潛艇總動員4章魚奇遇記

简介：故事設定在“猿流感”病毒蔓延全球的背景下，人類幾近毀滅，而進化爲高級智慧生物的猿類一躍成爲食物鏈頂端的王者。時移世異，暴虐的猿類首領賽撒（凱文·杜蘭 Kevin Durand 飾）在一片廢墟中建立起猿族歷史上的第一個帝國——“猩球”崛起，這是世界新秩序誕生的黎明時分。神祕的人類女孩諾娃（弗蕾婭·艾倫 Freya Allan 飾）的出現，引起了賽撒的警覺。她似乎掌握着一個巨大的祕密，不僅關乎人類的存亡，甚至可能再度顛覆整個“猩球”。被迫逃亡的諾娃在躲避賽撒軍隊的過程中，與青年猿類諾亞（歐文·泰格 Owen Teague 飾）的命運交匯，揭開了一段冒險的旅程。

简介：911接線員艾莉絲是個生活孤單的年輕女性；某天，她居然收到一份詭異的快遞：一副棺材！驚嚇之餘、不得已只能將棺材暫放客廳的艾莉絲，為了找出寄送者的身分，展開一場怪誕旅程。送棺材給她的，究竟是鬼屋主人、殯葬業者，還是與她分分合合的前男友賽斯？這一切背後又有什麼離奇動機呢？

简介：一個現代版的灰姑娘故事。珊曼（希拉里·達芙 Hilary Duff飾）在父親的童話故事中長大，不料卻成爲了童話中的灰姑娘。父親過世後，繼母和同父異母姊妹的侮辱和虧待，令她的日子過得苦不堪言。她想考取普林斯頓大學，想逃離這個齷齪的小世界，珊曼把她的夢想和苦惱都訴說給一個親密的網友，他是她心靈的依託，是她的白馬王子。　　萬聖節的相見摧毀了吉娜的夢。眼前的網友，竟然是學校裏有名的帥哥運動員奧斯汀（查德·邁克爾·墨瑞 Chad Michael Murray飾）。一個是平凡黯淡的女孩，一個是閃亮耀目的男生。幸好吉娜喬裝打扮，沒被人奧斯汀認出。二人如此不登對，心虛的吉娜落荒而逃，不小心遺下一部手機。　　就像玻璃鞋被王子揀到之後的故事，奧斯丁拿着手機尋找自己的灰姑娘，而吉娜，卻無法相信自己怎會像灰姑娘般幸運。於是這出愛情故事，註定充滿曲折而窩心的波瀾起伏。

简介：(甘)網影審字(2022)第001號，甘肅未來影業有限公司

简介：

简介：日理萬機的商界女強人瑪格列特（蘇菲·瑪索 Sophie Marceau 飾）精明強幹，性感而極富活力。然而正值不惑之年的她，也同樣面對着理想與現實、事業與家庭帶給她的困惑和彷徨。40歲生日那天，瑪格列...

简介：六位身份各異的陌生人，爲贏取高額獎金，在神祕盒子的指引下受邀參與世界頂級密室逃脫遊戲。誰知密室內佈局精良機關重重，陷阱遍佈殺機暗藏。是刺激遊戲，還是博命賭局？誰在背後操控這一切？誰能夠成功破解謎局，逃出生天？

简介：Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.　　One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

简介：一年一度的春假到來，來自全國各地的大學生紛紛湧向度假勝地維多利亞湖，他們縱情歌舞，尋歡作樂。青年傑克·福斯特（史蒂芬·R·麥克奎恩 Steven R. McQueen 飾）追隨友人來到海邊。在電視人德...

简介：1981年，艾滋作爲一種前所未見的免疫系統缺陷疾病在紐約出現。由於它集中發生在男同性戀當中，所以在當時又被稱爲“同志病”。內德（馬克·魯弗洛 Mark Ruffalo 飾）是一個激進的同志作家，當他看着朋友紛紛死去以及政府的不作爲時，義憤填膺的他發起了男同健康危機組織， 呼籲政府和社會公衆對這場即將爆發的大瘟疫給予重視。半身癱瘓的女醫生艾瑪（朱莉婭·羅伯茨 Julia Roberts 飾）是少數從一開始就高度警惕艾滋疫情的的醫護人員，也是內德重要的異性戀盟友。在運動中內德認識了紐約時報記者菲尼克斯（馬修·波莫 Matt Bomer 飾），兩人陷入如火如荼的熱戀。然而菲尼克斯最終也被確診感染，悲痛的內德惟有愛人和事業兩線作戰。健康危機組織的主席布魯斯（泰勒·克奇 Taylor Kitsch 飾）雖然是內德最好的朋友，然而深櫃的他行事風格與好鬥的內德截然相反。執行董事湯米（吉姆·帕森斯 Jim Parsons 飾）一直試圖平衡兩人，卻無法消弭越來越大的分歧，一場決裂迫在眉睫。而此刻已是艾滋在美國蔓延的第四個年頭......　　HBO電視電影《平常的心》改編自託尼獎同名戲劇，作者拉里·克萊默親身經歷了80年代的艾滋風暴，他以自己爲原型，將紐約同性戀人羣以及艾滋病人的生活和感悟寫進劇本。電影不但描繪了早期艾滋運動的真實和複雜面貌，而且呈現了同志爭取權益的曲折與必要性。無論身處怎樣的時代和環境，去愛、去追求愛都應該與生俱來的權利。

简介：40年後，Felice回到了括別已久的故鄉——那不勒斯。　　他重新探索了城市裏的一些場所、一些代碼，以及一段讓他難以忘懷的過去。

简介：

みなし児のツッパリ娘が大富豪のお坊ちゃまの家庭教師をすることになり、誘拐事件に巻き込まれていく姿を描く。