1
6.0

羅馬的房子

導演:
胡里奥·密谭
主演:
埃倫娜·安納亞,娜塔莎·亞羅溫科,恩裏克·洛維索,納瓦·尼姆利,Ander Malles,Laura Meizoso
别名:
未知
6.0
1人評分
未知
語言
2010-04-24
上映時間
未知
片長
簡介:
羅馬的房子,英文名爲Habitación en Roma,是年上映的西班牙劇情電影。 影片上翻拍自一部智利2005年的電影《在牀上》,但是導演將原片中的一男一女的結構變成了兩個女孩的相遇。 初夏的第一個夜晚,擁有兩個孩子的西班牙母親阿爾芭(埃琳納·安娜亞 Elena Anaya 飾),一週後即將嫁人的俄羅斯女孩娜塔莎(娜塔莎·亞羅溫科 Natasha Yarovenko 飾),在意大利那充滿古韻的首都羅馬相遇。兩個女人的祕密,就這樣綻放在一個羅馬的房間。愛神的箭從天際射向了她們,慾望也爲她們開拓了一個曖昧又趣味的時刻,使兩人初相識的隱瞞與防衛心,竟開始逐一融。兩個女人的心事,就這樣交融在這樣一個沁涼的初夏。這是一場持續了12個小時的愛慾盛宴,它穿過了深夜、一直到天亮。清晨的降臨,預示着彼此的分離,她們要去面對現實生活與精神自由的考驗。羅馬這座城市終究會變成她們一箇中轉站,還是一個新的起點?  
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主演:耶日·斯圖爾,克里斯提娜·楊達,卡里娜·謝魯斯克,馬裏烏什·德莫霍夫斯基,馬雷克·瓦爾切夫斯基,揚·諾維茨基,亨裏克·比斯塔,萊昂·涅姆奇克,克茲佐夫·馬紮克,斯坦尼斯瓦夫·伊加爾
简介:Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
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