克超绝非凡的气度和顽强到底的抵抗精神，深深地感染了部队里的每一位成员，队伍得以重振旗鼓，取得了重大胜利。                                                                      　　本片荣获1950年第22届奥斯卡金像奖最佳男配角和最佳音响效果两项大奖，并获得最佳影片、最佳男主角两项提名。

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正义联盟集结地球上所有超级英雄一起对抗强大的反派达克赛德。

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简介：烏雲遮月，風瀟月空，廢舊的鋼鐵廠裏懸掛着幾隻鐵籠，籠中捆綁着幾個神情緊張的人，這些人就是貪官、奸商、拐賣兒童犯、票販、不良醫生，他們在等待着審判和交易，周圍到處是女性武裝組織，性感而又暴力的氣息令局勢緊張。一輛摩托橫空出世，犀利而冷峻的反動者出現，動作神勇矯健、高超的車技、搶無虛發、一幕幕槍戰、漂移輪番上演...安安是一名努力認真的替身演員，又是一名異能學府的新生，青春洋溢在臉上，20歲的花季年齡讓她對這個世界充滿了憧憬，來到新的學校遇到特別的教授，好奇的安安挑戰一切未知，在安安身上上演着一幕幕搞笑、驚險、奇特又溫情的故事

简介：塔灣村青年葛二蛋，本想加入民兵隊伍，卻誤打誤撞成了皇協軍隊長。一腔愛國熱血的他將如何智鬥日本侵略者，完成“炸炮樓”的戰略任務，昔日村頭無賴能否成爲一名優秀民兵甚至抗日英雄……

简介：延敏（全智贤 饰）以假身份与一位军官通信。他们采用的是十分古老的飞鸽传书方式，延敏非常乐在其中。事实上，这名军官早已洞悉到了她的谎言，依然与延敏保持联系。通信有5年之久了，两人正准备见面的时候，延敏却没有出现。　　难过十分的军官回到了与延敏通讯时居住的小镇，寻找着对方的点滴。期间常常有信鸽给他送来勉励的话语。随后，他在书店里遇到了一名女孩，似曾相识的感觉令他困惑不已。临别之际，他再次来到这间书店，向女孩诉说着自己的失落与伤心。　　多年后，他看到了《白色情人节》这本书，才明白了书店女孩的真实身份。

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十九世紀末，兒童時代的亞森•羅平在盜賊父親的訓練中苦學技巧，同時將父親劫富濟貧的教導謹記於心，然而一次次從警察搜捕中逃脫的父親最終卻死在同伴的石頭下。時光荏苒，羅平（羅曼•達瑞斯 Romain Duris 飾）多年以後已經成長爲一個在各種高級社交場合上如魚得水的珠寶盜賊，他因探望母親重新與兒時的朋友格拉莉絲（愛娃•格林 Eva Green 飾）相見，併入住後者家中。在一個尾隨格拉莉絲之父的夜裏，羅平偶然發現了一起祕密審判：傳說不老的女人約瑟芬因盜竊隱藏法國國王寶藏的三支十字架而被判處極刑，羅平出手救走約瑟芬，獲悉寶藏的祕密，而這也使他招惹來勁敵波馬尼昂的追蹤。羅平、約瑟芬、波馬尼昂三人圍繞十字架展開了一段錯綜糾結的爭奪，而事情的真相，超乎所有人預料……

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：蝶在中學時代和好友真真產生了莫名的同性之愛，但是事情不是總那麼簡單，由於家裏人的介入，她迫不得已離開了真真，還交了男朋友成年的蝶是一所中學的老師，有疼她的老公，可愛的女兒，生活幸福美bbb。然而，在超級市場偶然邂逅的小葉成爲了她心中不滅的陰影，兩人的感情漸漸說不清，道不明瞭。

简介：供職於明潮雜誌社的記者藤井修一（山田孝之 飾）被主編安排前往東京監獄，會見不久前向雜誌社寄來要求會面信件的死刑犯——窮兇惡極並且血債累累的黑幫頭目須藤純次（皮埃爾瀧 飾）。須藤開門見山講明原由，入獄前他曾受被人稱作“老師”的房地產經紀木村孝雄（Lily Franky 飾）之託，採用各種巧取豪奪的方式騙取土地所有權和保險金，甚至不惜爲此殺人。現如今須藤鋃鐺入獄，等待死刑的到來，而“老師”則逍遙法外，快活如初。須藤無法原諒“老師”對自己的利用和欺騙，發誓要將其一同帶入地獄。爲了博得藤井的信任，須藤講述了三樁從未向警方供述的命案。藤井在毫無援手的情況下展開調查，終於發現一個個最爲醜陋邪惡的人性實例……　　本片基於真實事件改編，並獲2013年日本電影旬報十佳影片第三名。

简介：故事發生在福建海口鎮，林同善（於海 飾）和陳亞珍均生長於武術之家，兩家人的關係因此十分淡漠。某日，侵華倭寇綁架了陳亞珍的孩子小毛頭，此事恰巧被一位名叫上地完雄（於榮光 飾）的年輕武士撞見，上地完雄來中國，希望能夠在這裏磨鍊技藝，正義感爆棚的他救下了小毛頭，卻在一場意外中含冤揹負了殺人的罪名，只有小毛頭一人知曉上地完雄的清白。　　在南少林寺尚智大師的調解之下，林、陳兩家放下恩怨，冰釋前嫌。此時正值媽祖節，街道上湧動着遊行歡慶的隊列。在一片歡樂祥和的氣氛下，日本人川島和矢村正在醞釀着他們的陰謀，他們妄圖盜取媽祖像上價值連城的夜明珠。